Aloe - 1930's Display Font Family $210

18 OTF Font Files | Designer: Roch Modrzejewski | Design Date: Apr 21, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/rohh/aloe/

Aloe is a display font family inspired by headlines from 1930’s newspapers and hand writing.

The family consists of 9 weights, ranging from Thin to Heavy, with matching ornament fonts.

Each weight has over 900 glyphs including advanced typographic features, such as vast number of stylistic alternates, swashes, titling and terminal forms, case sensitive forms, ligatures, symbols, ornaments as well as lining and old style figures, fractions, subscripts and superscripts. This original mixture of display typeface with hand writing gives a versatile family great for all sorts of uses - from advertising, packaging, branding, wedding invitations, menu cards and other editorial uses to screen and web projects. Aloe also works very well for short to medium paragraphs of text.

Adorn Smooth - Create Wedding Invitations Event Posters Book Jackets Packaging $65

11 OTF Font Files | Designer: Laura Worthington | Design Date: Apr 28, 2015

http://www.myfonts.com/fonts/laura-worthington/adorn-smooth/

Like the original Adorn family on which it’s based, Adorn Smooth provides a suite of distinctive typeface designs designed to complement each other rather than match exactly. Adorn Smooth revisits 6 faces from Adorn — Pomander, Serif, Slab Serif, Engraved, Condensed, and script Catchwords; plus ornaments, banners, and frames — in smooth, untextured versions. As with Adorn, Adorn Smooth provides a disparate but harmonious typographic toolkit for creating wedding invitations, event posters, book jackets, or packaging.

Hoofer - Brush Script, Mono Line Script and Sans-Serif with Ornaments Mega Family $89

28 OTF Font Files | Designer: Anton Scholtz

http://www.myfonts.com/fonts/scholtz/hoof/

Light and flexible, slightly retro, casual and readable, Hoofer combines 28 brush script, mono line script and sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way. The Hoofer Mega-Family of fonts can be divided into three sub-families:

Hoofer BRUSH subfamily: An eclectic group of five fonts. These are mainly joined scripts.

Hoofer LINE subfamily: Seven mono-line scripts with joined letters in a number of weights, widths and styles.

Hoofer SANS subfamily: Sixteen casual, Sans-Serif fonts. They are very readable and in a variety of weights & styles

The mood of the Hoofer mega-family is light and flexible, slightly retro, casual and readable. It combines script and many sans-serif styles with ornaments into one Mega-Family. The different styles of the Hoofer Mega-family have been chosen to work together and to harmonize in a pleasing way.

The Brush Sub-Family is designed for titling, packaging and display purposes,

The Line Sub-Family can also be used for titling, packaging and display, however, it is less “showy”, and conveys an air of informality.

The Sans Sub-Family is designed to shine as sub-heads and as body text. The wide range of Hoofline styles gives you, the designer, great flexibility in creating just the mood or impression that you want.

Most of the fonts can use one or more OpenType Features. These can be accessed in a number of ways. The reason for this is that the major software producers provide different (and often conflicting) ways of accessing OpenType Features. In some cases such software manufacturers provide NO way of accessing certain OpenType Features. We have tried to remedy this by providing a highly flexible family of fonts. You can access two sets of figures (numbers) in Hoofer Sans fonts. Both sets are tabular and lining but they differ in the height (but not the width) of the figures.

The height of the alternate figures has been chosen so that they are compatible with the small caps. However, these alternate figures are available in ALL Hoofer Sans fonts, whether they feature small cap fonts or not. 

Hoofer has all the features usually included in a fully professional font. Language support includes all European character sets, Greek symbols and all punctuation. Opentype features include automatic replacement of some characters and discretionary replacement of stylistic alternatives.

Egorycastle - Antique Medieval Headline Font OTF $40

OTF Font File | Designer: Cucu Supriyadi | Design Date: Apr 21, 2015

http://www.myfonts.com/fonts/seventh-imperium/egorycastle/

Egory castle was inspired from the history of the medieval age. The idea was to make us interested to explore in the aspect of art and decorative letters forms. Lots of studies that we have learned from history in middle age and inspiration from many different sources make very valuable references for us to develop a new idea in the development of this typeface.

Lockon Velline - Tattoo Style Antique Font $25

OTF Font File | Designer: Cucu Supriyadi | Design Date: Apr 21, 2015

http://www.myfonts.com/fonts/seventh-imperium/lockon-velline/

Lockon Velline wass inspired from a biker and tattoo style with progressive edge and sharp tips, to make the fonts more bold and dynamic. Equipped with Open Type features to activate the stylistic alternates to play with as desired for your individual taste.

Kyouking - Effective Ghotic Font  $25

OTF Font File | Designer: Cucu Supriyadi | Design Date: Apr 21, 2015

http://www.myfonts.com/fonts/seventh-imperium/kyouking/

The Kyouking design is basically the structural century blend with a modern feel approach to make it a flexible and epic, effective font for the creation of ambitious poster headlines, Book covers, logos and so on.

Webnar - New Modern Geometric Sans-Serif $220

14 OTF Font Files | Designer: Mariya V. Pigoulevskaya | Design Date: Apr 7, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/northernblock/webnar/

Webnar is a modern geometric sans serif font family of 7 weights, including italics, created with information and technology in mind. It is a functional, versatile and highly legible typeface designed to perform well in print and on screen. Webnar features a variety of alternative characters, including a set of geometrically constructed glyphs, inspired by Paul Renner’s original experimental design for Futura. They are perfectly suited for creating punchy and memorable headlines. Details include italics, 541 characters, extended Cyrillic, softened edges, carefully placed ink traps, manually edited kerning and Opentype features.

Revorioum - Antique Medieval Headline Font OTF $46

OTF Font File | Designer: Cucu Supriyadi | Design Date: Apr 21, 2015

http://www.myfonts.com/fonts/seventh-imperium/revorioum/

Revorioum has a classical bold contemporary typeface with a dynamic and flexibility touch, it is equipped with lots of opentype features making it easy to play with.

Liebe Restaurant Menu, Cook & Lettering Fonts $60

3 OTF Font Files | Designer: Ulrike Rausch

http://www.myfonts.com/fonts/liebe-fonts/liebe-menu-lettering/

http://www.myfonts.com/fonts/liebe-fonts/liebe-menu/

http://www.myfonts.com/fonts/liebe-fonts/liebe-cook/

LiebeMenuLettering is a collection of commonly used words and phrases found in restaurant signage and menus. Every phrase has been hand-lettered to give your menus or dinner invitations the handmade but professional look they deserve. The most frequently used restaurant terms from four different languages (English, Italian, French, and German) are included in this single font and can be used in any text or graphics application. 

LiebeMenu is a comprehensive set of hand-drawn restaurant and menu essentials: Restaurant signs and menu labels, dishes with vegetables, meat, fish and cheese, and of course drinks and desserts. Whether you design professional menus for a gourmet restaurant or for your friend’s dinner party, LiebeMenu instantly adds a warm personal touch. Over 110 carefully crafted drawings are included in this single font and can be used in any text or graphics application.

LiebeCook is a carefully crafted collection of fruit and vegetables, forks and knives, pots and home appliances, in countless variations and sizes for creative flexibility. Create a neatly illustrated cookbook of your favorite recipes, send dinner invitations to your friends, or decorate your restaurant’s menu—with LiebeCook you will surely give your designs a personal touch. More than 170 drawings are included in this single font and can be used in any text or graphics application.

Windsong - Elongated Script Fonts $255

12 OTF Fonts | TURKISH SUPPORT | Designer: Rob Leuschke

http://www.myfonts.com/fonts/typesetit/windsong/

WindSong is a beautiful elongated script with extensive OpenType programming that gives a powerful solution to the design needs of the graphic design professional.

Neology - Designed for Fluent Reading $199

15 OTF Fonts with WOFF Webfonts | Designer: Nick Shinn | TURKISH SUPPORT

http://www.myfonts.com/fonts/shinn/neology/

This typeface has been designed to demonstrate a hypothesis: consistency in letter form and style is not essential to fluent reading. The Neology fonts also include both plain constituents, Neology Deco (1920s-style minimalist geometric) and Neology Grotesque (similar to Helvetica etc., but with a small x-height). All fonts have both three-quarter and full cap-height lining figures. The plain fonts have stylistic alternates (“a” for Deco and “g” and “l” for Grotesque).

Balcon Round - Modern Magazine Font Family $120

5 OTF Font Files | Designer: Dusan Jelesijevic | TURKISH SUPPORT

http://www.myfonts.com/fonts/tdf/balcon-round/

Balcon is condensed sans family designed to be your first web font choice. Contains 5 weights: Light, Regular, Bold, ExtraBold and Black, it fits perfect into any project, from editorial editions to packages, labels, posters. If you're looking for “sharp” version of this family, feel free to check Balcon sans family.

Konga - Kiddy Caribe Typeface $76

2 OTF Fonts | Designer: Rodrigo Araya Salas | TURKISH SUPPORT

http://www.myfonts.com/fonts/rodrigotypo/konga/

Smile - Fat Kiddy Typeface $15

OTF Font File | Designer: Rodrigo Araya Salas | TURKISH SUPPORT

http://www.myfonts.com/fonts/rodrigotypo/smile/

Fedora Pro - Creative Typeset $50

Designers: Carolina Santana | Design Date: Apr 18, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/rodrigotypo/fedora-pro/

Sans serif typography, playing with alternatives as a layer and another set of ornaments to make your titles something very nice and very entertaining. Styles can also be combined. 

Created by Carolina Santana.

Bufon - Display Typeface $38

2 OTF Font Files | Designer: Daniel DeMilan | Design Date: Apr 18, 2015 | TURKISH SUPPORT

http://www.myfonts.com/fonts/demilan-studio/bufon/

Selektor - Technical Geometrical Sans Typeface $99

6 OTF Font Files | Designer: Dusan Jelesijevic | TURKISH SUPPORT

http://www.myfonts.com/fonts/tdf/selektor/

Selektor is a small font family characterized as geometrical sans. Inspired and after that designed with charm of technical letters, it contains a few letters with specific endings that gives Selektor a peculiar impression. Global overview of Selektor says it’s a neutral, corporate, stable, well balanced font family, but not cold and heartless to leave readers without remembrance on its characteristics. It is fully appliable in all kinds of publications, from long texts in paragraphs to titles and product names. Contain 3 weights - Light, Regular and Bold and matching Italics. All family members include Small Caps and Fractions as well as additional OpenType features.

Kamenica - Condensed Retro Display Font Family $68

3 OTF Font Files | Designer: Dusan Jelesijevic | TURKISH SUPPORT

http://www.myfonts.com/fonts/tdf/kamenica/

“Kamenica” - named after a beautiful small mountain river in Serbia - is a font family containing 3 weights: Light, Regular and Bold. The Kamenica river is only a few meters wide. Mostly shallow and cold, clear and green, it was the direct inspiration source for the creation of this condensed typeface. As our other typefaces, “Kamenica” also combines traditional shapes with modern forms, tall x-height and a collection of more than 300 glyphs. Comparing the river with the font, we could say that letters are the fishes that lives in the Kamenica river and that the font weights are the seasons in which this river shows most of its own character.