Add to the equation a full rack with a 16-step analogue sequencer, a 16-step trancegate effect, two insert/master effects slots and the result is a complete, true-analogue-sounding setup within the comfort of a modern digital studio.

Features
Analogue modeling simulation of real analogue hardware, achieved by the adoption of the Advanced Component Simulation (ACS) approach - oscillators, filters, envelopes (,...) are built preserving their original architecture, featuring all the micro-instabilities and imperfections of the analogue technology
Full 64-bit processing accuracy for every single aspect of the simulation
An all-in-one complete analogue synthesizer + sequencer + trancegate + rack effects setup
Two aliasing-free analogue modeled oscillators proving the same capacitors' charging/discharging responses as found on the original analogue circuits, with a continuous wave selection (morphing) mode between triangle, sawtooth, square, pulse
A legendary 4-pole resonant low pass ladder filter (modeled by the adoption of the topology-preserving transform / zero-delay feedback approach) proving all the original non-linearities, frequency responses (also at extreme modulation scenarios), self-oscillation, soft-clipping and overload control
Two 4-stage (ADSR) envelope generators proving the same capacitors' charging/discharging responses as found on the original analogue circuits
Extended modulation possibilities, including a white noise generator, a sample-and-hold source and a multi-waveform low-frequency-oscillator (LFO) featuring the original frequency range (from 0.2 Hz up to 500 Hz), allowing for advanced frequency modulation designs
True analogue polyphony. In addition to a classic monophonic mode, polyphony (4-voices) is achieved by simulating four fully-independent synthesis systems (devices) separately, as expected in the original hardware specification extension. Each of the four independent voices (devices) can also be tuned/detuned separately for an even more deep and rich polyphonic sound
Analogue components selector. Choose what kind of components to use inside LittleOne : select ultra-stable components, phase-locked oscillators (like in most recent analogue synthesizers) or select aged, much more unstable components and disable the phase-lock of the main oscillators
Accede all the advanced features like the alternative modulation sources/destinations, set the velocity to control the filter cutoff, extend the pitch bend range, select the MIDI input channel and much more - all from the operating system led display
Including XSQ16A unit (rack), a monophonic 16-step analogue sequencer
Including GAT3D unit (rack), a 16-step trancegate effect
Including two insert/master effects slots with the possibility to choose :
X-TREME unit (rack), an accurately modeled, ground-shaking tube distortion effect
FLANG-R unit (rack), an expressive stereo flanger effect
CHOR-S unit (rack), an expressive stereo chorus effect
D-LAY unit (rack), a tempo-synced stereo delay effect
REEVERB unit (rack), a resonator-based electronic reverb effect
Including a huge 400+ ready-to-use factory presets collection covering all styles, from vintage analogue leads and basses to frequency modulation sequences, contemporary cutting-edge electronic motion pads, trance stabs, complex psychoacoustic constructions, percussive and special sound effects. All the original Little Phatty¹ factory patches (Stage Edition and Tribute Edition) are also included
Additional presets/patches available as commercial expansions
MIDI automation, with CC# mapping following the original Little Phatty¹ MIDI CC# specs
Supported sample rates from 44.1 kHz up to 192 kHz

home page: https://www.xhun-audio.com/site/xhun.php?page=littleone

DOWNLOAD:
Xhun.Audio.LittleOne.v3.1.0.Incl.Keygen-R2R
Xhun.Audio.LittleOne.v3.1.0.MacOSX.Incl.Keygen-R2R