Brandon Grotesque is a sans serif type family of six weights plus matching italics. It was designed by Hannes von Döhren in 2009/10. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Brandon Grotesque has a functional look with a warm touch. While the thin and the black weights are great performers in display sizes the light, regular and medium weights are well suited to longer texts. The small x-height and the restrained forms lend it a distinctive elegance. Brandon Grotesque is equipped for complex, professional typography. The OpenType fonts have an extended character set to support Central and Eastern European as well as Western European languages. Brandon Grotesque won the TDC2 Award, 2011.
OTF | 12 Fonts | JPEG Preview | 12.3 Mb RAR
Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family.
OTF + TTF | 18 Fonts | JPEG Preview | 4.4 Mb RAR
Uma is a typeface family consisting of two weights: light and bold. The typography is fresh, informal and friendly at first glance, but the constructive architecture makes it elegant and modern. It works equally as well in large or small sizes, and the combination between the two weights is very interesting to work with. It is a contemporary typeface, ideal for use in magazines, brochures, flyers and advertising among other applications. Uma may seem simple at a first glance, but it is very functional and professional, with aesthetic enchanting details. Uma has a wide range of functionality and has a great personality. Designed by Ariel Di Lisio and digitized by Ale Paul, Uma includes alternates, fractions, ligatures and a wide range of latin languages.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Monolite is a geometric sans serif display typeface. This geometric typeface is not to be messed with; its clear-cut edges and modern styling gives Monolite the attitude it needs to leave a lasting impression.
OTF | 1 Font | JPEG Preview | 5 Mb RAR
OTF | WOFF | 32 MB
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Meet Veronia! An elegant, handwritten mono-line font family designed by Cindy Kinash and Callie Hegstrom. Available in four weights, with floral elements and decorative alternate letters. Veronia is perfect for stationery, greeting cards, invitations, magazines and websites and more.
FontMaster - FM Ephire Font Family $60
11 OTF with WebFonts | Designers: Jordan Jelev & Vassil Kateliev
http://www.myfonts.com/fonts/fontmaker/fm-ephire/
- FM Ephire is a hand-drawn, multilingual, type family of five weights with compliment italics. Stuffed with tons of features, Ephire really shines through its artistic and stylish, yet elegant feel of a natural handwriting. It is your best choice wherever you design greeting cards, banners or posters and it also handles pretty well for body text, even in small sizes. Enjoy Ephire!
Decima is a new display face designed in 2008. The designer’s inspiration was a previous creation, PR41, a monoline condensed typeface developed for use on instrument panels. This time, the intention was to create a typeface with a more modern, yet soft, look while retaining PR41 characteristics. Decima is a condensed geometric San Serif, built in three weights and six styles. The letterforms in roman style are techno in appearance, while italics remind one of handwriting (which is evident in lowercase g, y, z whose loops resemble real italics). In bold weight, the letters retained the condensed matrix of regular weight letterforms, making it ideal for titling usage. Ink traps have been added to some letters to aid readability. Decima is released as OpenType single master with a Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 4.3 Mb RAR
Banda is a semi-serif typeface characterized by a tall x-height and rounded semi-serifs. Although it was first designed as a display typeface, Banda quickly evolved into more complex type consisting of seven weights plus their respectful italics. Banda can be used for short passages of text as well as a fancy display type. Varying from the elegant and finesse, thinner weights to the almost childish bubbliness of the heavier weights, Banda is a great all-round performer suitable for logos, headlines, package & food designs & much more.
OTF | 14 Fonts | JPEG Preview | 4.3 Mb RAR
OTF | WOFF | 26 MB
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Vertebrata is a serif type family of six fonts, designed by Fulvio Bisca between 2011 and 2014. It embodies features from different ages of writing and history of typography: the solemnity of Capitalis Monumentalis in uppercase and small caps, rhythm of Textura in lowercase, sturdiness of 1800 Slab Serifs in the overall look and feel, and a contemporary modular approach to the construction process. In spite of the geometric genesis of the letterforms, special attention has been paid to optical corrections, in order to obtain a natural and legible design.
The Nexa family includes 16 styles & weights - eight uprights with eight italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning etc. Nexa is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.
OTF | 16 Fonts | JPEG Preview | 3.4 Mb RAR
Newslab is a slab serif font – designed by Daniel Hernández –which is the result of the combination of three different typefaces: Andes, Sánchez and Roble. Harmony among every feature of the typefaces makes Newslab a neutral but imposing font. The Newslab font family consists of 16 variants and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, etc.
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR
CA Recape is a weird and beautiful vintage script family with two styles. It’s an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling. The basic inspiration for CA Recape comes from American 50s lettering. But instead of reviving one special style, it is a kind of “Best of”-Remix. It takes the weirdest and most beautiful letterforms of a weird and beautiful time and merges them into one font. The outcome is a charming bastard. Guess what it looks like: Weird and beautiful. CA Recape is packed with a lot of OpenType features like underlining swashes, Stylistic, Discretionary, Titling and Contextual Alternates and Ligatures for use in OpenType savvy programs. It also comes with some nice Ornaments. Derived from the original typeface, Cape Arcona Type Foundry also offers a Raw style that has the distressed look of a poorly printed raw font.
OTF | 2 Fonts | JPEG Preview | 7.1 Mb RAR
Core Sans D is a modern interpretation of condensed sans-serif typeface designed by S-Core and the whole family consists of 2 widths (Condensed, Normal), 7 weights (Thin, Light, Regular, Medium, Bold, Heavy, Black) with their corresponding italics. Core Sans D features a condensed geometric construction and has a large x-height which enhances legibility. The family is ideal for signage, headline as well as body text. Core Sans D is a part of the Core Sans Series such as Core Sans N SC, Core Sans N, Core Sans N NR, Core Sans M, Core Sans G and Core Sans A. Letterform in this type family is simple, clean and highly readable. The spaces between individual letter forms are precisely adjusted to create the perfect typesetting. Core Sans D supports complete Basic Latin, Cyrillic, Central European, Turkish, Baltic character sets. Each font includes proportional figures, tabular figures, numerators, denominators, superscript, scientific inferiors, subscript, fractions and case features.
OTF | 28 Fonts | JPEG Preview | 4.7 Mb RAR
The font family “Clasica” is ideal to cover every design need. Excellent for titles, paragraphs, magazines, books, editorials and logos. The particularity and identity of this font is found in the thinness of its vertical strokes and symmetrical serif. Inspired by the “Optima” font but with a serif that gives a different and new feel. “Clasica” counts with glyphs for the letters: a, e, f, g, r and y. This font family comes with 9 different weights with their respective italics.
OTF | 18 Fonts | JPEG Preview | 4.7 Mb RAR
Ropa Sans Pro is a sans serif font family of 8 weights plus extra designed italics and small caps. While the upright styles pay a distant homage to the technical aesthetics of the early-20th century DIN series, the strongly humanistic italics breathe in quirky freshness and create a unique flavor. Four styles (Ropa Sans, Ropa Sans SC, Ropa Sans Italic and Ropa Sans SC Italic) are available free of charge. Suitable for both body and headline use, Ropa Sans Pro provides advanced typographical support with features such as case-sensitive forms, fractions, super and subscript characters, and stylistic alternates. It comes with a complete range of old style and lining figures, witch are in tabular and proportional widths. In addition to an extensive coverage of Latin-based languages, Ropa Sans Pro provides essential support for the Cyrillic and Greek writing systems.
OTF | 32 Fonts | JPEG Preview | 4.2 Mb RAR
- Artegra Slab is the latest addition to the Artegra superfamily. It contains 54 fonts with over 1000 glyphs per font in condensed, normal and extended widths. With Cyrillic and Greek sets it supports more than a hundred languages. It’s based on the perfectionist geometric shapes of Artegra Sans, which makes it beautiful to look at and easy to read.Opentype features include Small Caps, Ligatures, Unlimited Fractions, Ordinals, Superscripts & Subscripts, Language Localizations for Turkish, Dutch, Polish, Romanian, Moldovan and so on.
OTF | 9.56 MB
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Larsseit is a sans which mixes a very low contrast and classical proportions. Larsseit emphasizes cleanliness, readability and objectivity. The Larsseit family includes 6 weights, from UltraThin to Black, with their corresponding italics and Small Caps. Each font includes OpenType Features such as Proportional Figures, Tabular Figures, Numerators, Superscripts, Denominators, Scientific Inferiors, Subscript, Ordinals, Ligatures and Fractions.
Brush Up Font Family 2xOTF $34
Designers: Ricardo Marcin, Erica Jung
http://www.myfonts.com/fonts/pintassilgo/brush-up/
- Brush Up is the cool handpainted typeface you are looking for. Swiftly painted on paper and carefully translated into a font, it brings 3 glyphs for each letter and 2 for each number, plus variations for some punctuation marks. The font is nicely programmed to cycle these alternate glyphs when Contextual Alternates engines of applications are turned on. Or, you can always pick up your choices manually through a glyphs palette. Either way it will certainly turn out refreshing!
- Surprisingly versatile, Brush Up is available in two cuts – upright and oblique – and will greatly fit tons of purposes.
- Is it a headline? A small chunk of text? Maybe not that small? Ok, just Brush'em all!
Sanchez, designed by Daniel Hernandez, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sanchez & Sanchez Condensed comprises 12 variants, ranging from extra light to black, each of the same x-height.
OTF | 12 Fonts | JPEG Perview | 4.5 Mb RAR
SST Font Family - Firm, Sharp, Technical & Pure 17xTTF $399
https://www.myfonts.com/fonts/mti/sst/
- Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Pan-European family has 17 fonts in total. It spans six weights from ultra light to heavy, each with an italic complement. In addition, three condensed designs and two monospaced (typewriter) typefaces were drawn to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity. While the family is also large enough to manage complicated typographic hierarchy, SST pairs handsomely with typefaces as far reaching as ITC Berkeley Old Style®, Meta®, PMN Caecilia®, Malabar® and Neue Swift®.
SST Japanese Font Family - Firm, Sharp, Technical & Pure 6xTTF $719
https://www.myfonts.com/fonts/mti/sst-japanese/
- Designed for global branding and supporting 93 languages, the SST® typefaces blend the organic readability and controlled structure of modern sans serif designs. In combining these attributes, the SST family is understated, versatile – and sure to be a timeless design. The SST Japanese Pro family has 6 fonts in total. It spans four weights from ultra light to bold, and has two condensed weights to further expand the family’s vast range of uses. SST’s subtle design traits provide a quietly handsome and consistently friendly typographic presence that can be used for just about any typographic application. Broad range branding applicability combined with coverage for almost a hundred languages, makes SST one of the most widely accessible and usable typefaces available. Originally designed in partnership with the global consumer brand, Sony, the SST family is one of the most comprehensive type families available. Since extensive multi-lingual support was a critical design goal from the beginning, Akira Kobayashi, Monotype type director and primary designer on the project, turned to a network of local designers around the world for their individual language expertise. As a result, the details – which could be as subtle as stroke curvature and width – are consistent across Latin, Greek, Cyrillic, Arabic and multiple Asian languages. SST performs equally well in print and on-screen and the designs can be used at very small sizes in packaging and catalogs; while massive print headlines – even complicated wayfinding projects pose no stumbling blocks to the family’s typographic dexterity.
