Columbia Titling is a titling-caps display family based on wide Clarendon-style wood type and industrial signage design from the late-19th and early-20th Century. Columbia Titling includes a small set of OpenType features, including both tabular and proportional figures, special superscript ordinal suffixes, underlined superscript alternate letters, and OpenType fractions. Columbia Titling can have a ‘period feel’ depending on its use, but is fresh enough to use in contemporary designs, like magazine headlines, invitations, or stationery. The typeface — released in four weights — takes its name from the historic S.S. Columbia, a steamboat launched in 1903. Lettering found on the ship’s wheelhouse provided initial inspiration for Columbia Titling.
OTF | 4 Fonts | JPEG Preview | 4.3 Mb RAR
Los Niches is a stylized sans serif typeface that combines modern, monoline characters with strokes and loops reminiscent of manuscript lettering. With a consistant, harmonious style Los Niches takes on a youthful flair when presented in bright colors, but is elegant and contemporary when dressed all in black. The flexible personality of Los Niches makes it ideal for catalogs, magazines or product packaging.
OTF | 2 Fonts | JPEG Preview | 3.9 Mb RAR
OTF | 4 Fonts | JPEG Preview | 3.6 Mb RAR
This sans serif counterpart to the award-winning Adelle type family proposes a cleaner and more spirited take on the traditional grotesque sans. As typical with TypeTogether fonts, the most demanding editorial design pieces were taken into consideration when engineering Adelle Sans. The combination of its lively character and unobstrusive appearance that is inherent to grotesque sans serifs make it an utterly versatile tool for any imaginable graphic application, whether it is branding, signage or advertising. Without any doubt, the key word behind Adelle Sans' design is “flexibility”. Adelle Sans is available in seven weights with their matching italics. Each one of these 14 styles is a perfect match in terms of weight and vertical proportions to its slab serif equivalent. This ensures a graceful fit between both font families in the same block of text, and a subtle, but noticeable change of texture when used as similar point sizes. The 900-character set in includes typographic niceties, small caps, several sets of figures, and support for over 90 languages. It also includes a set of 35 icons specially designed for electronic publications.
TTF | 14 Fonts | JPEG Preview | 4.4 Mb RAR
Mary Read - The Pirate Font! Sharp like swords, but also playful & elegant. Mary Read is a modern handwritten typeface inspired by the wind and the sea. Harsh curves are combined with graceful swashes. For typographic variety Mary Read offers a range of features and extras: initial forms, final forms, swash letters, swashes and alternates. Just in case you have a message for the world, you could just put it on a Mary Read Flag. It is said, a subtle feeling of courage passes on to readers of Mary Read letters.
OTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR
Say hi to Tikal Sans; A bloody Mayan ritual with no reading sacrifice. It’s a glyphic family of twenty weights Mayan inspired designed for Text and Display sizes. The Details curved terminating strokes ended in sharp edges are inspired by the ‘virgula’ Mayan glyph that means ‘the spoken word’. Tikal is also known for being the largest city of the Mayan Classic Period and the name means “Lugar de Las Voces” (place of voices). With a contemporary large x-height and opentype contextual alternate letters Tikal offers a functional look with a friendly touch. The Thin and Black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts.
OTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Enzia is a friendly and flowing sans serif. Enzia exists somewhere between a slab serif and a semi-sans, and features flared vertical stems and rounded terminals. Its bulbous terminals and open counters inject a flavor of ease and excitement. Enzia provides plenty of impact and is best used with short to medium length texts. Six different weights provide plenty of versatility and contrast for poster designs, logotypes and headlines, while still retaining excellent legibility for extended copy.
OTF | 12 Fonts | JPEG Preview | 8.3 Mb RAR
Frutiger Font Family (by Adobe)
In 1968, Adrian Frutiger was commissioned to develop a signage system suited to the architecture of the new Charles de Gaulle Airport outside Paris. His final design for the client, implemented in 1975, is a simple, clean, robust sans serif type that is highly legible. In 1976, Frutiger completed the family for the Stempel foundry. Despite its original intention as airport signage, Frutiger has a universal quality that makes it appropriate for many applications; a favorite typeface among advertising agencies, it is equally successful in text and display work.
OTF | 14 Fonts | JPEG Preview | 3.8 Mb RAR
Helia, a semi-squared font with a soft and a friendly aspect. It’s less strict, more versatile. It was designed to provide a clear and legible typeface for the designers. Helia consists of a 16 style family, from Hairline to Black with their italics. Each font includes small caps, OpenType features such as proportional figures, stylistic alternates, tabular figures, numerators, superscript, denominators, scientific inferiors, subscript, ordinals, fractions and many ligatures. The ligatures contribute to an original and creative layout. The fonts have an extended character set to support Central, Eastern and Western European languages. The range of styles provides flexibility for text and title.
OTF | 16 Fonts | JPEG Preview | 6.2 Mb RAR
Cuivrerie is a free interpretation of relatively common lapidary inscriptions in Burgundy. Letters fit together. Thus the engraver gains room and we lose legibility. No matter, we have forever to read!
OTF | 1 Font | JPEG Preview | 11.3 Mb RAR
OTF | 6 Fonts | JPEG Preview | 4.3 Mb RAR
PF Haus Square Pro Font Family
The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.
TTF | 6 Fonts | JPEG Preview | 4.38 Mb RAR
PT Serif Pro is an universal type family designed for use together with PT Sans Pro family released earlier. PT Serif Pro coordinates with PT Sans Pro on metrics, proportions, weights and design. It consists of 38 styles: 6 weights (from light to black) with corresponding italics of normal proportions; 6 weights (from light to black) with corresponding italics of narrow proportions; 6 weights (from light to black) with corresponding italics of extended proportions; and 2 caption styles (regular and italic) are for texts of small point sizes. The letterforms are distinguished by large x-height, modest stroke contrast, robust wedge-like serifs, and triangular terminals. Due to these features the face can be qualified as matched to modern trends of type design and of enhanced legibility. Mentioned characteristics beside conventional use in business applications and printed stuff made the fonts quite useable for advertising and display typography. Each font next to standard Latin and Cyrillic character sets contain alphabet glyphs of title languages of the national republics of Russian Federation and support the most of the languages of neighboring countries. The fonts were developed and released by ParaType in 2011 with financial support from Federal Agency of Print and Mass Communications of Russian Federation. PT Serif family together with PT Sans won the bronze in Original Typeface category of ED-Awards 2011. Design – Alexandra Korolkova with assistance of Olga Umpeleva and supervision of Vladimir Yefimov.
OTF | 38 Fonts | JPEG Preview | 9.2 Mb RAR
What was the inspiration for designing the font? Inspired from the basic shapes like circle, cube and triangle. Closer to basics means more useful in various projects. What are its main characteristics and features? Clean graphic shapes. Usage recommendations: Graphic design, Motion design, 3D, Posters, Magazine covers, Outdoor.
TTF | 7 Fonts | JPEG Preview | 4.4 Mb RAR
A linear geometric sans serif influenced by neo-grotesques and the early Swiss type foundries. Smooth, even letter shapes are carefully drafted from a grid to produce a uniformed, low contrast typeface with a high degree of readability. Details include 540 characters with alternative uppercase R, alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and opentype features.
OTF | 18 Fonts | JPEG Preview | 6.6 Mb RAR
Octin Sports is a tough headliner in 7 weights: light, book, regular, semi-bold, heavy & black. Octin Sports isn’t just for sports; it’s also great for school, construction, prison, police or military themes.
OTF | 7 Fonts | JPEG Preview | 4.5 Mb RAR
CamingoDos Pro Condensed Font Family
CamingoDos Pro Condensed was designed to achieve a more powerful impact for the use in headlines. The compact appearance and the tight letter spacing makes it an ideal solution for display settings on a limited space. Package information: CamingoDos Pro Condensed is available in the OpenType format, contains about 900 glyphs and supports most latin based languages. It offers a rich set of expert typographic features like small caps, ligatures, stylistic alternates, different figure sets, arrows, fractions and ordinals.
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR
Eduardo Danilo’s dramatic redesign of El Universal, a leading Mexico City daily, introduced Cyrus Highsmith’s Zocalo. The original text, and display series was tuned for distinct character frequency and repetition when set in Spanish. Nicholas Kis’s oldstyle and Chauncey Griffith’s classic newsface Ionic No. 5 inspired the sturdy text while the “energetic character of Mexico City” influenced the display. Among other uses, Zocalo Text is recommended for Newspaper, Magazine and Custom use. Zocalo Text is provided as premium OpenType fonts with professional OT layout features, including both lining & oldstyle figures and small caps, plus extended language support.
OTF | 12 Fonts | JPEG Preview | 10 Mb RAR
Inspired by the famous Tennessee whiskey logo from 1866, the Black No.7 has over 400 glyphs including ligatures, alternates and special characters. Note: If you plan on using the logos from the font for any commercial purpose then it is recommended that you contact those companies and request guideline information along with their official artwork. The Black No.7 has not been approved as official artwork by the company.
TTF | 2 Fonts | JPEG Preview | 4.6 Mb RAR
Steve Jackaman & Ashley Muir. This design was inspired by the 1965 VGC typeface, Jana by Richard D. Juenger. Rocklidge contains all the high-end features expected in a quality OpenType Pro font.
OTF | 5 Fonts | JPEG Preview | 4.9 Mb RAR
Barata Display is an all caps script family font inspired by the street vendors and informal commerce in Latin countries. A condensed defined and thick stroke evokes the chalk signs that are made in “tianguis”, markets, greengrocers, barbecues and flea markets from Los Angeles to Buenos Aires. It is a typeface that “SCREAM” buy me, save money, discounted, almost Free, opportunity! What distinguishes the New Barata Display from Estudio Arellano Type Foundry is the expressive power of its structure. The Alphabet is built on the geometric principle of free traces from freehand writing. Composed of 236 capital Roman characters, Barata Display includes most common accents and diacritics. Barata Display can be used in any kind of commercial or personal promotion, in graphic design, web, print, animation, etc. Perfect for price labels, tags and other applications such as posters and t-shirts. It is a typeface ideal for headlines and Lettering.
OTF | 3 Fonts | JPEG Preview | 9.5 Mb RAR
Elemental Sans Pro Font Family
Elemental is a font created in 1997 and launched in 2001. It is a Sans Serif of humanist type and its principal characteristic is a hybrid between different form of calligraphic outlines. In 2010 it was redesigned for Chile’s bicentenary in Opentype version and an improved italic. It is offered in eight weights: Light, Regular, Bold and Extrabold and small capitals for each one of them.
OTF | 8 Fonts | JPEG Preview | 4.1 Mb RAR
Caracas is a family of sans serif fonts, looking friendly, sweet and comfortable to read. Where text flow between straight lines and round by becoming transparent in the interest of readability. Caracas is ideal for working in small letters and texts of a technical nature. Caracas is a humanistic approach to reading sans forms.
OTF | 6 Fonts | JPEG Preview | 6.6 Mb RAR