OTF | 486 kb
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Small caps art deco font inspired by the golden age of Hollywood and childhood trips to the Majestic Cinema. Two styles, each with three weights. Picture House One is sharp and crisp, Picture House Two has a slightly ‘Out of Focus’ look to it. Both come with extended language support and oldstyle numbers, giving a lot of scope for may us
OTF | WOFF | 35.3 MB
Earlier this year I visited a bakery in Newport Beach, CA and fell in love with the organic design and typography of the place. Hand-drawn menus, table cards, chalkboards, and wall quotes surrounded the charming spot. It inspired me to create a new font family based on the combination of hand drawn fonts. Included in this package are 5 font families, with 2 graphic ornament fonts. Each font family contains at least a light, medium and bold.Here is a breakdown of what’s cookin' at Catalina’s Bakery:Catalina Anacapa: Tall and skinny, this font comes in 3 weights for both sans and slab serif styles. It includes contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and also includes Small Caps.Catalina Avalon: Based off Anacapa, this sub family has a high contrasting line weight. It comes in light, regular and bold as well as an inline alternative for both sans and slab serif styles. Avalon also includes opentype features such as contextual alternatives (giving 3 versions of each letter), stylistic alternatives for select letters (A, K, P, Q, R, Y) and small caps for each letter.Catalina Clemente: In a more standard width, Clemente is one of the two sub families that can be used for paragraph text as well as headlines. It’s organically geometric in style and comes in ALL CAPS and lowercase, includes upright and custom italics, and has the opentype feature giving 3 versions of each letter.Catalina Script: A great compliment with the display sub-families, Catalina Script rounds out the package with a hand-drawn cursive flair. It includes contextual alternatives (giving 2 variations to each letter) as well as stylistic alternatives for many of the capital and lowercase letters. It has special ligatures for some letter combinations, and titling alternatives for all the capital letters.Catalina Typewriter: The second of the paragraph text sub-families, this typewriter inspired hand-drawn font family works great as either a display or paragraph text. It has contextual alternatives with 3 versions of each letter, and comes in both upright and custom italics versions.Catalina Extras! These two fonts go perfectly with the Catalina Family. They includes borders, frames, arrows, banners, flourishes and more. Catalina Flourish has all of it’s options in a light and bold style, to use the light version type all lowercase letters, then to make something bold, used it’s uppercase (or shift+) characters. For a breakdown of graphic/letter correlation, see the breakdown PDF.All of Catalina was drawn by the same hand, using the same ink and technique. While they contrast in their type styles, they work together perfectly to create one cohesive font family.
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OTF | WoFF | 30.6 MB
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Rowton FY digs its roots in Eric Gill’s views on typography in his book “An essay on Typography”. This typeface has the very British feel of the 20th century. Taking as inspiration the calligraphic illustrations of the book, Julien Priez, Hugo Dumont, Jérémie Hornus, and Alisa Nowak, shaped up a new design. This sans-serif is tuned for text setting (with small capitals) but can also be efficient at larger sizes, specially with its lighter weights, and does a perfect job for signage or logos.Taking the same source of inspiration a stencil display typeface for bold and bespoke titling is also in the making.Rowton Sans FY has six weights (from Hairline to Bold), with gently sloped italics companions that have details of cursive handwriting. ExtraBold and Black weights are also part of the project and will be released later.
OTF | 1.54 MB
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D.I.Y. Time is a hand drawn type system designed by Luciano and Coto inspired by the DIY philosophy which has been transformed into a whole global counterculture movement, identifying the new generations that reprice the handwork, paying attention to quality, processes and materials used in the manufacture of goods and objects, food, clothing, furniture etc. This beautiful philosophy inspires us every day. Is present in our homes, in our lifestyle and this time we have given him way through a typeface family that mixes different styles but integrates them through language handmade. The result is a typeface based on hand lettering drawing with different brushes and pens on paper. With versions ranging from organic proposals as DIY time hand to other based on the classic proportions of Gill as DIY time sans. To accompany a set of compound words designed on the needs of small farmers and a set of ornaments illustrated, everything you need to begin to make your own.
OTF | WOFF
Styling is a clear and simple sans serif typeface, inspired by the aerodynamic curves and shapes of old cars and airplanes. The typeface is 5 weigths and italics are two families a normal and an alternative, so it offers many opportunities for creative professionals.
The font was drawn mostly about 15,000 feet in 2014 as he toured several cities in Latin America, a journey full of diverse flavors and shapes, this font includes all the speed and anxiety of the trip, hopefully rode on route many creative.
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OTF | 9.71 KB
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Last year, we visited Brazil and we were totally captivated by its cheerful and warm people. Its wild nature is absolutely amazing and very noticeable in textile printing as well as in floral design. That was precisely what inspired us to create some ornaments and dingbats, which we then turned into a single typographic work. The resulting typeface was called Garden, a serif display handmade font with a playful and spontaneous feel.The Garden family offers a font with a set of original catchwords (‘Garden Catchwords’, based on brush calligraphy), floral dingbats and botanical ornaments. The OpenType version provides a wide range of creative options. Garden is well-suited for text composition, posters, headlines, label design and handmade-style items. Garden is inspiration, nature and joy!
Hilton Sans and Hilton Serif Combo Highlights:
- 2 Versions of 1 Great Font: This Mighty Deal includes 2 OTF files! You'll get the sans-serif and serif versions of the subtle and elegant Hilton font.
- 500+ Glyphs: Each version of the Hilton font includes 299 glyphs, for a total of 598! Those include Basic Latin, Diacritics, and special characters of the West and Central European languages and Turkish. Not to mention proportional and tabular lining figures, as well as other unusual characters.
- Beautiful Contrast: This collection of thin fonts offers a wonderful dichotomy of emotions. On one side you have a sensitive, charming and warm touch, yet the other features an uncompromising, thorough going attitude.
- Uneven Widths: Unlike today's modern sans typefaces with uniform widths and a more general plain appearance all around, Hilton Sans and Hilton Serif buck the trend. The uneven width and proportions make for a more dynamic and exciting font overall.
- Great for Headlines: Most modern sans fonts with equal widths and proportions are good for small texts. But the classic style of uneven widths (like these two Hilton fonts), lend themselves beautifully to much larger and inviting design elements such as headlines.
OTF | 626 KB
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Quayside is a deliciously thick and bulbous baseball script, with a wealth of OpenType features.
OTF | TTF | 319 KB
- Biondi Sans is a sans-serif typeface evocative of early twentieth-century engraved nameplates. The character proportions and letterforms are similar to that of Morris Filler Benton’s Copperplate. Biondi Sans is available in 6 weights with italics.
OTF | 4.15 MB
OTF | WoFF | 34.6 MB
Encorpada Pro Encorpada Classic Encorpada Essential Encorpada Black
Encorpada classic brings the best features of the Didone genre, but with a 21st century look and feel. With smooth details Encorpada Classic is a elegant choice for your type library. The Encorpada family began in 2011 with the release of Encorpada Black. After that instant success, in 2012, dooType brought to us Encorpada PRO. Encorpada Classic retains the main look and feel of his predecessors, but is designed with more functional considerations. With 14 styles, Encorpada Classic is a fine choice.
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR
OTF | TTF | 8.67 MB
http://www.myfonts.com/fonts/fontscafe/hand-shop/
We’re really excited to unveil our all-new line of ‘HAND SHOP FONTS’. As the name suggests, these are fonts that have a hand-made or hand-typography feel reminiscent of shop signboards from the past with an attentive focus by the shop owners, always looking to discover exciting and unique ways to promote their products or services.
While for decades typography has strived hard for perfection, one of the routes taken by the typography world as a whole has been to eliminate any form of ‘human imperfection’ in the typesets, but what about the times when you DO want to send across emotions of a personal human touch through your fonts?We did a step back...these fonts will give your shop-signs a personal touch, telling your buyers that they will get personalized attention, be it through an online or an offline business…We hope you love them as much as we do.!
OTF | TTF | 584 KB
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Movatif is a 7-weight, mashed up 20th Century sans, with ideas from a variety of fonts from that Century.
OpenType savvy applications automatically swap certain letters to add more visual interest and completely freak people right out. So, let’s say you use M and A together, they’ll likely snap together in a cool or at least somewhat interesting kind of way. Familiar parts interact in a unique way that will give your design a customized look and kind of a bleak 1970’s malaise. . . also a bit of hipster twerpiness.
For best effect: juxtapose with images of fixies, unicorns, Phil Collins, man-purses and red VHS tapes.
OTF | 3.17 MB
- P22 Mackinac Pro spans four centuries of type design, bridging the Old World with the New. This family of four weights and corresponding italics is of old style construction, with a diagonal weight stress. Contrast between thick & thin is modest and proportioned the same for all fonts. The tall x-height recommends itself to a wide variety of text and display uses; including advertising, publishing, signage and packaging.P22 Mackinac Pro (pronounced Mackinaw) is a general-purpose, utilitarian design incorporating an abundance of OpenType features: small caps, ligatures, ordinals, numerous figure options plus a few bonus goodies. Mackinac supports 56 languages using extended Latin character sets.
Helia Core is a semi-squared font based on Helia. It has been simplified, it was designed to be as clear as possible. This font with a soft and friendly aspect is perfect for screen and text. Helia Core consists in a 16 styles family, from Hairline to Black with their italics. Each font includes Small Caps, OpenType Features such as Proportional Figure, Tabular Figures, Numerators, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals, Fractions and many ligatures. The ligatures are a good feature to make an original and creative layout. The fonts have an extended characters set to support Central, Eastern and Western European languages. The range of styles provides flexibility for text and title.
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR
This typeface is based on ISO 3098, a technical documentation issued in 1974 by ISO (International Organization for Standardization), which proposed a set of characters for use on technical drawings and associated documents. Isotext is based on the original standards but is completely redesigned to fit typographic requirements. This new ‘Pro’ version is further improved and now comes with a complete set of redesigned true-italics. Furthermore, the width of the glyphs has increased in order to establish a more balanced and readable text. The result is a contemporary font which works well in small sentences as well as long texts. Isotext Pro is loaded with all the good stuff a designer needs to create documents with attitude. It supports 19 special OpenType features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Greek and Cyrillic. Finally, every font in this family has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.
OTF + TTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Futura Font Family - 20 Font 580€
TTF | 474 KB
First presented by the Bauer Type Foundry in 1928, Futura is commonly considered the major typeface development to come out of the Constructivist orientation of the Bauhaus.movement in Germany. Paul Renner (type designer, painter, author and teacher) sketched the original drawings and based them loosely on the simple forms of circle, triangle and square. The design office at Bauer assisted him in turning these geometric forms into a sturdy, functioning type family, and over time, Renner made changes to make the Futura fonts even more legible. Its long ascenders and descenders benefit from generous line spacing. The range of weights and styles make it a versatile family. Futura is timelessly modern; in 1928 it was striking, tasteful, radical - and today it continues to be a popular typographic choice to express strength, elegance, and conceptual clarity. Typefaces in the same style like Futura are: Avenir, Metromedium, Neuzeit Grotesk,
PF Champion Script Pro Font Family
PF Champion Script Pro is perhaps the most advanced and powerful calligraphic family ever made. It received an award for Excellence in Type Design from the International Type Design Competition ‘Modern Cyrillic 2009’ which was held in Moscow. Most recently, it received another award from the 3rd International Eastern Type Design Competition - Granshan Awards 2010. This typeface was first presented in June 2007 at the 3rd International Conference on Typography and Visual Communication (ICTVC) and was met with rave reviews. It is based mainly on the manuscripts of the 18th century English calligrapher Joseph Champion. Developed over a period of two and a half years, each one of the 2 weights is loaded with 4300 glyphs(!), offering simultaneous support for all European languages based on the Latin, Greek and Cyrillic scripts. Furthermore, a wide selection of alternate forms and ligatures is included for all languages, in order to accommodate diverse design aesthetics. These alternates are either applied automatically through an advanced programming scheme, or manually through several OpenType features. An attempt was made to design a contemporary script typeface with classic roots, by following certain guidelines, i.e. lowercase characters were designed so they are less inclined, have a higher x-height and are less condensed than the original. Several characters were stripped-off their connecting lines in order to enhance legibility. Four sets of alternate swashed capitals as well as a plethora of ornaments and frames (117) was included. Small caps and their alternate forms were designed to replace the capitals which disrupt the flow of text within a sentence with their extravagant swashes. All characters were carefully designed with the proper weight in order to sustain harsh printing conditions (on special papers), a situation which affects mainly the light connecting parts of calligraphic typefaces. Finally, it was programmed in such a way as to preserve handwriting qualities, by designing an extensive array of ligatures and alternate glyphs in all languages, never before released or incorporated within the same font.
OTF | 2 Fonts | JPEG Preview | 5.3 Mb RAR
PF Regal Display Pro Font Family
The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they differ in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.
OTF | 10 Fonts | JPEG Preview | 6.5 Mb RAR
Stainless 16 Font Pack [Incomplated] $ 640
118 Font Family 875 Fonts $20000 (With Lost Fonts)
OTF | TTF | 168 MB
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Parachute is an independent award-winning type foundry. It landed in 1999, but it wasn’t till 2001 that it started operating as a full-scale company. Since then, 13 designers have joined in to form a select group of open minded, free spirited individuals, all coming from diverse design fields.Over the years, Parachute has built a strong network of valuable relationships with customers in Europe, United States, Canada, Asia and Australia. It’s clientele includes multinational companies and organizations such as the European Commission, American Express, UEFA, Disney, Time Warner, McGraw-Hill, Ikea, Samsung, Nestle and Unilever, advertising and branding agencies such as BBDO, McCann Erickson, TBWA, MetaDesign, JWT, Interbrand, Wieden+Kennedy, publications such as Financial Times, National Geographic, Harper’s Bazaar, Grazia, PC Magazine, PC World, as well as many others.The year 2003 marked the beginning of a new era for Parachute with the release of an award-winning catalog (Print European Design Annual 2004). Since then an emphasis was placed on multilingual support and opentype technology.During the last 5 years Parachute has won several major international typeface design awards, with the most recent the red dot: grand prix 2012 for original typeface. All Parachute fonts have been designed to offer multilingual support for major scripts such as Latin, Greek and Cyrillic. Latest entries support Arabic as well.
