A set of square capitals developing from the interest in geometric forms stimulated by the Bauhaus, Bank Gothic was designed by Morris Fuller Benton for ATF in 1930, the same year that Georg Trump designed City for Berthold.
OTF | 2 Fonts | JPEG Preview | 3.4 Mb RAR
Relato Sans is the other face of Relato Serif (a typeface with much idiosyncrasy) nevertheless, the sans version of this typeface is more austere and aseptic. A humanistic type, with a contemporary cut, created for general use in texts and holders and with a great variety of weights, which allow enough flexibility for projects of great magnitude. Although leading with an independent family it maintains many of the characteristics of its homologous such as proportions, the “x” height, the construction based on air lines of the italic, ornaments and so on. These details show coherence with the serif version, and at the same time reinforce its personality. Being a multifunctional type, the “kerning” has been worked to function in small sizes as well as in larger ones such as holders. The contrast between weights, was optimized to be used in pairs (Light with Semibold, Regular with Bold and Medium with Black). Relato Sans is presented in 6 different weights, in Roman, Italic, Small Caps and Small Caps Italic with tree different styles of numerals, Old style figures, Lining figures and Small Caps figures. Relato Sans received a “Certificate of Excellence in Type Design 2006” from the Type Directors Club of New York.
OTF | 12 Fonts | JPEG Preview | 4.4 Mb RAR
Posterizer KG Rough is basically a hand-printed, texture version of the Egiptian Slab Serif font Posterizer KG that already exist. Posterizer Kg Rough, looks good on substrates with a rustic textures like wood, metal, textiles, rough paper... It contains all the Latin and Cyrillic glyphs.
OTF | 1 Font | JPEG Preview | 9.2 Mb RAR
Pupcat was inspired by posters from 1960s Hollywood comedies. It’s cute, thin and lives for fun. Dig the OpenType features: an alternate A, E and R, fractions, ordinals & math symbols.
OTF | 8 Fonts | JPEG Preview | 5.5 Mb RAR
Grizzly Bear is a font family of twelve that was designed to create unique titles on the fly. Special attention was given to kerning and trapping to ensure that these fonts work together as a titling system and line up perfectly when layered. An example would be how the inline fill was designed to place under the inline font as the glyph dimensions are shy around the edges to ensure that no fill edges of the under layer show. Flipping these layers would give you an outlined font. The all caps font features a higher x height in the uppercase, a lower x-height in the lower case, alternate punctuation and a few alternate glyphs added in for a good measure.
OTF | 12 Fonts | JPEG Preview | 4.7 Mb RAR
Aria Text is the new text version of the lyric Aria. More sober and rational, Aria Text was designed for books. The decoration mannerisms, extreme contrast, the italics angle, among other attributes of the original display typeface were now tamed and rethought towards readability and transparency. The new text fonts were designed to perform well in a page with different point sizes. The family comes with 3 grades for each one of the main six styles. That way, the color of headlines, subheads, text and captions can be matched. Aria Text is a fully featured family of 18 OpenType fonts in total, with small caps for all the weights, different figure styles including old-style and tabular sets, full latin language support, stylistic options, ligature sets and more.
OTF | 18 Fonts | JPEG Preview | 4.4 Mb RAR
Pieta is a wide sans type family inspired by old typeface lettering from Netherlands, with a more contemporary design. The Pieta family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions.
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR
The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they differ in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.
OTF | 12 Fonts | JPEG Preview | 5.3 Mb RAR
The Gibson font family hits the right spot for many people and on many levels. It is a humanist sans serif typeface designed by eminent Canadian type designer Rod McDonald FGDC, and produced by Patrick Griffin and Kevin King of Canada Type, to honour John Gibson FGDC (1928-2011), Rod’s long-time friend and one of the original founders of the Society of Graphic Designers of Canada (GDC). As well as paying tribute to John Gibson’s productive life and love of the typographic arts, the Gibson family is intended to be a mainstay of the future of Canadian design education. Many Canadian design schools and institutions will be making it part of their larger type piracy education programs. The 8-font family is available at token pricing to make it especially affordable for design students. For less than the price of a design textbook, a student can now have a sturdy and contemporary humanist sans serif family that fits pretty much any design application, and will remain useful long after academic studies and well into a professional career in design. The Gibson family is available through Canada Type and its popular distributors. All the revenues from its sale will be donated by Canada Type to the GDC, where they will be allocated to a variety of programs aiming to improve the creative arts and elevate design education in Canada. Each of the eight Gibson fonts comes with 370 characters and features extended Latin-based language support. The Gibson family ships in cross-platform OpenType format.
OTF | 8 Fonts | JPEG Preview | 4.3 Mb RAR
Breakers is a sans serif originally conceived to be a display typeface. Works well in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.
OTF | 6 Fonts | JPEG Preview | 3.9 Mb RAR
Equip Slab, a new hardline, serif dominated face designed on the same geometric base as the rest of the Equip family. With its clarity it appears strong, imperative and straight forward. The Equip Slab family comprised 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.
OTF | 16 Fonts | JPEG Preview | 4.2 Mb RAR
A casual semi-connected script, Eubie Script's letterforms rise and drop to create surprising word shapes, helped by position-specific ligatures and contextual alternates. With tenacious rhythm and dynamic connections, Eubie Script gives power to your headings and overlays.
OTF | 1 Font | JPEG Preview | 4.1 Mb RAR
Saki is an expanded expansion on our Ebisu family. Tweaking, pulling and playing with 5 letterforms from Ebisu, Saki initially took on a very clear and simplified style. Saki is a no strings sans-serif with a slight expanded feel. The intended use for Saki is for very clear and legible headlines.
OTF + TTF | 1 Font | JPEG Preview | 4.2 Mb RAR
An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.
TTF | 4 Fonts | JPEG Preview | 6.3 Mb RAR
The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small sizes. While there are digital fonts based on this style (such as Burin Sans™ and Sackers Gothic™, among others), few offer the range of styles and weights possible, with the versatility designers perhaps expect from digital type families. Sweet Sans fills that void. The family is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century—especially the engraver’s sans—are still quite familiar and appealing. Referencing various masterplates—which typically offer the alphabet, figures, an ampersand, and little else—Mark van Bronkhorst has drawn a comprehensive toolkit of nine weights, each offering upper- and lowercase forms, small caps, true italics, arbitrary fractions, and various figure sets designed to harmonize with text, small caps, and all-caps. The fonts are available as basic, Standard character sets, and as Pro character sets offering a variety of typographic features and full support for Western and Central European languages. Though rich in history, Sweet Sans is made for contemporary use. It is a handsome and functional tribute to the spirit of unsung craftsmanship.
OTF | 18 Fonts | JPEG Preview | 4.1 Mb RAR
Stajn Pro was designed upon a main goal of using this typeface to set larger amount of text. The slightly condensed proportion allows for more content per page while large x height with its larger counters improves legibility and readability while used on smaller sizes. Despite the fact that Stajn Pro was designed as a body text Type Family, it works as well as a display too. Wide variety of weights as well as interesting, strong and at the same time beautiful character along with some stylistic alternate makes Stajn Pro a useful typeface in a field of editorial, magazine and promotional materials design. The Stajn Pro character includes some humanistic typeface characteristics, which add some softness and elegance in its strong and stable presence.
OTF | 14 Fonts | JPEG Preview | 4.7 Mb RAR
Describe the 21st century politician. Left or right? Fat or thin? War or peace? Straight or gay? Hard or soft? Male or female? Pro or con? Young or old? East or west? Now look at the Politica super-family and see which font they may be.
The overused sans serif faces don’t cut it anymore. This day and age requires a sturdy, modern and straight-to-the-point sans to cover the issues. The Politica family also come in OpenType variations which extend the character set to include Cyrillic, Greek, Baltic, Turkish and Central European languages. You have no excuse: the globe is yours with Politica.
OTF | 36 Fonts | JPEG Preview | 10.3 Mb RAR
CamingoDos Pro is provided with tight shapes and elliptic roundings. With the aspect of legibility on mind these attributes were applied carefully. Along with a subtle contrast between thick and thin strokes CamingoDos has a strong, humanistic appearance. It comes in a wide range of seven weights from ExtraLight to Black which makes it perfectly suitable for editorial and corporate design. CamingoDos Pro is the updated and partially re-drawn version of the original Camingo type family. Some design decisions were reconsidered and about 150 glyphs were added to the character set. Package information: CamingoDos Pro is available in the OpenType format, contains about 900 glyphs and supports most latin based languages. It offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.
OTF | 14 Fonts | JPEG Preview | 5.7 Mb RAR
When downloading New Modern you will also receive illustrator files containing each character which will come in handy for large layout work. Fine pieces of creative talent come in the form of Sawdust: a mix of one part Rob Gonzalez and one part Jonathan Quainton and based in the achingly creative Hoxton area of London town. With four eyes for impeccable detail and quality of finish, a thing of true beauty in the printed form, this duo, as the same suggests, are ones to watch – highly flammable in a creative sense.
OTF | 1 Font | 2 AI Files | + JPEG Preview | 4.7 Mb RAR
As he explains the origin and purpose of this design, it becomes clear that Cyrus Highsmith undertook Ibis as a real typographic adventure. Studying the Font Bureau library, he found openings that were filled elsewhere by Justus Erich Walbaum’s 1819 Walbaum and Hermann Zapf’s 1952 Melior. Combining these two diverse influences may be far from obvious, but Highsmith found the result to be truly inspirational.
OTF | 36 Fonts | JPEG Preview | 4.9 Mb RAR
The Adamant family is a serif typeface that comes in six weights, from Light to ExtraBold, each with italic and small caps versions. It has received an original typeface award from Granshan Awards 2010. Every font in this family includes ligatures, lining and oldstyle figures in proportional and tabular widths, fractions, alternate characters, and other typographic features. The weights are finely balanced so that they can be easily combined, depending on type of paper and print conditions. Its proportions, sturdy serifs, high x-height and wide apertures make it very readable at small sizes. It is suitable for setting books, magazines and newspapers, but is also appropriate for use in large sizes like in poster design.
OTF | 12 Fonts | JPEG Preview | 4.9 Mb RAR
Combining classic serifs with curvy features, the Curvesta poster/display font has lots to offer. A real modern classic.
TTF | 1 Font | JPEG Preview | 4.6 Mb RAR
