Wayfinding Sans Pro Font Family
Ralf Herrmann, the designer of Wayfinding Sans, started this project with extensive field studies, driving tens of thousands of miles to explore the legibility of road signage typefaces in dozens of countries around the world. After building his own theoretical framework of relevant legibility parameters, the design process used a unique custom real-time simulation software, which could simulate difficult reading conditions (distance, fog, halation, positive/negative contrast) while the letters were actually being designed. This process made it possible to optimize even the tiniest details of each letter for maximum legibility. Being made specifically for wayfinding purposes, this type family does not compromise on any aspect of legibility — and yet, the typeface is a beautiful, clean and modern sans serif. With its broad language support and the large number of available styles it is perfectly suitable for any possible signage project anywhere on the world. In an independent empirical study at the University of Applied Sciences “htw” in Berlin different typefaces were recently tested when used on signs and Wayfinding Sans Pro was the winner in all conducted tests, being significantly more legible and therefore superior to all other styles of the tested typefaces.
TTF | 20 Fonts | JPEG Preview | 9.6 Mb RAR
Reklame Script is a brush typefamily consisting of four weights. It was designed by Hannes von Döhren in 2010. This family is influenced by the handlettering of printed advertisements of the 1940s and 1950s. You can combine the four weights to gain a better emphasis – perfect for headlines, posters, and other display uses. Reklame Script is equipped for professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. The fonts also contain double-letter ligatures to prevent repetition.
OTF | 4 Fonts | JPEG Preview | 3.8 Mb RAR
Kyrial Display Pro Font Family
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print and web design work. Kyrial Display Pro is also a practical typographic choice to express strength, elegance, and conceptual clarity. Kyrial offers lots of OpenType goodness and broad language support.
OTF | 12 Fonts | JPEG Preview | 4.4 Mb RAR
Slim Tony is a delicious script font. Tony is a distant relative of Mishka but much bolder and more extravagant. Slim Tony works superbly for custom headlines and logotypes. Turn on Swash, Stylistic or Contextual Alternates for some serious extra kick. Activate small caps for clear capital letters designed to work perfectly with the script. Slim Tony’s ornaments is a set of over one hundred swooshes, swashes, ornaments and pictograms.
OTF | 3 Fonts | JPEG Preview | 5.7 Mb RAR
Inspired by New Transitional and Egyptian fonts Tanger Serif has elements of a sturdy work-horse text face and finely detailed headline font. A wide variety of widths and weights support many text sizes. Typically Narrow is used in headlines, Medium in body and Wide in smaller print. Nothing is predefined, though. By combining the right widths with the right weights this traditional approach can easily be challenged. Let’s take an oversized (over 10 pt) body copy for instance. In conjunction with using a bigger size to enhance readability, a narrow and slightly lighter weight will save space and brighten text color. Tanger Serif Narrow is a slim normal rather than a condensed face. As an Open Type “Pro” font each weight includes an expanded character set, small caps, old style figures, tabular figures, ligatures, fractions etc. All these are easily accessible through OpenType features.
TTF | 48 Fonts | JPEG Preview | 6.9 Mb RAR
Designed for a wide range of applications, Gentona was intended to support the goals of contemporary design paired with a mostly swiss oriented demand on typography – neutrality. The result is a nine-weight neo-grotesque family ranging from sharp and fine thin cuts to muscle-bound and strong heavy weights. Gentona’s confident and open shapes support legibility especially in small sizes while its alternative shapes and letterforms create flexibility. A wide range of typographic features round up the whole family.
OTF | 18 Fonts | JPEG Preview | 6.8 Mb RAR
Squirrel FY, a new plumpy typeface with fancy alternates. With its plump and generous shapes, this new typeface is perfect to compose headlines and offers 39 alternates. Thanks to opentype features, you can randomly compose your titles and give a groovy style to your designs.
OTF + TTF | 1 Font | JPEG Preview | 4.6 Mb RAR
The Aviano series returns with a flared semi-serif. Aviano Flare’s subtly curved forms lend refinement and luxurious elegance to your designs. Aviano’s foundational extended classical forms give the face strength and power. Aviano Flare is a versatile new addition to the Aviano titling series. Aviano Flare comes in six different weights and is packed with OpenType features. Want to get rid of the serifs for that logotype or headline? Need swash forms? Art Deco alternates? Aviano Flare includes 74 alternate characters. Two style sets are available, two sets of art deco inspired alternates, small forms, swash, titling and stylistic alternates. Aviano Flare also includes 40 discretionary ligatures for artistic typographic compositions. Please see the informative .pdf brochure to see these features in action.
OTF | 6 Fonts | JPEG Preview | 5.1 Mb RAR
Kansas Casual offers a more upright, gothic, and modern alternative to the conventional sign painter’s one stroke. Kansas provides a completely unique take on a overdone classic with proportions and crossbar heights inspired by the more friendly Chicago style. This all-caps set provides six weights so that you can adjust size with weight to maintain that authentic single brush weighted look. The proofing process included projecting, tracing, and then painting the letters out to see how true the small details were to the medium. The set also includes wide language support, opentype fractions, and arrows.
OTF | 6 Fonts | JPEG Preview | 4.7 M bRAR
Marine is a geometric sans but with the softness of humanistic strokes. It’s mild contrast and multiple different styles allow Marine to work well as both a text and display font. It also includes an Up version and calligraphic features that add a touch of informality. Marine is available in an extended family and is the close cousin of Amelia. All differences between Marine and Amelia appear in the italic and Up versions.
OTF | 16 Fonts | JPEG Preview | 5.6 Mb RAR
Type designer Hannes von Döhren created Brevia, a soft sans serif type family consisting of seven weights plus matching italics. The fonts have a hint of a brushed feeling and come across as casual and friendly. Nevertheless Brevia’s architecture is straight, making it perfect for longer texts. Because of its large x-height, it also performs nicely in very small sizes. Brevia’s heavier weights are slightly more curved and have an eye-catching appearance. They unfold their strength especially in bigger sizes. This contemporary type family is intended to be used in applications like: Cosmetics, Service, Food and Advertising – basically everywhere where a pleasant feeling should be conveyed. Brevia is equipped for highly professional use. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes small caps, fractions, old style-, lining-, tabular numbers, scientific superior/inferior figures and a set of arrows.
OTF | 14 Fonts | JPEG Preview | 4.8 Mb RAR
Metro Nova comprises seven weights, from ultra thin to extra black in regular proportions, and six weights as condensed designs. Each has an italic counterpart for a total of 26 fonts. The family is available as OpenType® Pro fonts, which provide for the ability to easily insert typographic features such as ligatures, fractions and alternate characters. Pro fonts also offer an extended character set to support most Central European and many Eastern European languages.
OTF | 26 Fonts | JPEG Preview | 6.2 Mb RAR
Steadfast and no-nonsense, Heron is always ready to go to work. It began with a Joe Heroun commission for Men’s Health inspired by industrial, machine-made letters. Unlike other type with mechanical influences, Heron is a refined, versatile family, capable of doing the job in both headlines and small text. Heron Serif and Sans are born of hard iron and steel, but galvanized with Cyrus Highsmith’s warmth and energy.
OTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Grota is a very expressive font, has a gestural character inspired by the hand lettering . Grota is grotesque, unicase and exceptional. It has six weights ranging from thin to black with their italics. It is ideal for logos, brands, magazines, headlines, books. etc.
OTF | 12 Fonts | JPEG Preview | 6.6 Mb RAR
Kaleko 105 Round is a rounded variation of Talbot Type font Kaleko 105. It’s a well-balanced, versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The rounded terminals give it a friendly, approachable look. The Kaleko 105 Round family comprises of five weights and is closely related to Kaleko 205 Round. The most notable differences between the two variations are the single-storey lower case a and g in Kaleko 105 Round, where they are two-storey in Kaleko 205 Round.
OTF | 10 Fonts | JPEG Preview | 6 Mb RAR
Roihu is a sans serif type family of 16 fonts. Consisting of eight upright and eight italic weights. Each weight has over 1,100 glyphs. It includes some groovy stylistic alternates and swashes of which you can use to make your titles, packages, logos etc. to pop out. Roihu has also small caps, old style and lining figures, ligatures to make sure your text and design is not going to be boring.
OTF | 16 Fonts | JPEG Preview | 5.2 Mb RAR
Brix Slab and Brix Slab Condensed is an extended family of 24 fonts. It was designed by Hannes von Döhren & Livius Dietzel in 2011. Brix Slab is a robust slab serif family with subtle details. It’s optimized for longer texts and highly readable in small sizes. Brix Slab is intended to be used in applications like magazines, newspapers and digital devices. It also works great as a corporate typeface. With more than 700 glyphs in each font, Brix Slab is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.
OTF | 12 Fonts | JPEG Preview | 7.2 Mb RAR
The Diamonds type family was designed by Hannes von Döhren in 2012. It is an experimental search for geometric new letterforms, which are still easy to read and generate some unexpected attention. Hannes wanted to create a straight and clear typeface but pull away from the path of classic and well learned letter shapes.
The Diamonds type family is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Each font includes alternate letters, fractions, scientific superior/inferior figures and a set of arrows and geometric forms.
OTF | 11 Fonts | JPEG Preview | 7 Mb RAR
Finally, a serious alternative to that other comic font. After years of mocking the font that shall not be named, I decided to create an alternative. I wanted to keep the fun feel and the comic book roots, but have a more polished look. The result? JollyGood, a complete font family, with great language support, a big range of weights and styles, and a friendly look.
OTF | 12 Fonts | JPEG Preview | 5 Mb RAR
The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute’s standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany’s railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design.
OTF | 49 Fonts | JPEG Preview | 6.1 Mb RAR
A fresh, curly and delicious sans serif. Designed by Daniel Hernandez, Merced is a sans serif font that can be given different uses due to its wide variety of alternate types. Its main virtue is the endless number of possibilities for you to write words, texts or paragraphs. Languages include: Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian and Pan Africa Latin.
OTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
Designed in 2011 by Olivier Gourvat, this font family has generous proportions with a range of weights make it a versatile family for print, text, signage, branding and web design work. Kyrial Sans Pro offers lots of OpenType goodness and broad language support.
OTF | 12 Fonts | JPEG Preview | 5.2 Mb RAR
Clio, Clio XS and Clio Condensed is a big family of 72 fonts. They were designed by Gabriel de Souza in 2012. They are simple and stylish and they have the ideal appearance to your work. Furthermore, features such as italics, obliques, great language support and flexibility. They can be applied in many differents form but their primary use is indicated to display use and luxurious trade mark creation.
OTF | 24 Fonts | JPEG Preview | 5.7 Mb RAR
