Ethos Font Family 36 Fonts $250
OTF
Ethos is a contemporary serif fontfamily by Fonts With Love. It comes in 36 fontstyles with true italics and a huge bunch of opentype features like small caps, ligatures, nominators and denomiators, fractions and many more. Its x-height is pretty high, which makes it legible even on small fontsizes. Above that, the lighter weights have a rather low-contrast linestyle, which improves the legibility on display application especially on smaller sizes. On larger fontsizes, the typeface stands out with a distinctive character of geometrically shaped letters with soft rounded corners.
Each fontface contains 500+ glyphs, supporting a huge amount of languages, mathematical operators, symbols and punctuations.
http://www.myfonts.com/fonts/fonts-with-love/ethos/
Slash Font Family $41 | 3 x TTF
http://www.myfonts.com/fonts/superfried/slash/
Dequindre Font $30 | 1 x TTF | Turkish Support
http://www.myfonts.com/fonts/alex-jacque/dequindre/
The ITC Library - OpenType Edition
Offers 100 new designs and 650 designs not found in any other collection. Includes offerings from Mathew Carter, Sumner Stone, Mark Van Bronkhorst, and many other distinguished designers.
OTF, TTF | 99 Mb | 1 RAR-archive
Bell Martellus Font Family $99 | 1 x TTF
http://www.myfonts.com/fonts/chank/bell-martellus/
Full of texture and regal personality, Bell Martellus was derived from a book published in 1475 by Henricus Martellus entitled “Liber Insularum.” The writing style is based on the Carolingian Script created by the Emperor Charlemagne and his scribe, Alquin of York, in the 9th century A.D. This old world lettering comes with new world OpenType capabilities, including swash caps and small caps.The James Ford Bell Library at the University of Minnesota commissioned Bill Moran to develop this font as a means of introducing their amazing collection of rare books, maps and manuscripts to a wider audience.Once the historic script was fontified by Bill, it was forwarded to Chank Co, where we added some snazzy baubles for the discriminating typographer. Everybody can enjoy the antique genuine nature of Bell Martellus, but advanced OpenType users also get extra features in Adobe CS applications.
Colfax is a refined oval sans serif of 20th century origins and 21st century sensibilities. Influences ranging from the gruff Aurora Grotesk series to the elegant Neuzeit are paired with a subtle geometry and typographic utility to inform this family of sans serifs. Featuring a range of six weights with accompanying italics, the entire Colfax family is made up of twelve fonts. At the extreme ends of the range are two display weights – Thin and Black – supported by four workhorse weights – Light, Regular, Medium and Bold. When designing Colfax’s weight range, we followed our standard policy: create truly useful weights rather than what is mechanically possible. As such, each weight can be used with another two up or two down in the range to maintain contrast between the two. For instance, Thin can be paired with Regular or Medium paired with Black. This isn’t prescriptive, of course, but offers a rational starting point for a typographer first experimenting with Colfax. The conventionally round or semi-oval characters of Colfax are comprised of subtle straight sides and near perfect circles. We think of this as implied geometry. It isn’t measured or automatically repeated for all characters but instead referenced throughout the typeface creating a pleasant, family-wide gestalt. Although so-called true italics are often paired successfully with sans serif designs, they simply didn’t match Colfax. Oblique, adjusted italics were drawn instead to match the starkness and gravity of the roman. True to its minimalist roots, Colfax has just one alternate: the uppercase J. Found as an OpenType Stylistic Alternate, its horizontal cross bar at cap height makes it ideal for double J headlines like JOJOBA or JUJITSU. We love arrows so it’s only natural Colfax features a collection of left and right directional arrows in all six weights to point the way. The arrows are available in two sizes – one for caps and another for lowercase.
OTF | 12 Fonts | JPEG Preview | 6.3 Mb RAR
Buffet Script is based on fantastic calligraphy by Alf Becker, arguably the greatest American sign lettering artist of all time. The Alf Becker series of nameless alphabets published by Sign of the Times magazine in 1941 has attracted letter digitizers for a few years now, so it’s really a wonder that a few of those alphabets are still in the non-digital realm. It is understandable, though, that the basis for Buffet Script was not digitally attempted until now. The page presenting this alphabet shows a jungle of letters running into each others and swashes intertwining. The massive amount of work involved in digitizing such lettering, where scanning is nowhere near being an option, is quite obvious at a mere glance. If anyone was going to commit this particular alphabet to a digital form, it would have to be redrawn stroke by stroke and curve by curve on the computer. And don't we love a challenge! But seriously, the challenge was not the main attraction. In a way, the Becker approach to lettering is so far from digital that the imagination is almost forced to work out possibilities and letter combinations to solve problems presented by the scant showings in that magazine. After a few imaginative visualizations, the digital potential becomes clear in the mind, and the eye and hand follow. The result with Whomp (another Alf Becker-inspired work) was an enormous font with a lot of alternates and ligatures. With Buffet Script the imaginative process was no different, but the result particularly shines here, because this is some of the most fascinating flowing calligraphy ever seen. Calligraphy is where the accountability of all the little extra touches, such as alternates and swashes and ligatures, is raised to a higher level than in most other type categories. Buffet Script’s OpenType programming contains discretionary ligatures, stylistic and contextual alternates, interacting with each other to allow the composition of just the right word or sentence. This font is best used where lush elegance is one of the design’s requirements.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Simplo is a geometric sans serif typeface, built in sixteen styles. It is a tribute to the 1930s typeface Semplicita, designed by Nebiolo’s Alessandro Butti. Although many details of Simplo differ from Semplicita, it preserves the spirit of the original. Simplo is ideal for use in display sizes. It is also quite legible in text, and is well suited for graphic design and corporate identity design. Simplo has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features — so it’s ready for advanced typographic projects. The most notable characteristics of this typeface are the t and the f. The t is the culmination of simplicity: a vertical line with just a simple right-side crossbar. The f also has just a right-side crossbar, and is really tall: it reaches both the highest and lowest vertical position of the typeface. The top of the distinctive s, is much narrower than its bottom. The a, b, d, g, p, q, and u are spurless, and show a family resemblance with Hans Reichel’s 1990s typeface Dax. However, these letters are rounder and more geometric than Dax’s counterparts, because of Dax’s higher x-height and narrower design. In Paul Shaw’s Imprint article about typefaces that have been overlooked and/or underappreciated, “Overlooked Typefaces”, he concluded his discussion of Semplicita as follows: “These idiosyncrasies suggest that Semplicita might find a warm reception today, given the current love affair with Gotham, Neutraface and Proxima—and the resurgence of ITC Avant-Garde Gothic.”
OTF | 16 Fonts | JPEG Preview | 4.5 Mb RAR
Conspired Lovers is based on five years of love-letter writing. A font to capture the intentions of love letters more than any other font.Нов did the Project start? In the last five years I wrote love letters with two persons. I became used to the joy of handwriting with ink and nib on fine paper. Through practice a experimentation my style continuously refined. As life moves on, suddenly I found myself with no one to write love letters to. It’s a luxury to have someone to write letters to. Missing the joy of writing and listening to Gregory Porter’s “Be Good”, the decision was made to take this 5 years of writing and make this dance on paper a font. A handwritten typeface for everyone to use.
OTF | 1 Font | JEG Preview | 9.9 Mb RAR
FM Valentines Pro consists of 50+ hand-lettered love expressions and sentiments for various romantic purposes: from St.Valentine’s greeting cards to email/ letter signatures, to engagement, wedding and anniversary accessories and gifts. Most of the expressions are in English, with some additions in other languages, such as French, Spanish, Italian, German (for example ‘Te quiero’, ‘Amore’, 'Je t'aime', ‘Ich liebe dich’, etc.). All the words and phrases are original and handwritten - a high quality calligraphy for your projects. In addition there are 10 hand-drawn heart icons in the digits' glyphs.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
Farola is a curly and romantic victorian display font, inspired specially on the ancient decorative forged iron lamps called “farolas” used on street and parks of the 1800’s. At first it was created as a lettering logotype for the collective called “Tipografistica”, a kind of experimental type and graphic design studio founded by college friends, the font was temporary identified as the same name as the collective, at same time, it was the first complete alphabet project commercially developed for PeGGO Fonts foundry, then it changed to current font name “farola”. The Farola process includes several technical cares, specially considering the visual balance weight, proportion ratio, contrast shapes, soft curves, outer and inner empty spaces also called “whites”. The main characteristics of “Farola” are curly shapes and its stronger drop spot finials. Due to concept design thoughts was “lettering logotype”. The most common pattern of this was the closer junctions between each logotype letters. To create the effect of unit, the serif and several finial shapes and also kerning adjustments keep those ideas on mind. The result was the unique kind of serif created specifically for this font. The most recommended usage of “Farola” are logotypes & lettering, but also packaging, posters, fashion young girl’s magazines headlines, videogames letterheads, valentines graphics, cover books, and many other similar ones.
TTF | 3 Fonts | 3.3 Mb RAR
PF Din Text Compressed Pro Font Family
The DIN Text Pro series, has lowercase ascenders that are higher than the capitals, varying letter proportions and italics that are not a mechanically-obliqued version of the regular weights, but rather true-italics. Each weight consists of an average 1280 glyphs. The letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The other two superfamilies Condensed and Compressed share the same attributes as the original. With its vast array of weights, the extended language support, but most of all its careful and detailed design it has proved valuable to numerous design agencies for their complex corporate projects. Additionally, every font in these superfamilies has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.
TTF | 14 Fonts | JPEG Preview | 6.1 Mb RAR
PF Square Sans Pro Font Family
Designer Panos Vassiliou created Square Sans Pro in his quest for a true square-like text typeface which could balance simplicity with vitality and enhance with its subtle power the identity of any product or service, without compromising its characteristics as a text typeface. The family consists of 12 fonts—from extrablack to thin—including true italics. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic.
Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
TTF | 12 Fonts | JPEG Preview | 5.9 Mb RAR
In 1936 the German Standards committee Deutsches Institut Normung (DIN) officially proposed DIN 1451 as the standard type of lettering to be used in the field of road traffic. The purpose of this standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfill the ever-increasing demand of complex corporate projects for more weights and support for additional languages.
Parachute® was set out to fill this gap by introducing the DIN Text series which, ever since, has become the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Completed in 2002, it was first released in 2003 and published in the award-winning catalog IDEA as a group of 4 separate families (original, condensed, compressed and a special display version). All families include 15 weights each, opentype features (small caps, etc) and extended support for all European languages based on Latin, Cyrillic and Greek.
The DIN Text Pro series, has lowercase ascenders that are higher than the capitals, varying letter proportions and italics that are not a mechanically-obliqued version of the regular weights, but rather true-italics. Each weight consists of an average 1280 glyphs.
The letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. The other two superfamilies Condensed and Compressed share the same attributes as the original.
With its vast array of weights, the extended language support, but most of all its careful and detailed design it has proved valuable to numerous design agencies for their complex corporate projects. Additionally, every font in these superfamilies has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations. This is a set of very useful daily symbols for packaging, branding and advertising. Symbols for public areas, environment, transportation, computers, fabric care and urban life.
TTF | 14 Fonts | JPEG Preview | 7.9 Mb RAR
http://www.myfonts.com/fonts/schizotype/blackball/
Blackball is an attractive blackletter font with ball terminals. Yes, it did take a while to think up the name! This is a versatile font, at home equally on Christmas cards and gothic horror stories. There is some clever OpenType programming at its heart, which means ligatures, alternate characters and swash characters (69 in total) can all be set to substitute automatically as you type. What’s more, this intelligent font always checks that there is room for the alternate characters before applying them. Have a play about with the different OpenType options to see what it can do.
OTF | 1 Font | JPG Preview | 1 Mb RAR
OTF | 11.1 MB
Novel Sans Serif Novel Sans Rounded Pro Heimat Stencil Heimat Sans Heimat Mono Novel Sans Condensed Pro Novel Sans Pro Novel Pro
The Foundation Font Collection - 75 Fonts $3675
OTF
The Foundation Collection provides 75 versatile fonts spanning the most essential serif and sans serif categories – along with a functional set of script and display styles.
This carefully-curated type collection draws from the acclaimed Monotype, Linotype, ITC, Bitstream and other libraries to provide a strong foundation for any designer’s type library – be it beginning creatives or seasoned typographic professionals alike. The Foundation Collection is a go-to typographic tool that will empower you to create effective designs across myriad projects, all without breaking the bank.
Demos
OTF | 1.13 MB
Sale PaGe
Novel Sans Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist with the calligraphic warmth of a real italic. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography.
Lucas Sharp’s first release through Village debuts in the Incubator. Sharp Sans injects some much needed humanism into the Futura model. With its sheered terminals and true italics, Sharp Sans combines the appealing typographic compensation of the grotesque, with the plump circular bowls of the geometric. The result is a typeface suited for both text and display use that breaths life into the genre of the geometric sans.
OTF | 20 Fonts | JPEG Preview | 4.1 Mb RAR
Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well as letter signatures and accessories.
Christmas Dingbats 1 and Christmas Dingbats 2 are two Christmas fonts with different styles. Each font contains more than 90 Christmas icons, borders and ornaments.
TTF | 2 Fonts | JPG Preview | 3.6 Mb RAR
OTF | 1.18 MB
Sale Page
A modern san serif typeface with a humanistic influence. The intention was to create a clean, functional design that would also have an elegant appearance. Careful attention has been paid to proportions and purity of form to help improve readability across text layouts. Details include 8 weights with italics, 540 characters with old style and tabular numerals, stylistic alternatives, manually edited kerning and Opentype features.
