OTF | TTF | 517KB
Sale Page
A scratchy, scribbly notebook font. Like someone doodled away at a meeting. Ideal for websites.
Milk Font Family 5 Fonts - Hubert Jocham €195
https://www.hubertjocham.de/shop/type/script/Milk/
Milk is a brush script headline typeface.
Ideal for food packaging and product branding.
Motora Sans Font Family 18 Fonts - Hubert Jocham €702
https://www.hubertjocham.de/shop/type/sans/MotoraSans/
Many of my typefaces like Narziss and Mommie and also NewLibris or Verse are rather feminine.
- With Motora Sans we wanted to be the opposite. Masculine with a smell of gasoline and sweat. Technical and angular. Strong and self-confident.
- The weights are laid out in the usual way we create my families. 9 weights up to a strong UltraBold, all with italics.
- What was the inspiration for designing the font? A typeface you would long for in a men’s magazine.
- What are its main characteristics and features? Legible constructed sans serif with German industrial and heritage.
- Usage recommendations: Corporate branding and magazines and other publications.
Mon Amour Script Pro Font Family 4 Fonts
http://www.myfonts.com/fonts/argentina-lian-types/mon-amour-script/
Mainly for invitations; Mon Amour Script Pro, is an Open-Type font, which will delight you.
It has the alternate, swash and ligature functions.
Check out the gallery! it is waiting for you to explore this wonderful creation!
Madita Font Family 6 Fonts - Hubert Jocham €234
https://www.hubertjocham.de/shop/type/display/Madita/
Konsens Font Family 18xOTF - Hubert Jocham €702
https://www.hubertjocham.de/shop/type/sans/Konsens/
- Germany has got a strong heritage of industrial typefaces. These fonts feel like being constructed by engineers. The shapes look like they have been built with circles and squares. DIN Mittelschrift is one very famous example, or the font on the old german car numberplates. Since the »Romain du Roi« we know that it is tricky to draw a geometrical typeface. For optical reasons you have to go away from circles and lines with exactly one weight.
- Therefore the aime is not to construct a typeface but to draw it the way it feels constructed finally. As you can see on the picture, the final typeface is not constucted at all. The design of a typeface is like stage production. Like stongly made up acters the characters of a typeface must be superrelevated, to be very clear in there seeming. Particularly in small sizes. Konsens has got 9 weights from Light to Ultrabold with italics like most of my other families. In addition to that, there is a Stencil headline companion. It also has got 9 weights but no italics.
Mommie Brush Font Family 3xOTF - Hubert Jocham €117
https://www.hubertjocham.de/shop/type/script/MommieBrush/
- MommieBrush is a brush script headline typeface. It is based on the Spencerian Mommie that won the 2008 TDC award. But as a brush script it works in a different area. Like my other brush script typefaces it is made for food packaging and product branding.
- In the early 1980s, at the start of my career, I had the opportunity to work in a print shop with classic lead setting. In those days I would study issues of U&lc magazine from ITC. What really caught my attention were scripts in the Spencerian style. I’ve been fascinated by this American penmanship tradition ever since.
- A few years ago I developed a font. Boris Bencic used it when he was redesigning L’Officiel magazine in Paris. I took these initial forms and developed them into the font Mommie when I started my own foundry. Although I usually design text typefaces, working on Mommie taught me how complex it can be to create a script headline font. The biggest challenge in this process has been to keep it alive and fresh.
- The Regular weight is only made for very big headlines. The thin lines with the bold drops are very elegant. For smaller sizes use the Medium and Small weight.
- It won the TDC 2008 award and was Judges Choice of Christian Schwartz.
Glenda Font Family 2xOTF - Hubert Jocham €78
http://www.hubertjocham.de/shop/type/script/Glenda/
- Glenda is again an italic script like Mommie. In the Regular the characters join and it looks like a neatly written sprencerian handwriting. But like Narziss it has got a Swirls version too. Every glyph and swirl is carefully designed to work in every connection. Use Glenda at only very large sizes.
- Airy is in fact a very light-minded summer font without any serious design concept. It is a collection of hand-drawn letters that with the help of OpenType features allow you to get a lace texture with mutable structure. Together with the font you also get a bonus — a set of naive pictures that you normally draw on the margins of your sketchbook.
Blue Gobblet Bundle - Fonts and Design Elements 45xOTF $376
Bundle Content:
Blue Goblet 8 fonts $89.99
Blue Goblet Christmas Ornaments 1 font $32.00
Blue Goblet Drawn 21 fonts $55.75
Blue Goblet Emblems 1 font $32.99
Blue Goblet Florals 1 font $32.99
Blue Goblet Frames and Vignettes #2 Both fonts $35.00
Blue Goblet Frames and Vignettes Both fonts $35.00
Blue Goblet Ornaments 1 font $21.99
Blue Goblet Serif 8 fonts $39.99
- This best selling series has now been extended to include a new member, Blue Goblet Drawn. Blue Goblet is hand-drawn by the artist, Cory Godbey, and is organic, charming and exuberant. Characters bounce and dance above and below the baseline and x-height, making this a whimsical and fun script.
- Not only is Blue Goblet Drawn a excellent choice, it also is also a versatile member of a wide family
- of different fonts. You can use it side by side with the original Blue Goblet fonts, and there are a wide range of ornaments available in the supplemental ornament sets--over 370 illustrations! These illustrations include doodley frames, lovely florals and other text ornaments that can be inserted into your text and resized at will. This makes the Blue Goblet series a great pick when you want a type system for a very unique and consistent look. The Blue Goblet series also continues to expand, making any of these family members a valuable investment for the future.
- Blue Goblet Drawn comes in three weights and three widths in each weight, with complementary italics for maximum impact for a total of eighteen pro fonts. The compact thin weights are delicate and tall, while the Regular has just enough heft for those situations where subtlety doesn't work. If you don't need the professional features, there are three stripped down fonts that include only the basic character set!
- Blue Goblet Drawn also includes auto-replacing ligatures that make it appear that the script was drawn by the artistís own hand--just for you! Blue Goblet Drawn also includes a wide variety of alternates that can be accessed in any OpenType enabled application. Blue Goblet includes over 190 additional glyphs and is loaded with features including an even more unique alternate alphabet. Included are swash alternates, style sets, old style figures and small caps. Please see the informative PDF brochure to see these features in action. OpenType enabled applications such as the Adobe suite or Quark can take full advantage of the automatic replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.
- Blue Goblet Drawn is a great choice for friendly display type in children’s books, packaging, organic packaging or other unique applications. Use Blue Goblet whenever you want to inject a handmade
- sense of fun and whimsy to your designs. Give the Blue Goblet series a whirl today!
- Blue Goblet is a script developed for the pending illustrated children’s book from Portland Studios, The Blue Goblet. The font has grown to a comprehensive system, with a wide array of ornaments available.
- Blue Goblet is usable in a wide range of settings, and includes a full complement of OpenType features and a more playful alternate.
- Blue Goblet is a collaboration between Portland Studios and insigne. It was designed by Cory Godbey and digitized by Jeremy Dooley.
Alwyn New Font Family 10xOTF $200
http://www.myfonts.com/fonts/moretype/alwyn-new/
- Alwyn New is the refurbished version of Alwyn. Whilst the font has been completely re-drawn, re-spaced and re-kerned it retains its original, ‘squarish’, robush charm, and now has a wealth of features consistent with an Opentype font. Ranging from Thin to Bold, with Italics in all weights, Alwyn is a perfect choice for a variety of tasks ranging from text setting to signage systems.
Alywn New Rounded 10xOTF $200
http://www.myfonts.com/fonts/moretype/alwyn-new-rounded/
Decima Mono X Font Family 6xOTF $180
http://www.myfonts.com/fonts/tipografiaramis/decima-mono-x/
- Decima Mono X is the upgraded edition of Decima Mono fonts (released in 2009). This version consists of the same (six) styles updated with larger character sets by extending number of Latin languages and by adding Cyrillics. The typeface is intended for use in display sizes, but is also quite legible in text and is well suited for editorial and brand design.
- Decima Mono X is released in OpenType PS (.otf) format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254 and Cyrillic 1251 character sets.
Glob Font Family - Bubble Letter 6 New Fonts $75
http://www.myfonts.com/fonts/resistenza/glob/
Have A Nice Day Font Family - 10 Fonts $155 | Designer: Cindy Kinash
http://www.myfonts.com/fonts/cultivated-mind/have-a-nice-day/
- Have A Nice Day is a handwritten font created by Cindy Kinash. This font features three font styles (Basic/Tall/Wide) and comes in three weights (Light/Regular/Bold). All three font styles can be used together as one unique and fun font!
- This font also includes a set of fun hand drawn ornaments like smiley faces, flowers, leaves, insects, frames, captions, desserts, food, clouds, and catchwords that will surely brighten your day! Enjoy!
- The main difference between Accord Alternate and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”.
A hearty utilitarian face inspired by stenciled type found on train cars and shipping crates. Ideal for posters, headlines, and titling.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
Back to 1880-1900 when a number of events were coming together, the country was evolving from a local market economy to mass merchandising, rail systems were being built and color lithography was becoming more affordable. The first rail cars full of oranges were being shipped from Southern California to the East - what a treat during a cold winter’s day. Labels were pasted on every fruit crate and these labels had large images of oranges and orange groves. With technological advances in soldered cans, canneries popped up all over the country. In order to market their products many California Canneries pooled their resources to form the California Fruit Canners Assn. in 1899. This font was inspired from that era. Loaded with alternates, swashes, stylistic and multilingual support.
OTF | 1 Font | JPEG Preview | 8.3 Mb RAR
- Mixing the vertical to horizontal stroke weight ratio of a sans-serif font while adding serifs is the idea that inspired this face.
- The result is a typeface with unique display features that is also quite readable at text sizes.
Distill - Futuristic Font Family 12xOTF $129 | Designers: Matt Desmond, Theo van Doesburg
http://www.myfonts.com/fonts/madtype/distill/
- Distill draws its inspiration mainly from Theo van Doesburg’s De Stijl era lettering. The type he designed for the Aubette Café, De Stijl Magazine, etc was used as a starting point and then expanded upon.
- While this typeface was inspired by historical references, it also has the ability to invoke a contemporary feel under the right conditions. Distill will work hard whether you are designing a neo-constructivist poster or a futuristic website.
- Distill is a family of 12 fonts: 4 weights, each containing condensed, regular, and expanded widths. It also features several alternate characters.
