PF Centro Serif Pro Font Family

Centro Serif Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR

TTF | 6 Fonts | JPEG Preview | 4.2 Mb RAR

PF Din Stencil Font Family

Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. After the successful introduction of DIN Monospace a few months earlier, PF DIN Stencil now completes Parachute’s extensive library of DIN superfamilies. It was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. Two companies dominated the market in the mid-twentieth century: the Marsh Stencil Machine Company in the United States and the Sächsische Metall Schablonen Fabrik in Germany. Ever since the late 1930s, it was the German Sächsische Metall Schablonen Fabrik which used heavily the new DIN 1451 standard font (introduced in 1936), attempting to overthrow the reign of the Didot-style modern roman which was at the time the most common stencil letter in Germany. These letters were manufactured mainly as individual zinc stencils which could be ordered in sizes between 10 and 100mm. The DIN Stencil family manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. Furthermore, the spacing attributes of the glyphs were redefined and legibility was improved by revising the shape of the letterforms. The DIN Stencil family consists of 8 diverse weights from the elegant Hairline to the muscular Black. Currently, it supports Latin, Eastern European, Turkish and Baltic.

OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR

PF Das Grotesk Pro Font Family

Das Grotesk was inspired by earlier nineteenth-century grotesques, but it is much more related to American gothic designs such as those by M.F. Benton. Due to their pure geometric structure, most grotesque typefaces tend to have a rather monotonous and lifeless appearance, thus failing to express the ideals of the modern creed. Das Grotesk on the other hand is a lively design with several distinguishable characteristics which attract attention when set at large sizes, whilst they become subtle and blend evenly at small sizes, fostering a neutral identity. This is a very legible and space-saving typeface with a narrow structure. It was designed with slanted curved ends and sheared terminals applied on several straight strokes. It has two-storey ‘a’ and ‘g’ but includes single-storey alternates. The family consists of 14 weights ranging from Extra Thin to Black (including true-italics). It provides simultaneous support for Latin, Cyrillic and Greek and is loaded with several advanced typographic features such as small caps.

OTF | 14 Fonts | JPEG Preview | 5.1 Mb RAR

http://www.myfonts.com/fonts/parachute/pf-centro-sans-pro/

Centro Sans Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

OTF | 16 Fonts | JPG Preview | 4.3 Mb RAR

http://www.myfonts.com/fonts/parachute/pf-adamant-sans-pro/

Adamant Sans is a contemporary and very functional typeface. It stands out from the crowd with its uniquely designed rounded corners and beautiful italics. This carefully designed family consists of 18 fonts, including true italics. Its extreme weights, such as hairline and black are ideal for setting big and powerful headlines, while intermediate weights work very well in long texts at small point sizes. Weights are finely balanced so that they can be easily combined, depending on the type of paper and other conditions. Thanks to its proportions, high x-height and wide apertures, this typeface is very legible and suitable for setting books, magazines, newspapers, but is also valuable for use in large sizes, as well as for complex corporate projects. It supports advanced typographic features such as small caps, lining and oldstyle figures in proportional and tabular widths, fractions, ligatures, etc., and provides simultaneous support for Latin and Cyrillic as well as kerning for these languages. Adamant Sans is the ideal companion of the Adamant serif version.

TTF | 18 Fonts | JPG Preview | 4 Mb RAR

• Bounce Script is a nice hand lettered upright font. This font has an appealing “bounce” characteristic which gives it its charm.
• Great for headings, logos or where a brush script is needed. Bounce Script contains five alternate characters.

http://www.face37.com/projects/f37-bella-stencil

OTF | 1 Font | JPG Preview | 1 Mb RAR

Typha Latifolia - A Plant of the Swamps 8xTTF

http://www.myfonts.com/fonts/jbfoundry/typha-latifolia/

Typha Latifolia is a plant of the swamps from the Northern Hemisphere. It is characterized by its high rangy leaves.

Typha Latifolia is also a font family. It is characterized by the height of the ascenders and the descenders.

Numerous ornamental variations complete medium and bold versions.

Simple Ronde - Conceived for Young Pupils 4xTTF

http://www.myfonts.com/fonts/jbfoundry/simple-ronde/

Simple Ronde is conceived for young pupils. This upright script is based on the french use at primary schools. A large set of ligatures make the links between characters more natural, especially with o, b, v and w.

Old French School - Handwriten Old School Font Family 4xTTF

http://www.myfonts.com/fonts/jbfoundry/old-french-school/

Kingthings Lickorishe Pro - 70's Hippie Shiny Bell Bottoms Typeface OTF

http://www.myfonts.com/fonts/cheapprofonts/kingthings-lickorishe-pro/

2 TTF Fonts | Designer: Jean Boyault | Turkish Support

http://www.myfonts.com/fonts/jbfoundry/hopeful-giraffe/

Long legs, long neck, low x-height, it’s Hopeful giraffe.  Each of both styles of this family of font contains two stylistic sets. With its ornamental capitals and its varied numerals, you can modulate the aspect of your texts as you want it.

Hirondelle - Connected Handwriten Font Family 4xTTF

http://www.myfonts.com/fonts/jbfoundry/hirondelle/

With over 900 characters and with the contextual alternates, Hirondelle offers you a perfectly connected writing.

By activating swashes, your texts will take a more remarkable expression.

With its four weights, you will have a wide choice for your invitations, advertisements, packaging …

Happy Reader - Make Reading Easier for Dyslexic Children 6xTTF

http://www.myfonts.com/fonts/jbfoundry/happy-reader/

Happy Reader is a font family conceived to make reading easier for dyslexic children. Recent studies show that a wide spacing of the letters favors speed and understanding of the children with difficulties. 
Happy Reader proposes a handwritten writing with connected characters in three different spacings. 
NB: if letters are not connected, it is necessary to activate Contextual Alternates.

Galapogos BRK - Chunky and Rounded Font OTF

http://www.myfonts.com/fonts/cheapprofonts/galapogos-brk-pro/

• Increased the size of the dots, and tweaked a little here and there - before expanding the character set substantially. I actually like the font so much that I also used it for the CheapProFonts logo!
• ALL fonts from CheapProFonts have very extensive language support: They contain some unusual diacritic letters (some of which are contained in the Latin Extended-B Unicode block) supporting: Cornish, Filipino (Tagalog), Guarani, Luxembourgian, Malagasy, Romanian, Ulithian and Welsh. They also contain all glyphs in the Latin Extended-A Unicode block (which among others cover the Central European and Baltic areas) supporting: Afrikaans, Belarusian (Lacinka), Bosnian, Catalan, Chichewa, Croatian, Czech, Dutch, Esperanto, Greenlandic, Hungarian, Kashubian, Kurdish (Kurmanji), Latvian, Lithuanian, Maltese, Maori, Polish, Saami (Inari), Saami (North), Serbian (latin), Slovak(ian), Slovene, Sorbian (Lower), Sorbian (Upper), Turkish and Turkmen. And they of course contain all the usual “western” glyphs supporting: Albanian, Basque, Breton, Chamorro, Danish, Estonian, Faroese, Finnish, French, Frisian, Galican, German, Icelandic, Indonesian, Irish (Gaelic), Italian, Northern Sotho, Norwegian, Occitan, Portuguese, Rhaeto-Romance, Sami (Lule), Sami (South), Scots (Gaelic), Spanish, Swedish, Tswana, Walloon and Yapese.

Friandise for Chocolate Enthusiasts Fonts

2 TTF Files | Designers Jean Boyault

http://www.myfonts.com/fonts/jbfoundry/friandise/

Do not believe that Friandise is reserved for the chocolate enthusiasts. It’s a pair of fonts which will allow you to ally simplicity and frivolity, sweetness and hardness, discretion and show.

Centaurea - Sketch, Outline and Plain Style 4xTTF

The Centaurea typeface family is based on a didone with curved serifs. The Original style is legible and adapted to small sizes. The Sketch, Outline and Plain styles allow originality and creativity. 
Twenty stylistic sets allow the mixture of styles while keeping kerning steady. Overlapping allows the creation of unusual and original effects.

http://www.myfonts.com/fonts/jbfoundry/Centaurea/