Carrosserie Font Family
OTF | 7 Fonts | JPEG Preview | 4.7 Mb RAR | SALE PAGE
Carrosserie is made for display use, inspired by the shapes of the 30’s. It is a capital letter font with alternate characters and special domain symbols. The font is now available in thin, extra light, light, regular, medium, bold & fat. Enjoy!
![Gloriola Font Family - 14 Fonts for $200 Gloriola Font Family - 14 Fonts for $200](/uploads/posts/2014-04/1398375055_gloriola.jpg)
Gloriola Font Family
OTF | 14 Fonts | JPEG Preview | 6.8 Mb RAR | SALE PAGE
If you really feel that there’s nothing new happening in the sans-serif scene – meet Gloriola. A combination of frugal, unobtrusive uppercase letters with distinctive ascenders, a slightly compressed appearance and an atypical shape, form a sufficiently original contribution to current efforts to bring sans-serifs up to date.
![YWFT Unisect Font Family - 10 Fonts for $150 YWFT Unisect Font Family - 10 Fonts for $150](/uploads/posts/2014-04/1398376446_ywft-unisect.png)
YWFT Unisect Font Family
OTF | 10 Fonts | JPEG Preview | SALE PAGE
Designed in 1998-1999, YWFT Unisect was built as the sister to the popular, triple lined typeface, YWFT Trisect. YWFT Unisect contains a minimal, geometric style that stays consistent and is very legible no matter what the point size. YWFT Unisect has been used numerous times by the magazines Wired and ESPN. YWFT Unisect was converted to opentype format in 2010.
Ristretto Slab Pro - Asymmetrical Extremely Narrow Serifs $140
8 OTF Font Files | Designer: Andriy Konstantynov | Turkish Support
http://www.myfonts.com/fonts/konstantynov/ristretto-slab-pro/
Ristretto Slab Pro is a slab-serif companion to Ristretto Pro. It’s an extremely narrow display slab-serif font family with asymmetrical serifs available in 8 weights. It features rich language support, 6 sets of figures and small caps.
OTF | 12 Fonts | JPEG Preview | 5 Mb RAR | Enzia Font Family]SALE PAGE
- Enzia is a friendly and flowing sans serif. Enzia exists somewhere between a slab serif and a semi-sans, and features flared vertical stems and rounded terminals. Its bulbous terminals and open counters inject a flavor of ease and excitement. Enzia provides plenty of impact and is best used with short to medium length texts. Six different weights provide plenty of versatility and contrast for poster designs, logotypes and headlines, while still retaining excellent legibility for extended copy.
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR | SALE PAGE
- Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!
![Periodico - Perfect for Newspaper, Book and Magazine 30xOTF Periodico - Perfect for Newspaper, Book and Magazine 30xOTF](/uploads/posts/2015-09/1442196467_periodico.jpg)
Periodico - Perfect for Newspaper, Book and Magazine $749
OTF 30 Fonts | Designer: Eduardo Manso | SALE PAGE
Periodico (newspaper in Spanish), was originally commissioned by the Spanish daily newspaper ABC. Inspired by old Spanish typographic engravings, mostly from the second half of the 18th Century, we picked out the most relevant details of Spanish typography as the source of that inspiration, and instead of making a revival or an interpretation of these models, we started from scratch to create a truly original font family. The goal was to achieve a very distinctive family, functional and versatile at the same time, and reminiscent of old Spanish typography. Although we have borrowed many details from the old Spanish typography, like the nail, which is present in the letters U, G, or J, which we worked and evolved in order to be applied on other letters, we have also left behind several others. One example is the tilde of the ñ engraved by Gerónimo Gil, a very distinctive element of Spanish typography that was intentionally omitted for being too atypical to be used in a contemporary font. The letters a and g are probably the most distinctive of the Periodico family. The shape of the bowl in the letter a, with the top arch in diagonal position, is very characteristic of old Spanish types. In Periodico, we emphasized this detail by applying it to many other letters (such as g, j, and t) up to a point that it became the leitmotiv of this family. The formal finish of serifs and terminals is something that gives great personality to any typeface, so we came up with plenty of alternatives in order to find the exact shape we wanted: sober, elegant, and contemporary. Even though the serifs are geometric, the upper terminals have a curve with a dynamic very similar to the arch in the a or the notch in the j. The terminals in the capitals follow the same style, but, in this case, the inspiration comes from Pradell’s Missal, which on the other hand has been influenced by the types engraved by Johann Michael Fleischman in the Netherlands. Eighteenth-Century types were mostly used for printing books. Therefore, they had very generous proportions (large ascendents and descendants) and high contrast, but today, these characteristics do not work well in newspapers because of the worldwide demand for more space-saving fonts. The adaptation of the type’s proportions to be used for a newspaper was one of the most interesting parts of the project, specially the time taken to find the perfect balance between the x height and legibility. Periodico is presented in 30 different styles, for a total of 30 fonts—10 for text (from Light to Bold) and 20 for display sizes (from Thin to Ultra Black); this family results in an extensive system capable of solving all the needs of a large publication.
Core Circus - Layered Type Family 2D & 3D Effects
OTF | 20 Fonts | JPEG Preview | 4 Mb RAR | SALE PAGE
Core Circus is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). Also available Core Magic (Slab- Serif version of Core Circus). The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.
![Neighbor's Blanket Font Neighbor's Blanket Font](/uploads/posts/2024-10/1729525460_untitled.jpeg)
Neighbor's Blanket Font OTF TTF
“Neighbor’s Blanket” is a cozy, modern retro font that captures the warmth of nostalgia while offering a contemporary touch. It features rounded edges and playful curves, making it perfect for designs that aim to evoke comfort and familiarity. Ideal for branding, invitations, and various creative projects, this font combines a friendly aesthetic with legibility, making it a delightful choice for any design needing a touch of warmth and charm.
![Culinary Font Family Culinary Font Family](/uploads/posts/2016-04/1459844870_culinary.png)
Culinary Font Family
OTF | 10 Fonts | + JPG Preview | SALE PAGE
- Culinary is a typographic system inspired by the art of cooking. This family comes with 2 subfamilies: one Regular Family of 4 weights plus a Sans Line font and a set of Borders, and one 4-weight Script Family that also includes Sans Line and Borders. Culinary is well-suited for packaging, restaurant and cafe branding, bakeries, logos, magazines, menus, recipe books, invitations and much more. The OpenType features allow access to a wide set of characters, including ligatures, swashes, endings, initial and terminal forms, and lots of alternates.
![Linotype Didot Font Family Linotype Didot Font Family](/uploads/posts/2016-02/1455656205_linotype-didot.png)
Linotype Didot Font Family
17xOTF, 6xTTF | 23 Fonts | JPG Preview | 1.5 Mb RAR | SALE PAGE
- The Didot family were active as designers for about 100 years in the 18th and 19th centuries. They were printers, publishers, typeface designers, inventors and intellectuals. Around 1800 the Didot family owned the most important print shop and font foundry in France. Pierre Didot, the printer, published a document with the typefaces of his brother, Firmin Didot, the typeface designer. The strong clear forms of this alphabet display objective, rational characteristics and are representative of the time and philosophy of the Enlightenment. Adrian Frutiger’s Didot is a sensitive interpretation of the French Modern Face Didot. Another model for this design is the Henriade, an historical printing of the original Didot from 1818. The font Didot gives text a classic and elegant feel.
![Appetite Pro Font Family Appetite Pro Font Family](/uploads/posts/2016-03/1458075236_appetite-pro.png)
Appetite Pro Font Family
OTF, TTF | 10 Fonts | JPG Preview | 4 Mb RAR | SALE PAGE
- AppetitePro is a total upgrade of the world wide popular display font Appetite (2011). It is based on original lettering and belongs to the upright script like. Appetite Pro consists of 10 weights of the refreshed curves — 5 regular and 5 italic — from Light to Heavy. It’s a multilingual and international font, with a full western latin, cyrilyc (russian, belarusian, ukrainian) and basic Greek support. Appetite Pro font family special designed for the food identity and packaging design projects. Except standard letter cases Appetite Pro includes dingbats set. Due to the 10 weights font palette you can solve a wide variety of professional problems without spending money on extra fonts for titles, sub-titles and main text.
![Neo Sans Font Family Neo Sans Font Family](/uploads/posts/2016-05/1464639655_neo-sans.png)
Neo Sans Font Family
OTF | 12 Fonts | + JPG Preview | SALE PAGE
- Neo Sans began as an intriguing assignment from a branding agency. The agency’s client wanted an “ultra modern” type family that was "futuristic without being gimmicky or ephemeral.” When a bureaucratic decision cancelled the project, Monotype staff designer Sebastian Lester decided to finish the design on his own. “I was left with a sketchbook full of ideas,” he said, “and thought it would be a shame not to see what came of them.” Lester decided that the principal ingredient of an “ultra modern” typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. By further amplifying these qualities, he crossed the line from modern to futuristic. Two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as “legible without being neutral, nuanced without being fussy, and expressive without being distracting.” Both the Neo Sans and the more minimalist Neo Tech families are available in six weights, ranging from Light to Ultra, with companion italics.
![Skill Font Family 2xOTF Skill Font Family 2xOTF](/uploads/posts/2016-02/1456734030_skill.jpg)
OTF | 2 Fonts | JPG Preview | 5.8 Mb RAR
- Argentina Lilian: "After my font Indie I wanted to create something much more wild. Something that splashed the letters with life. To do this, I knew I'd have to break the barrier between analog and digital, so I took my best brush and started to play. Throughout the years as a type-designer I've met and become fan of many calligraphers. My belief that only a good calligrapher can make good typography (1) has become even stronger. I'm now absolutely sure that only practice improves the skill, especially in this field. So, with this in mind, I started a font which was a challenge for me because sometimes the gap between paper and screen can be gigantic. Skill is another of my attemps to capture the spirit of the pointed brush, its expressiveness, the passions and fears of the artist. This font is about freedom. Freedom everywhere. Movement, velocity, passion. To achieve this, many alternates and ligatures per glyph were designed. Use it on magazines, posters, book covers, music albums, t-shirts, skates, tattoos."
![CM - Home Brush CM - Home Brush](/uploads/posts/2015-01/1422431866_home-brush.png)
Home Brush Font OTF
OTF | 1 Font | AI, EPS, JPG Preview | 3.5 Mb RAR
![Core Deco Font Family - 14 Fonts for $140 Core Deco Font Family - 14 Fonts for $140](/uploads/posts/2014-08/1406977623_core-deco.jpg)
OTF | 14 Fonts | JPEG Preview | 4.8 Mb RAR | SALE PAGE
- Core Deco is an Art Deco Fonts Family which consists of various styles, inspired by some art deco posters from late 1930’s to 1950’s. There are two major styles of this type family. One is thin and elegant, and the other has strong contrast. Each style has alternative shape-like 3-D structures, patterns, outlines and so on. Except for Core Deco, others are named Core Deco A,B,C as their styles. Basically every single font of Core Deco family has geometric shape and two width variations of characters, narrow and wide. Despite the different styles, every font goes well together because of their common parts. Though it’s not intended, some similar styles could be layered together. Core Deco family contains complete Latin 1252, Central European 1250 and Turkish 1254 character sets, and also each font includes support for style alternative features. If you are looking for an art-deco style font which is modern and could be used for various artworks, get this family and save your time.
![BLAQ Font Family - 2 Fonts for $70 BLAQ Font Family - 2 Fonts for $70](/uploads/posts/2014-08/1407176782_blaq.jpg)
BLAQ Font Family
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR | SALE PAGE
- Inspired by Henry W. Troy, BLAQ is a new version of Trojan Text not available as font. Is an ornamental blackletter alphabet. Works great in headlines and other ‘masculine’ like design settings. The Victorian Gothic or Neo-Gothic is an architectural movement that began in the 1740s in England. Its popularity grew rapidly in the early nineteenth century. The revived Gothic style was not limited to architecture.
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