Supria Sans $499
18 OTF Font Files | Designers: Hannes von Dohren
http://www.myfonts.com/fonts/hvdfonts/supria-sans/
Supria Sans™ and Supria Sans Condensed is an extended family of 36 fonts designed by Hannes von Döhren. It contains two widths, six weights and three styles, including the curvy, feminine Italic as well as the more conventional Oblique. Although it is inspired by the utilitarian clarity of Swiss type design, subtle curves and fine detailing impart a more playful character to the whole Supria Sans family. Supria Sans™ is equipped for complex, professional typography. As an exclusively OpenType release, these fonts feature small caps, five variations of numerals, arrows and an extended character set to support Central and Eastern European as well as Western European languages.
Supria Sans™ received the “Certificate of Excellence in Type Design” at the TDC2 (2011).
OTF | 11.11 MB
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With over five years of design and development, Desire is a pursuit of epic proportions and ready to make a statement by adding elegance and unique flair to your next design project.
Cultivated by his passion of letters, Charles Borges de Oliveira has developed one of his largest typefaces to date. Featuring 644 alternate letters, 98 ligatures, 8 flourishes and 6 catchwords, Desire offers an expansive set of options to create logos, headlines and titling. It is well suited for book covers, editorial, packaging, advertising, branding and more. From period style and Victorian to modern and elegant, Desire is strong and stately yet elegant and decorous. Some of the alternate uppercase forms feature delicate line flourishes creating a subtle background for additional letters to rest – the result is an intertwining and beautifully flourished design. Unique ligatures go beyond function and add eye catching flair and style.You'll enjoy experimenting with the different flourishes and styles. It’s a different font every time you use it.Desire is truly a designer’s dream come true!
Acustica is a display font family designed by Carlos Fabian Camargo G. Its styles were designed to form words and phrases related to delicate and feminine contexts. Acustica Caps, Italic, Swashes and Ornaments are drawn investigations with flexible tip pen inspired by Didot capitals. All ideal for mixing with Acustica Script whose idea represents the volatile sound of a fine tip brush against rapid tracing paper. Its script path in width condensed lowercase and uppercase letters in loose horizontal proportions are generous between letters laced with long, agile and thin connecting strokes. Its script sensitivity is in Italian calligraphy with uninterrupted lines of cursive English.
OTF | 5 Fonts | JPEG Preview | 5.9 Mb RAR
The idea for Cambalache was conceived back in 2008 and was to create a geometrical font based on tangential modules into structure. The serif would be arranged, looking to approach to the lettering shapes. The creative concept has a feel from the mid-30s of last century, reaching a taste of retro and vintage style. Includes oldstyle numbers, slashed zero, standard and discretional ligatures.
OTF | 3 Fonts | JPEG Preview | 7.5 Mb RAR
Adria Grotesk is a superfriendly and sunny humanist typeface that comes in 7 carefully crafted weights and charming upright italics. You will find a fine choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.
OTF | 14 Fonts | JPEG Preview | 12 Mb RAR
«Abelina» is a typeface that can be used in display sizes for titles where part of the central premise is to emulate certain features of gestural handwriting. Concepts like spontaneity, speed and fluidity, associated with the use of certain calligraphic tools – in this case the pointed brush – led to a typographic result based on the pattern-like structure coming from the chancery and italic calligraphic models. «Abelina» - initially designed by Yanina Arabena (Calligrapher, Graphic Designer and Typographer) - is reborn to make way for “Abelina Pro” through the solid work of Guillermo Vizzari working together with Ale Paul from Sudtipos. Throughout its use, “Abelina Pro” maintains the structure of a firm style, integrating a dynamic rhythm in the composition of short texts and offering personality to each of the words it builds. It has over a thousand glyphs, including several alternates, ligatures combination, initials and miscellaneous to reinforce the idea of the author of merging a calligraphic project in the typographic world; allowing new ways to capture this great universe of italic faces. «Abelina» project was initially born as a typographic project developed by Yanina Arabena – tutored by Ale Paul and Ana Sanfelippo – under completion of the Specialization in Typography Design at University of Buenos Aires, Argentina, during the years 2011 and 2012.
OTF | 2 Fonts | JPEG Preview | 37.7 Mb RAR
Abel is a modern interpretation of the condensed flat-sided sans serif. Originally used for newspaper headlines and posters, this style can also be used for text on the web. Its angled terminals and spiked stems give it enough style to be unique at display sizes, while its mono-weight still works well at smaller text sizes.
OTF | 2 Fonts | JPEG Preview | 4.6 Mb RAR
Arlt Font Family $549 | 25 x TTF and OTF
http://www.myfonts.com/fonts/pampatype/arlt/
The Intro font family consists of 50 unique font styles and weights. The family is characterized by excellent legibility both in print and on the web, a well-finished geometric design, optimized kerning, etc. Intro is most suitable for headlines of all sizes, but it does well in a variety of text lengths as well. The font’s various styles give it the versatility necessary to meet any type of graphic design challenge — web, print, motion graphics, etc. — and make it perfect for t-shirts, posters, and logos.
OTF | 51 Fonts | JPEG Preview | 6 Mb RAR
OTF | TTF | 666 KB
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Uniwars is 13 styles of Japanese corporate technical minimalism: ideal for electronics, military, robots, spacecraft, videogames, construction or sci-fi.
2 OTF Fonts | Designer: Alex Liebold
Monster Party is an illustrated display face with a lot of character for any haunting occasions. It comes in two styles, Monsters and Bones for whichever your situation calls for.
Great for Friday the 13th, Halloween or wherever whimsy is needed.
OTF | TFF | 3.22 MB
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Rinse is a textured, vintage t-shirt font based on Goudy Heavyface Italic.
TTF | 2981 fonts | 397.21 Mb
The Baron of Arizona is a hand-drawn, baroque cowboy font who comes with a Halloweeny sidekick. The Baron is the next generation version of a popular font I designed in 1999 called Cowboy Rhumbahut. This is the full small cap font with support for Western and Eastern European keyboards.
TTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR
- The Questa Project is a typeface superfamily, containing a serif, a matching sans and a matching display version. The inclusion of small caps, four sets of figures, ligatures and extended language support makes Questa a real workhorse.
- The Questa Project is a collaborative type design project by Jos Buivenga (exljbris) and Martin Majoor
OTF | TTF | 4.83 MB
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Madawaska is a rugged slab-serif font fortified with black-strap molasses and vigor!
As in Victorian times, the precious, hand-lettered look of custom stationery is back in vogue. Enter Courtesy Script, an original creation by Alejandro Paul. Courtesy captures the elegance and propriety of finely practiced Spencerian penmanship, in particular the Zanerian school. Its lowercase is notably understated, a simple monoline with very wide connections that ease readability. In the capitals, Courtesy adds variety in both the weight of the strokes, and in degrees of flourish — from merely fancy to over-the-top engrossery. Based on an alphabet found in a 19th-century penmanship journal, Ale created hundreds of additional, stylistically complementary letterforms. Alternate capitals and lowercase letters, swashed lowercase forms, and ending and ornamental swashes; numerals, punctuation, and non-English and accented characters. With virtually endless ways to customize its use, Courtesy helps designers create fluid, signature looks on stationery and invitations, book covers, fashion layouts, and packaging.
OTF | 1 Font | JPEG Preview | 32.8 Mb RAR
Rukola, a friendly brush script that follows in the footsteps of sign painting, features an extensive character set and language support. Turn on the OpenType function and swash alternatives for a more authentic, original appearance. For select characters, simply use the number of spaces after the character to choose from an array of swashes on the final character. Rukola contains small caps for writing in large letters. The typeface is an original script for your poster, package and brand designs.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
Rufina was as tall and thin as a reed. Elegant but with that distance that well-defined forms seem to impose. Her voice, however, was sweeter, closer, and when she spoke her name, like a slow whisper, one felt like what she had come to say could be read in her image. Rufina’s story can only be told through a detour because her origin does not coincide with her birth. Rufina was born on a Sunday afternoon while her father was drawing black letters on a white background, and her mother was trying to join those same letters to form words that could tell a story. But her origin goes much further back, and that is why she is pierced by a story that precedes her, even though it is not her own.
Maybe her origin can be traced back to that autumn night in which that tall man with that distant demeanor ran into that woman with that sweet smile and elegant aspect. He looked at her in such a way that he was trapped by that gaze, even though they found no words to say to each other, and they stayed in silence. Somehow, some words leaked into that gaze because since that moment they were never apart again. Later, after they started talking, projects started coming up and then coexistence and arguments, routines and mismatches. But in that chaos of crossed words in their life together, something was stable through the silence of the gazes. In those gazes, the silent words sustained that indescribable love that they didn’t even try to understand. And in one of those silences, Rufina appeared, when that man told that woman that he needed a text to try out his new font, and she saw him look at her with that same fascination of the first time, and she started to write something with those forms that he was giving her as a gift. Rufina was as tall and thin as a reed, wrote her mother when Rufina was born.
OTF | 9 Fonts | JPEG Preview | 13.4 Mb RAR
OTF | TTF | 8 MB
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The first weights of Neue Haas Grotesk were designed in 1957-1958 by Max Miedinger for the Haas’sche Schriftgiesserei in Switzerland, with art direction by the company’s principal, Eduard Hoffmann. Neue Haas Grotesk was to be the answer to the British and German grotesques that had become hugely popular thanks to the success of functionalist Swiss typography. The typeface was soon revised and released as Helvetica by Linotype AG.As Neue Haas Grotesk had to be adapted to work on Linotype’s hot metal linecasters, Linotype Helvetica was in some ways a radically transformed version of the original. For instance, the matrices for Regular and Bold had to be of equal widths, and therefore the Bold was redrawn at a considerably narrower proportion. During the transition from metal to phototypesetting, Helvetica underwent additional modifications. In the 1980s Neue Helvetica was produced as a rationalized, standardized version.For Christian Schwartz, the assignment to design a digital revival of Neue Haas Grotesk was an occasion to set history straight. “Much of the warm personality of Miedinger’s shapes was lost along the way. So rather than trying to rethink Helvetica or improve on current digital versions, this was more of a restoration project: bringing Miedinger’s original Neue Haas Grotesk back to life with as much fidelity to his original shapes and spacing as possible (albeit with the addition of kerning, an expensive luxury in handset type).”
Peaches and Cream is a bold brush style script family of three weights, ornament set and an all caps font. Peaches and Cream is equipped with plenty of OpenType features: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Combine Peaches and Cream with Peaches and Cream Ornaments and Peaches and Cream Caps to complete your designs. Peaches and Cream is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling.
OTF | 5 Fonts | JPEG Preview | 13.9 Mb RAR
