Get it now! a Modern KEYNOTE Template for your Presentation business or personal use. SIMPLE was made with infographic, illustration, SmartArt and other element to show your data, financial, and business process to your beloved client, the content and theme is very suitable for financial industry such a Loan, Audit, Legal, Training, Insurance, Leasing, Trading, and another Industry. All elements are editable from a shape to colors no need another software to edit it, just use a keynote, all presentation include an animated slide and transitions.

Keynote KEY | 1920x1080

https://graphicriver.net/item/simple-keynote-presentation-as-simple-as-im/11838913?s_rank=16

 

 

Set of social media sale banners, and ads web templates. Vector illustrations can be usedseason online shopping website and mobile website banners, posters, email and newsletter designs, ads, coupons.

All the banners are easy to edit, customize and resize, because of vector shapes and very well organized layers. Fonts used and links to download free fonts, are included in the ReadMe.pdf document.

Photoshop PSD | Transparent PNG | JPG Image | Vector EPS | AI Illustrator

https://graphicriver.net/item/autumn-social-media-sale-banners/18931613?s_rank=11

 

http://www.myfonts.com/fonts/uniontype/ut-triumph/

UT Triumph Script by Uniontype is a modern type family inspired by classic Americana scripts. The family consists of regular, vintage, and press styles. Also it contains shadow layers with which you can quickly & easily add depth of UT Triumph Script by duplicating the text layer and switching it to Shadow. Choose сolor and offset according to your taste. UT Triumph Script provides advanced typographical support with contextual alternates, ligatures and swashes. UT Triumph Script is good for menu, signs, packaging, posters, letterings and logos. Use the vintage and press styles to feel the true spirit of new retro!

http://www.myfonts.com/fonts/Wacaksara-co/thillends/

Thillends is a fancy handlettering typeface with a clear style, good mood, and dramatic movement. It’s allowing you to create beautiful hand-made typography in an instant.It’s most suitable for headlines, logotype, editorial design, branding, letterhead, poster, apparel design, product packaging, label or anything that need handlettering taste.Thillends comes with so many variations on each characters include Uppercase, Lowercase, Numerals & Punctuations, Stylistic Styles, Ligatures, Discreationary Ligatures, and Titling. You will also discover extras swash added to give that finishing touch to your texts.

http://www.myfonts.com/fonts/corradine/triunfo/

Triunfo is a modern slab serif font family. It comes in 21 variants of weight and wide that allows you to choice the best option to your work.

http://www.myfonts.com/fonts/indian-type-foundry/thug/

Thug Plain and Thug Rough are two heavy slab serif fonts optimised for posters. The thick strokes and serifs are the typeface’s predominate features. Despite looking so dark, Thug channels contemporary design ideas more than it calls back to poster-sized wood types from the 19th century. Thug Rough’s character set includes 155 more glyphs that Thug Plain. This allows each letter to come in three versions, all with unique roughed-up effects to help users to avoid headlines where identical letters appear closely together.

http://www.myfonts.com/fonts/tetradtype/text-tile/

TextTile is a system of heavy sans titling faces which can be utilized to carry a repeating chromatic pattern across words and letters. It stands apart from other chromatic faces, where layered effects typically interact only within each letter and do not carry through from one letter to another.The pattern repetition across letters of varying widths is achieved through OpenType substitution, using conditional alternates for each successive letter to allow for a seamless appearance across words, regardless of letter combinations. Though the pattern exists on a strict grid and the letters' widths and spacing must be highly regular in order to preserve the pattern repeat, the letterforms themselves are not rigid; rather, they appear organic, lively.The initial release includes patterns inspired by a classic buffalo plaid, separated into its horizontal and vertical components to maximize the creative possibilities for layering one-, two-, three-, and even four-color plaid patterns. Kits are available to produce the plaid pattern in detail—with overlapping diagonal hatching fully visible—or as a simplified version in which transparency can be used to simulate plaid or to create a checkered or striped effect.

ViabellaT H Pro Font Family - 8 Fonts $999
OTF
The script version of the typeface Viabella introduces us to the calligraphic side of the Berlin type designer and typographer Karl-Heinz Lange. The sketches for this script typeface, which resulted from the close cooperation with Veronika Elsner and Günther Flake, found their roots in sketch drawings which Karl-Heinz Lange had already drawn in the 1980’s.
For the Viabella design, Karl-Heinz Lange drew the basic letterforms of the Black and Regular cuts with a brush. He then re-worked the drawings and transferred them on to tracing paper. The design studio Elsner+Flake in Hamburg cut these typeface extensions and later digitized them manually with the help of the IKARUS Sustem. With the Regular cut as a basis, Elsner+Flake extended the family with the Light version and interpolated and re-worked the Medium weight. The completion of the family was taken over by the type designer Björn Gogalla who had done the same kind of work on Rotola, a design which Karl-Heinz Lange had also created for Elsner+Flake.
While Viabella was originally conceived as a headline typeface, its lighter weights can certainly be used for shorter text applications. The Black version creates powerful headlines with highly effective accents. With the help of swashes, which are available for all weights, the user can lighten up longer texts and add special character to titles.
In contrast to pure headline fonts, Viabella has been enriched by an extensive complement of special characters. In addition to the Europa-Plus character set which allows setting type in over 70 latin-based languages, the user will find multiple versions of numerals as well as oldstyle figures, tabular and proportional lining figures, diagonal fractions, and a complete set of superior and inferior figures and fractions (60%).
With such a rich character set, Viabella is not only ideal for many different uses in the areas of newspaper, magazine and advertising but it will surely be chosen for the design of greeting cards, invitations and other design projects within the privat sphere.
Previews

http://www.myfonts.com/fonts/astrolux/tin-sign/

A new “Trifonictype” font (Barn Owl the 1st) from astroluxtype. It’s three fonts in one. Tin Sign can be used to create special typographic “effects” in your image manipulation program and other apps as you change opacity, layering etc. to get a wide range of different looks to the three components to this font. Bold. Distressed. Vintage. Dimensional. This is a display/headline only font recommended to be used larger than 36pt. It is letter spaced open, but by using letterspacing in your app you can customize the look to your desired spacing. Tin Sign Fill, Tin Sign Shadow and Tin Sign Outline can be used together or separate to create a new look each time you use them. Shadow can be in the back or front which shows the interior shadow on the glyph. It is a minimal/basic font set. It is an all uppercase font with a small mix of lowercase glyphs in the lowercase positions. These bring an additional element/look to your design should you choose to include them. How Tin Sign works, type your headline, copy it and paste it in front or back. Choose a different component of the font, do it a third time with again a different component of the font pasted in back (or front) choose a new color at each step and see the results. In your application play with transparency and other effects to get the font artwork that you desire. Tin Sign brings multiple possibilities to your layouts and design with its modular components that lend themselves to manipulation and exploration.

http://www.myfonts.com/fonts/cifonts/tapas-signpainting/

Tapas Signpainting is a typeface based on traditional sign painting letters designed by Cifonts. This family has six variants and is useful to compose display texts, vintage logos, headlines & packaging.

http://www.myfonts.com/fonts/grype/tradesman/

Rough-hewn industrial geometric typefaces have been used and admired from early wood types through the digital age of Machine and beyond, but they have lacked an expansive enough family to become a true workhorse. The Tradesman family finds its origin of inspiration in the Craftsman tool company logo, and from there expands to type megafamily.Tradesman celebrates the angular octagonal forms of industrial lettering, transcending its brand inspired origin to give birth to a font family that pulls on modern and historical styles. It inherited its reliably tough tone from the all capitals lettering that inspired it, and goes on to include a lowercase, small caps style, and a comprehensive range of widths and weights, creating a straightforward, uncompromising collection of typefaces that lend a solid foundation and a broad range of expression for designers.

http://www.myfonts.com/fonts/hoftype/taxon/

Taxon is a straightlined Sans with a clean, fresh and unsentimental look. Related to classical faces like Optima and Imago, it appears more contemporary and merges the austere linearity of the Grotesk with the elegance of the Antiqua.The Taxon family consists of 12 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals, matching arrows and alternate characters.

http://www.myfonts.com/fonts/john-moore/virtual/

Virtual is an experimental fantasy font based on a pseudo optical enclosure where a linear system that is not connected there. Virtual comes in three weights: regular. light, and thin also an virtual mix by mixing different thicknesses in a single font, with alternative variations through features of open type.Virtual is an experience based on play with the laws of the Gestalt of closing.

Telingater Display Font $30 | 1 x TTF | Turkish Support
http://www.myfonts.com/fonts/paratype/telingater-display/ 

Trissino DT Font $49 | 1 x TTF | Turkish Support
https://www.youworkforthem.com/font/T4720/trissino-dt 

Tarocco Font Family $178 | 22 x TTF
https://www.myfonts.com/fonts/macrhino/tarocco/
Tarocco is a typical book face with good readability and rather tall x-height. The origin for this typeface is found in Nordisk Antikva. A typeface especially constructed with attention for the Swedish language.Waldemar Zachrisson was determined to realize his ideas and in 1906 he began to cooperate with the foundry Genzsch & Heyse, based in Hamburg. Some influences of Jugendt can be found and the typeface were released in 1910. It became rather popular until around 1930. 

Tinsel Font Family $69 | 3 x TTF
http://www.typogama.com/#!tinsel/cq0i
Tinsel is a condensed, three weight typeface family that was created for use in tight text settings, like those found in movie poster billing blocks. 

Thunderbolt Font Family $169 | 16 x TTF
http://www.typogama.com/#!thunderbolt/c1hcs
A mixed typeface family composed of a regular form, a rounded form and two accompanying stencil styles. This large range allows a great mix of styles and weights will setting text layouts. 

Trajana Sans Font Family $72 | 4 x TTF | Turkish Support
http://www.myfonts.com/fonts/tipo-pepel/trajana-sans/

The “Trajana Sans” is a sans-serif typeface family based on the shapes and proportions of the characters in the Trajan’s Column in Rome. It consists of 4 weights, Light, Regular, DemiBold & Bold. Ideal to give a classic look and renewed our jobs without having to resort to the usual Trajan font. 

Tondo Font Family $270 | 4 x TTF | Turkish Support
http://www.myfonts.com/fonts/daltonmaag/tondo/
Tondo is a contemporary rounded sans serif font family which can easily fend off any of its competitors. The Corporate edition of the Tondo font family includes Latin, Greek and Cyrillic character sets. The rounded ends of Tondo’s strokes are slightly flattened. This approach to rounding helps the font to appear more stable and less fuzzy, particularly when set at smaller sizes. The drawing of the characters is precise and clean without appearing mechanical. When set, Tondo will create an even and harmonious texture that does not aim to compete with other design elements, but supports the brand with a subtle voice.The meticulous crafting of every detail ensures that Tondo stands up to the closest scrutiny when used at very large sizes, such as on billboards, and although not primarily designed for body text, Tondo functions very well at smaller sizes too. The Standard Edition Tondo font includes a complete Latin Extended A character set, but please see the Tondo Corporate Edition for a character set including Latin, Greek and Cyrillic alphabets. 

Vezus Serif Font Family $110 | 4 x TTF | Turkish Support
http://www.myfonts.com/fonts/tdf/vezus-serif/ 

Trendy Font Family $149 | 5 x TTF | Turkish Support
http://www.myfonts.com/fonts/calderon-estudio-type-foundry/trendy/ 

Trilon Font Family Complete Pack $2400 | 80 x OTF | Turkish Support
http://www.terminaldesign.com/fonts/trilon-complete-family/
http://www.terminaldesign.com/fonts/trilon-compressed-complete-family/
http://www.terminaldesign.com/fonts/trilon-condensed-complete-family/
http://www.terminaldesign.com/fonts/trilon-expanded-complete-family/ 

User Stencil Font Family $150 | 10 x OTF | Turkish Support
http://www.myfonts.com/fonts/dstype/user-stencil/ 
User is a monospaced type family with 30 styles, from Hairline to Bold, divided in Regular, Upright and Stencil, with five weights (Hairline, ExtraLight, Light, Medium and Bold) all with Cameo versions. Complexity and versatility are the keywords for this type family. Despite being a monospaced font, which means there’s no kerning, all the glyphs were designed in order to sit comfortably in the 600 points width, a hard task because some glyphs are too narrow (‘i’ and ‘l’), while others are too wide (‘m’ and ‘w’), but they must fit the same width. The desire for keeping a comfortable readability in User was one of the key elements, therefore we designed several ligatures that fit both single and double space width, allowing to maintain a certain idea of proportional design. In this digital booklet you will find a detailed vision of the anatomy of the typefaces, the amount of characters available, the styles and weights, along with a series of features, specially designed to make User a very versatile and usable type system.