We all know and use electronic drums today, but at the beginning of the 80's the first electronic drums were a real novelty that revolutionized not only the sound of music of those years, but also the workflow in the recording studio. Many producers preferred to record the sound of electronic drums rather than acoustic drums because it saved time and money, avoiding having to mount microphones, find the right positions, spend hours equalizing and correcting the recorded material. With an electronic drum set it was quicker: it was enough to connect the cables and maybe find the right sound for the song, which was a perfect scenario especially for many low-cost productions, for example those of pop music.

The first electronic drums were completely analog, they generated the sounds of the drums using only a few elements such as an oscillator and a white noise generator, plus a couple of envelopes and a filter. The sound wasn't exactly realistic but it was peculiar, and perfect for creating certain sounds never heard before.

The downside was that electronic drums could only generate the sound of drums but not cymbals. For this reason, the sound of real cymbals was recorded alongside the sound of electronic drums. This kind of setup was also used live quite often. It was common to see a drummer on stage playing the typical hexagonal pads but combined with a set of real cymbals.

Main features
Virtual Analog Engine based on the famous SDS-V drum module
Sampled Cymbal sounds (Hi-Hat, Ride, 4 Crashes, 3 Splashes) provided by the exclusive GSi WLF Engine
Full Polyphony
Separate section with adjustments for Cymbal sounds (tuning, leveling and EQ)
Stereo 1176-Style Limiter
Stereo Delay effect
Stereo Reverb effect
Built-in programmer with unlimited Programs
Embedded user's manual
Available as Stand-alone application and audio plugin
Very low CPU and RAM usage

home page: https://www.genuinesoundware.com/?a=showproduct&b=61

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