6 OTF | JPEG Preview | 7.1 Mb RAR
Australis is a hybrid roman font that won first prize in the Morisawa International Type Design Competition in 2002. After 10 years the family is finally complete and its release coincides with the reopening of the competition in 2012, in Japan. Designed by Francisco Gálvez Pizarro.
Hipsteria is a fun and unique script typeface. Inspired by traditional script lettering that typically used in vintage-themed designs. Hipsteria suitable for any project that requires the natural hand lettering feel as the core design elements; such as logo, wedding invitation, greeting card, poster, etc. Hipsteria consists of 367 glyphs and a bunch of alternative characters that divided into several OpenType features such as Ligature, Contextual alternates and stylistic alternates that allows you to mix and match pairs of letters to fit your design. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator and Adobe InDesign.
OTF | 1 Font | JPEG Preview | 5.7 Mb RAR
Trend is a font made of layers, taking as a basis a sans and a slab font. It is the result of observation, search and study of the last global trends. Trend tries to capture the aesthetics of fashion or even fashion itself, integrating elements of a very popular and current trend. It is a typeface designed to be used without need to add anything external to it, because it has all components required for this.Trend is trending.
OTF | 21 Fonts | JPEG Preview | 3.4 Mb RAR
The Harriet Series is a rational serif family. It’s a contemporary reflection of the serifs popular in mid-20th-century American and English design. Harriet draws inspiration from both transitional faces, such as Baskerville, and modern faces, such as Century, at the same time it is unburdened by any particular historical model. The display styles give it just enough exuberance to sparkle while the diligent, sturdy text styles make it a true workhorse. The Harriet Series was awarded a Certificate of Type Design Awesomeness from the Type Director’s Club in 2012.
OTF | 20 Fonts | JPEG Preview | 13.4 Mb RAR
Aesthetique is a typeface of decorative initials that is Victorian in style and bears a close family resemblance to the many ornamental tuscans cut throughout the nineteenth century
OTF | JPEG Preview | 6.4 Mb RAR
Electro is a brand new experimental typeface for 2013. It’s got so much impact that if it was actually real, it would probably hit you smack bang in the face. This geometric wild child is one not to be messed with, sharp edges and futuristic styling give Electro the attitude needed to leave a lasting impression. Electro also comes with an extended character set with support for a whole range of languages. It can tell you to do one in French, Spanish, and Italian. In fact, it’s fluent in rather a lot of languages! Electro succeeds where other domestic housewife types don't, and that’s in the looks department. It’s got so much street cred, it'll have the youngens clucking for the next font fix!
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
Alfina is a chancery typeface that shows a modern temperament, but is inspired by the eponymous town of Torre Alfina, one of the most beautiful medieval villages of Italy, situated on the edge of the plateau Alfina, a few miles from of Orvieto. The place where is the castle is steeped in history. Its roots date back to the Lombard kingdom (seventh century); later it was under the rule of Monaldeschi (1200-1700) and more recently (1880) the property of the rich French banker Count Edoardo Cahen of Antwerp, who was responsible for the present aspect of the Castle. Alfina has soft lines, very slender upper cases and thin overlapping strokes; The stylistic alternates are particularly important, and the type is enriched by many, different OpenType features.
OTF | 1 Font | JPEG Preview | 11.2 Mb RAR
Montague Script takes its name from a small hilltown of western Massachusetts rich in culture and history. I lived in this beloved community for a number of years and it’s where I first began my study of calligraphy and lettering. While most brush scripts take their cue from mid-twentieth century samples, Montague Script is a fresh, contemporary alternative. It comes directly from lettering written with a #3 sable brush on smooth vellum and is digitized with the same sensibility a lettering artist writes with. Montague reflects a dynamic interplay between form and rhythm not usually associated with type. Words suggest a baseline, yet are not bound by it. Beginnings, endings, alternates and ligatures come in as needed while you type. Many more alternates are available in the glyph palette of most current graphic software. Exuberant swash versions of upper and lowercase letters, as well as ligatures can be accessed through both the type and glyph palettes. Montague Script is a natural for advertising, point of purchase displays, packaging and logo design, cards, invitations, journals and much more. You will be delighted at how well it can dress up a project and how easily it sets.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Grey Sans is a contemporary sans with an angular design. Rooted in both modern geometry and historical handwriting, Grey Sans bridges the gaps of neutrality and warmth, precision and humanism, and serious and fun. Grey Sans covers the grey areas of typeface design.
OTF | 8 Fonts | JPEG Preview | 4.1 Mb RAR
The Swash version of Adriane Text features the best characteristics of this lineage, without losing the strong personality and elegant design featuring in your text styles, Adriane Swash brings a fancy look to this classic style. The family comes with a complete character set in Uppercase, Lowercase and Small Caps, and the Swash option can be activated through the OpenType features panel, including glyphs initial, intermediate and final, plus a wide range of stylistic ligatures, alternate glyphs, ornaments and languages.
OTF | 1 Font | JPEG Preview | 6.6 Mb RAR
Hapna is a geometric slab serif designed as an alternative to other slab style fonts available on the market. The typeface was originally released in January 2013 as a free monospaced single weight slab serif called Hapna Mono. This new design has gone through detailed changes to the characters to help define a more contemporary alternative take on the traditional slab serif style. Hapna was inspired by the baseball culture and the graphic language of the early 1950s. Details include 6 weights, 406 characters and open type features.
OTF | 6 Fonts | JPEG Preview | 4.7 Mb RAR
From the beginning “Esmeralda” was born with a strong influence of the classical “capitalis monumentalis”, carved in stone. In the same way, the origin of this majuscule writing emerged from the brush, from a way of writing made merely by hand. For this reason, these two universes were intended to lie beneath the shape of each letter, redefining them. And this combination of styles should also be reflected in a lower case set that also allows to open up the spectrum of usage possibilities. Foundational calligraphy represented a solid base for the development of lower case glyphs, ensuring proper interaction with the upper case letters. “Esmeralda” features a great number of ligatures that mix classic structures with a more contemporary impression. With more than eleven hundred glyphs, it provides a multiplicity of uses across a wide combinatory of ligatures, alternative signs, initial caps, miscellaneous and connectors; each one of them accessible through Open Type. “Esmeralda” is perfect to speak with a classical yet fresh, modern – and a little bit bold – tone of voice. Designed by Guille Vizzari, together with the tough and remarkable work of Ale Paul, in use “Esmeralda” stands out in a subtle and unexpected way that’s almost unnoticeable. Its delicate yet solid curves, serifs and endings give each composition a fine, elegant and exquisite feeling, along with a firm and sturdy look. “Esmeralda” was initially born as a typographic project developed by Guillermo Vizzari – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.
OTF | 1 Font | JPEG Preview | 44.7 Mb RAR
Brandon Printed is based on the famous Brandon Grotesque typeface. It has an eroded, printed look with four variations of every letter. With several different styles like a shadowed version, an inline version and a double printed version you can create a lot of lovely combinations. The Brandon Printed package also contains a set with 95 Extras like arrows, catchwords, stars, emblems numbers & lines. Brandon Printed has a high level of detail, so it may process more slowly in some applications.
TTF | 8 Fonts | JPEG Preview | 17 Mb RAR
Thirsty Script from Yellow Design Studio is a contemporary script conceived as a marriage of elements from vintage signage scripts, Wisdom Script, Deftone Stylus, and Lobster. The result is a typeface with a ‘new meets vintage’ vibe. It’s friendly with an edge...a mixture of retro script, modern sans serif, and a shot of caffeine. Features include six weights from Light to Black, shadow layers, old-style figures, contextual alternates (for a slightly more traditional feel), multiple language support, and a handy selection of ligatures and stylistic alternates.
SHADOWS: Add depth and pop to all six weights of Thirsty Script quick & easy by duplicating the text layer and switching it to Shadow. Color and offset to taste.
TIPS: Thirsty Shadows are nicely offset automatically, but this distance can be easily customized for all weights except Light (which is too skinny to offset further without edges peeking out). Includes ligatures that correct shadow overlap issues. In Illustrator set area type options to Em Box Height for proper shadow alignment. In Photoshop align shadows manually.
OTF | 12 Fonts | JPEG Preview | 6.8 Mb RAR
An informal sans serif typeface carefully cut from the template of Regan and Regan Slab. Smooth curves are combined with simple angles to form a modern, legible font with a charming personality. Regan Alt is ideally suited to wide range of applications including advertising, fashion, retail and the web. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 20 Fonts | JPEG Preview | 3.6 Mb RAR
Bellucci is the redesign of Ramiro Espinoza’s first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a constructivist, modular, compressed family intended for headlines and posters. The name is an homage to Mabel Bellucci, an Argentinian feminist activist.
TTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR
One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.
OTF | 14 Fonts | 3.8 Mb RAR
Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic).
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
Throughout time, history’s architects have incorporated some of the finest illustrations of type into their great works--cuneiform on Mesopotamian ziggurats; Greek etched into the temples of the gods; inscriptions marking the monuments of mighty Rome. From these Roman inscriptions specifically, we take our capital letters of today; and while we've lost the need for serifs over time, our current characters maintain the classical foundations, even after being distilled to their simplistic forms. Here’s where we have the basis for Le Havre Titling. This updated face is a carefully optimized version of Le Havre that uses purely capital lettering. Originally inspired by the golden period of the passenger ship and the French port that bid a rich bon voyage to so many famed, luxurious ocean liners of the Roaring Twenties and Thirties, the typeface includes an exciting array of ligatures that brings it into the present day and gives designers a tremendous amount of versatility in their work. With its seven weights, Titling looks equally at home on the side of a building as it does in a finely crafted invitation. With over five hundred glyphs, Le Havre Titling offers a multiplicity of options for your projects. Combine ligatures, play around with two sets of art deco forms, use original caps, and more; every one of these is obtainable with the OpenType functionality. The new design also shares five weights with the original Le Havre, allowing you to maximize your potential through its interchangeability. Titling’s Thin weights are delicate but not too fragile, and its geometric forms give each individual composition you create an exquisite and beautiful sense of emotion. Without a doubt, this fresh, fashionable take on the classical forms offers your reader refined, yet unanticipated approach as he or she travels through your text.
OTF | 7 Fonts | JPEG Preview | 4.16 Mb RAR
Fiesole was inspired by calligraphic models; it is a bookface font family to be used for text, display and caption. Fiesole has three different lengths of items (ascenders-descenders). Old style figures have been included in the fonts. Spacing of Small Caps has been adjusted to obtain good legibility and integrity with Capitals and lower cases. They include also CE languages, swashes, small caps, ligatures, discretionary ligatures, alternates, old style figures and case sensitive forms.
OTF | 17 Fonts | JPEG Preview | 5 Mb RAR
OTF | 1.74 MB
Kefa II Pro is an elegant modern typeface with slab-serif origin, large x-height and relatively condensed letterforms that is suitable for both display and text sizes, and performs well on-screen.
Kefa II Pro is a redesign of the Apple system font Kefa. It has an extended Latin languages support and comes in 8 roman styles with their italic companions, small capitals and multiple figures sets.
Briko is a legible hand-crafted type family that comes in two weights. Its little bit bumpy outline and soft edges give it friendly feelings. There are two versions of Briko Family; Briko and Briko Rough(textured). Perfect for a header for an article, posters or for anything needing a legible and neat hand-written type family.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
