Bunga Sheila - Handwritten Font U7YBPEN

OTF TTF | 58 KB

CreativeMarket - Reillytta Sheilabe 16426948

2 OTF | 2 TTF | 165 Kb

Queen Sheila Font

OTF TTF | 159 Kb

Hello Sheila Font

OTF TTF | 131 Kb

Sheila Script 

OTF TTF | 86 Kb

OTF & TTF |  44.7 Mb RAR | SALE PAGE

• From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.

Canaro Font Family 18xOTF

OTF TTF | 18 Fonts | JPEG Preview | 1.3 Mb RAR | Canaro Font Family

• Conceived as an exploration of geometrical typedesigns of the early 20th century, Canaro developed into a font of that period with a modern streak. The lack of spurs provide a unique but unobtrusive appearance and support the contemporary character. In addition, the open shapes in combination with a tall x-height, create legibility in small text sizes. Typographic features like alternative lettershapes, ligatures, oldstyle numbers, arrows, fractions, special characters and many more, round up the whole family. Canaro is available in nine weights plus matching italics. Ranging from sharp and elegant thinner cuts to sporty and athletic heavy weights.

Core Sans NR Font Family 108xOTF TTF

OTF | 108 Fonts | JPEG Preview | 6.6 Mb RAR | SALE PAGE
3 Widths (Condensed, Normal, Extended)
9 Weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black)
Italics for each format

• The Core Sans NR Family is a part of the Core Sans Series, such as Core Sans N, Core Sans N SC, Core Sans M, and Core Sans G. This family is the rounded version of Core Sans N family. Letters in the Core Sans NR Family are designed with genuine neo-grotesque and neutral shapes without any decorative distractions. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. The Core Sans NR Family consists of 3 widths (Condensed, Normal, Extended), 9 weights (Thin, ExtraLight, Light, Regular, Medium, Bold, ExtraBold, Heavy, Black), and Italics for each format. It also supports WGL4, which provides a wide range of character sets (CE, Greek, Cyrillic and Eastern European characters). Each font includes support for Superiors and Inferiors, Fractions, Tabular numbers, Arrows, Box drawings, Geometric shapes, Block elements, Mathematical operators, Miscellaneous symbols and Opentype Features such as Proportional Figures, Tabular Figures, Numerators, Denominators, Superscript, Scientific Inferiors, Subscript, Fractions and Standard Ligatures. We highly recommend it for use in books, web pages, screen displays, and so on.

Grey Sans Font Family

OTF | 8 Fonts | 0,3 MB RAR | SALE PAGE

• Grey Sans is a contemporary sans with an angular design. Rooted in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas of typeface design.

LunchBox Slab Font Family

 4 OTF | 4 TTF | 0.5 MB RAR | Sale PaGe

• LunchBox Slab is the pair of LunchBox, a uniquely hand-drawn typeface that gives numerous customizable options and a fully authentic look. The serifs in LunchBox Slab are simple blocks, with bulbous terminals on curved letters, which creates a unique effect.Identical to its pair behind the scenes, LunchBox Slab’s OpenType features allow access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well.

In And Out  Font Family

 7 OTF, 7 TTF Files | 1.8 MB | SALE PAGE

12 OTF & TTF  | 1.8 Mb RAR 

• Thirsty Script from Yellow Design Studio is a contemporary script conceived as a marriage of elements from vintage signage scripts, Wisdom Script, Deftone Stylus, and Lobster. The result is a typeface with a ‘new meets vintage’ vibe. It’s friendly with an edge...a mixture of retro script, modern sans serif, and a shot of caffeine. Features include six weights from Light to Black, shadow layers, old-style figures, contextual alternates (for a slightly more traditional feel), multiple language support, and a handy selection of ligatures and stylistic alternates.
• SHADOWS: Add depth and pop to all six weights of Thirsty Script quick & easy by duplicating the text layer and switching it to Shadow. Color and offset to taste.

Thirsty Display Font WEFS5X9

PF Din Text Compressed Pro 14xTTF

TTF | 14 Fonts | JPEG Preview | 1.9 Mb RAR | SALE PAGE

• The DIN Text Pro series, has lowercase ascenders that are higher than the capitals, varying letter proportions and italics that are not a mechanically-obliqued version of the regular weights, but rather true-italics. Each weight consists of an average 1280 glyphs. The letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The other two superfamilies Condensed and Compressed share the same attributes as the original. With its vast array of weights, the extended language support, but most of all its careful and detailed design it has proved valuable to numerous design agencies for their complex corporate projects. Additionally, every font in these superfamilies has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.

Bonbon Font Family 6xOTF, TTF

OTF | 6 Fonts | JPEG Preview | 11.5 Mb RAR | SALE PAGE

• Bonbon is a delicious script family of three weights. With the total number of over 850 glyphs per font Bonbon is loaded with alternates: there are at least four alternates for each letter. Turn on Swash, Contextual, Stylistic or Titling Alternates to easily access the variants in any Open Type savvy program or manually select them from Glyph palette. Turn on Small Caps to activate a complete set of clear yet lively capital letters designed to go with the font. For the best results combine Bonbon with Bonbon Ornaments, a set of 180 swooshes, swashes, ornaments and pictograms to complete your designs.

Abelina Font Family

OTF | 2 Fonts | JPEG Preview | 37.7 Mb RAR | SALE PAGE

• «Abelina» is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting. Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic tools – in this case the pointed brush – led to a typographic result based on the pattern-like structure coming from the chancery and italic calligraphic models. «Abelina» - initially designed by Yanina Arabena (Calligrapher, Graphic Designer and Typographer) - is reborn to make way for “Abelina Pro” through the solid work of Guillermo Vizzari working together with Ale Paul from Sudtipos. Throughout its use, “Abelina Pro” maintains the structure of a firm style, integrating a dynamic rhythm in the composition of short texts and offering personality to each of the words it builds. It has over a thousand glyphs, including several alternates, ligatures combination, initials and miscellaneous to reinforce the idea of the author of merging a calligraphic project in the typographic world; allowing new ways to capture this great universe of italic faces. «Abelina» project was initially born as a typographic project developed by Yanina Arabena – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.

Logotype Frenzy Font

OTF | 1 Font | JPEG Preview | 13 Mb RAR | SALE PAGE

• Logotype Frenzy is a display typographer’s guilty pleasure. It’s one of the very few fonts ever made that can take intense abuse and still look natural. It comes with over 1000 characters, including a lot of alternates and extended language support. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look

Reina 18xOTF 

OTF | 18 Fonts | JPEG Preview | 6.4 Mb RAR | Sale Page
12 Standart | Capitals| Engraved Pro | Engraved Standard | Fleurons | Pro W01 12 | Pro W0 36 | Pro W01 72
Pro W01 Engraved | W90 Capitals | W95 Fleurons | W95 Words 1 | W95 Words 2 | 12 Standard
Capitals | Engraved Pro | Engraved Standard | Fleurons

• Reina is Sproviero’s didone of the year. We recommend seeing its user’s guide. Inspired in the sweet letters of calligraphy and typography masters of our past; such as Didot, Bodoni and the incredible Herb Lubalin, its aim was to incorporate the decorative accolades from blackletter and copperplate styles of calligraphy into a Modern Roman typeface. Reina reflects sovereignty due to the enveloping atmosphere and the sensation of greatness that can be felt when using it. It has an unique way of standing over paper and screen, being its swashes responsible of an extreme elegance. Similar to what Lian did in his last font Breathe, Reina was designed to be playful yet formal: While none of its alternates are activated it can be useful for short to medium length texts; and when the user chooses to make use of its open-type decorative glyphs, it can be useful for headlines with dazzling results.

OTF | 7 Fonts | JPEG Previews | 4.7 Mb RAR | SALE PAGE
Mono Light | Regular | Medium | Light | ExtraBold | DemiBold | Bold 

• Hapna is a geometric slab serif designed as an alternative to other slab style fonts available on the market. The typeface was originally released in January 2013 as a free monospaced single weight slab serif called Hapna Mono. This new design has gone through detailed changes to the characters to help define a more contemporary alternative take on the traditional slab serif style. Hapna was inspired by the baseball culture and the graphic language of the early 1950s. Details include 6 weights, 406 characters and open type features.

CreativeMarket - Stone Harbour Brush Font + Extras 426916

The Black Veil Font Family

TTF | 5 Fonts | JPEG Preview | 4.5 Mb RAR | SALE PAGE

Adagio Slab Script Font Family

OTF | 9 Fonts | JPEG Preview | 2.2 Mb RAR | SALE PAGE

Adagio Sans Script is an experimental vertical variety of a normal sans version, with the characteristics of handwriting. It has 9 weights and like the rest of Adagio family fonts over 400 characters. Thanks to its calligraphic feeling, Sans script version is a great compliment for the rest of the forms of Adagio Family.

Wallington Font Family

OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR | SALE PAGE

Wallington is a decorative-serif font embodying vintage and elegant curves with functional structure. Inspired by Old English cultures and their descendants between the mid-5th century and the mid-12th Century. Crafted with love and easy-to-read letter design. Wallington is made up of two styles, Wallington Regular that consists of 491 glyphs and Wallington Small Caps with 365 glyphs. All glyphs are divided into several OpenType features such as Ligature, Contextual Alternates, Old Style Numeric and some astonishing special characters that allows you to mix and match pairs of letters to fit your design. This variety encourages unusual and extroverted creation in lettering design. The typeface offers numerous combination possibilities between the basic glyph set and stylistic sets. The stylistic sets are alternate alphabets that you can access by using OpenType savvy programs such as Adobe Illustrator and Adobe InDesign. Wallington is an experimental and versatile font. Suitable for digital lettering, prints, logo, poster, t-shirt, packaging and applicable for some type of graphic design.