Dr Golly's Guide to Family Illness
by Golshevsky ( Golly), Daniel;Muccitelli, Cora;
English | 2025 | ISBN: 1761215337 | 221 pages | True EPUB | 49.02 MB

Dr. Hardware has been the tried-and-tested, award-winning PC analysis program for 30 years, impressing users with its wealth of detail, up-to-dateness and innovative features.

Dr. Hardware has been the tried-and-tested, award-winning PC analysis program for 30 years, impressing users with its wealth of detail, up-to-dateness and innovative features.

Dr. Cleaner Pro 1.3.3 Multilingual | macOS | 26 mb

Dr. Cleaner Pro is the professional version of Dr. Cleaner.

Dr. Alan R. Moritz and Forensic Pathology
by Rob Moritz
English | 2025 | ISBN: 103288598X | 192 pages | True PDF EPUB | 14.57 MB

DR-Bulk Font

Bulk is a no-nonsense, in your face, loud, extra-bold display typeface created for hard-hitting typesetting. Designed to test the limitations of how dense a typeface can be before loosing legibility, the impact of this can can be seen in the minuscule counters and the near vertical apexes of certain glyphs giving the typefaces its unique character. Bulk is intended to be used where you need a powerful lead typeface to take control of copy and wrangle it into shape.

DR-Spira Font Family

Spira was inspired by logarithmic spirals that were discovered by the work of Jacob Bernoulli, capturing the energry and patterns of wind passing through objects. Available in three super-light weights, Spira is a delecate and decorative typeface perfect for printing and embossing.

DR-Vorga Font Family

R-Vorga is an experimental stencil typeface inspired by the book 'The Stars my Destination' by Alfred Bester. The book explores the concept of memory loss, time travel and reconstructing narratives. Vorga captures this by removing sections of letters that re-form differently as you type, trying to re-create the past but always producing an unpredictable future.

https://www.daniel-reed.co.uk/typefaces/dr-ivory/

Ivory started as an experiment by using musical intervals to determine the heights and widths of each letter. I did this by creating a grid that was split into intervals comprised of 2nds, 4ths, 5ths and 8ths. The idea came after reading a section of Robert Bringhurst’s Elements of Typographic Style where he used musical scales to make page widths and grids. Using these grid points created a condensed typeface with a unique style and irregular structure. The typeface was finished off by adding a subtle rounded edge with the same dimensions as a piano keys edge.