https://www.myfonts.com/fonts/attract-studio/bellagia-display/
Bellagia Display is a blend of two hand calligraphy typefaces and vintage serifs with a natural bond consisting of 7 weights from Thin to ExtraBold. All the wildcards and binders are specially designed to bring out the letters that are unique, and interesting. This makes it a very versatile font that works in both large and small sizes. Perfectly supports your creativity in making various design projects such as logo designs, branding, posters, magazines, labels, merchandise, invitations, long and short texts, and many of your other needs.
https://www.myfonts.com/fonts/capearcona/ca-slalom-extended/
The starting point for CA Slalom was the aspiration to create a contemporary interpretation of classics like Gill and Antique Olive in terms of aesthetics, flexibility and usefulness. The outstanding S soon became the visual hook and starting from the extra bold extended weight, CA Slalom evolved into a huge family with four widths. It’s rather round instead of squarely with stroke-ends pulled deep and a relatively low x-height. This gives CA Slalom a taste of its own, and although it is clearly contemporary, it has the potential to become a classic.
https://www.myfonts.com/fonts/wrkstt-graphicstudio/hockeynight-sans/
Hockeynight Sans with its round corners is the smoothest sports-font you will find. Its the helvetica under the college fonts. Spice it up and mix some of the alternative glyphs in! Hockeynight comes in 7 Weights and each one available as an Italic. Use it big and bold on your sports-poster, space it up to get that dirty look or use some alternate glyphs for your logodesign.
https://www.myfonts.com/fonts/owl-king-project/voltdeco-v02/
Finally, voltdeco V02 is basically capital letters (all-caps) for display, then to complement various needs for body text and headline layouts, it is developed into a font family. Voltdeco is an art deco uppercase font with a modern style, works great in short sentences or words, but the (20 weight) fonts allow for more options for exploration. Voltdeco can also work well for medium or regular text. Explore with voltdeco for creative works, whether printing the final design or digital design, happy exploring with voltdeco.
https://creativemarket.com/VintageVoyage/2146290-Easy-Rider-•-50-OFF
Easy Rider - playful brush script for branding, posters, packaging or printings. You can create vintage looks graphics with pressed style or use clear or glare and be more modern, 'cause Easy Rider comes with three different styles - clear (normal), glare and pressed.
https://creativemarket.com/VintageVoyage/5622554-The-Ruby-Duo-•-56-Fonts-•-50-OFF
The Ruby Duo - a retro inspired font duo with a wide range of sans and script styles. Rugged and simple sans with a cool pair of mono line script. The main thing is the possibility of various combinations of using - from Condensed to Extra Expanded and from Light to Black. You will definitely find the best way to use in your projects with more than 50 styles. By the way, the sans came also as Variable Font. That mean you can set the Width and Weight by yourself! The sans has underline small caps alternates to use it with conjunctions. The script also has some alternates to change the script mood. Also, you will find a five graphic fonts with 130 elements total! A lot of vintage badge shapes and more than 100 vector vintage mood icons to use it in your badges or logos.
https://creativemarket.com/neSia/7271582-Blastage-Scifi-Sans
Blastage - Scifi Techno Game Expanded Sans - Futuristic Bold Display Sans Serif Font. Blastage Sport Game Sans Serif Display Font is perfect for your up coming projects. Such as logo branding, editorial design, esport design, 80s retro design, game / gaming industry, sport racing, super car brand, esport branding, music poster, website design, modern advertising design, poster quote, book/cover title, special events and any more.
At Slam XXCnd Font Family
At Slam is a banger of a typeface! Inspired by the world of basketball, this font is an exuberant ode to rhythm and beat. It’s full of the attitude and personality of street courts and players. The XXCnd sub-family presents the tightest use of space; exxtra condensed and exxtra charismatic — as a buzzer beater!
https://creativemarket.com/maulanacreative/7260958-Freik-Sans-Display-Font
Freik is a wide strong headlines display sans font. With bold sharp edge stroke, fun character with a bit of ligatures and alternates. To give you an extra creative work. Freik font support multilingual more than 100+ language. This font is good for logo design, Social media, Movie Titles, Books Titles, a short text even a long text letter and good for your secondary text font with sans or serif. Make a stunning work with Freik font.
Kilimanjaro Sans Font Family
Get fully retrospective with the new, bold Kilimanjaro Sans - a loud and formidable retro-inspired font with extra Opentype alternates and discretionary ligatures to add an even groovier feel. Kilimanjaro was made intending to bring a little 70's and 80's retro back into the 21st Century realm of design. Add even more groove by tightening your letter spacing for large text, and leave it as it is for smaller body type.
https://www.myfonts.com/fonts/great-studio/the-new-elegance/
The New Elegance is a new editorial serif with all clean and soft lines, tight curves, and a trendy elegant look! The New Elegance has two versions of the font, namely serif & Sans Serif which are equipped with an italic version style, very suitable for your design needs such as very suitable for creating nostalgic designs but still clean and elegant such as headlines, magazines, logos, packaging, editorial, and much more.
https://www.myfonts.com/fonts/charactertype/tragic-grotesk/
Tragic Grotesk is not neutral: On the contrary, it attempts to negotiate a mediating act between warmth and humanity on the one hand and technical directness on the other. The shapes and proportions of Tragic Grotesk were designed with the aim of balance and harmony. The openings such as a, c, e and s are semi-open and the stroke endings of these letters are slightly slanted. Furthermore elements from pre-Helvetica times were mixed in: references to the design of grotesque typefaces from the late 19th century. A couple more design properties: Technical, »DIN«-related straight lines have been injected into the round shapes. And finally the ever so slightly curved diagonal strokes as a nod to the calligraphic origins of type. In total Tragic Grotesk is not neutral: It conveys warmth and digital clarity.
https://www.myfonts.com/fonts/power-type/neue-power/
Neue Power is a contemporary sans serif display font family in 6 weights plus 12-degree of obliques. It supports 75+ Languages (Latin Based) followed by the Grotesk typefaces, perfect for various design needs, including Branding (Identity), Logotype, Printing to On-Screen/Digital Reading, Posters, Caption, Headline, Body Text, or Captions.
https://www.myfonts.com/fonts/nicolass-fonts/onry-display/
Onry Display is a modern family based on Willgray font family. It comes in 20 weights, 10 uprights, and matching italics. The ExtraBold weight is free of charge. This font family can be used as a headline or as a body copy typeface. The font features excellent legibility for print, as it does for reproduction on TV screens.
https://www.myfonts.com/fonts/tdf/monden/
If you'd like to scream, but you have no self esteem, or you'd love to start a fight, but you're scared of the night, I made this font for you all, whether you're short or tall. Monden is wide, gentle and fun, but it wasn't born under the Sun, it was my intention to make it unique, I surely hope I didn't make some freak, it looks a bit classical, in moments maybe here and there radical, but it surely is really graphical with a dose of something magical. Want a logo, poster or any other design, but you'd rather cry and then run, even this description sounds lousy, at least it isn't so drowsy, so meet Monden family from our hood and keep your spirit in good mood, and do the things on any way you think they should.
https://www.myfonts.com/fonts/connary-fagen/cerulya-cf/
Airy and delicate, Cerulya CF is a striking display typeface brimming with movement and grace. A unique semi-serif design with rounded teardrop terminals, Cerulya CF shines brightest at large sizes – perfect for logos, posters, headlines, and more. Includes five weights, roman and italic sets, and a selection of optional ligatures, swashes, and alternates. Cerulya CF pairs well with a contrasting, simple geometric sans-serif like Greycliff CF; for maximum effect, try a large difference in typeface size between the two.
https://www.myfonts.com/fonts/tegami-type/tg-riota-gothic/
TG Riota Gothic is a brand new digital sans serif typeface in geometric style with many faces and possibilities with good proportions forms. TG Riota Gothic is outstanding for use in small text or even bigger sizes with seven weights, two axes & 14 styles, including the variable font.
https://www.myfonts.com/fonts/xdcreative/cita-pro/
Cita Pro is a serif typeface with a taste of old style, its very beautiful with a timeless aesthetic and has a very wide range for various design situations. Cita Pro is perfect for both display and body text because it has a very good readability. Cita Pro has 14 style and 7 weights, - from Thin to Bold and Matching calligraphic italic. Cita Pro also has special alternate characters in complete uppercase from A-Z . it is to give a different look for your display design.
Antipoda Font Family
Antípoda is a grotesque sans serif display family designed by María Carla Mazzitelli that explores the opposites, obtaining very extreme weights and widths as a result. The program rehearses contrasting letterforms that are inspired by the origins of sans serif typefaces from the late 19th century.
Blanchard Font Family
After the beginning of the nineteenth century, as typefaces became bolder and bolder, it was inevitable that some would eventually go in the opposite direction. Blanchard is such a typeface—a light weight slab serif designed for text, from the middle of the nineteenth century. Such typefaces were clearly the models for the new typewriter faces of the latter part of the century.
At Hauss Mono Font Family
At Haüss Mono is the monospaced member of the At Haüss Collection, a contemporary celebration of mid-20th century neo-grotesque typefaces. The project was not driven by nostalgia, but the wish to re-think the design features we all love and adapt them to the modern taste and current user needs. The result is a pure and elegant typeface standing on a solid and balanced structure. Born for maximum performance in communication. It is presented in twenty styles — starting with the delicate Air, crossing paths with the optimised for high-density screens Retina, and arriving at the robust Super.
https://www.myfonts.com/fonts/jipatype/bantat/
The Bantat font is a simple Sans Serif typeface designed to flatter parallel to the baselines and x-height. Available in 18 weights and 5 widths, both upright and italic have 90 Styles in total. Suitable for general work on media in a variety of sizes, whether wide or narrow.
https://www.myfonts.com/fonts/daniel-brokstad/geometrisk/
Geometrisk is a modernist futuristic font combining geometrical outer shapes with rounded inner curves, to create an interesting contrast. The funky italics are created through an offset of the regular type, giving it an almost pixelated look. Well fitting within a cyberpunk world, and an interesting pairing with the standard font. Five different weight and italics of each. Multi-language support. Stylistic alternatives. Designed for headline use.
https://www.myfonts.com/fonts/soerat-company/kyotce/
Kyotce is inspired by the Egyptian serif which has a strong and bold typeface. This family of 8 weights from Light to Bold along with italics and is perfect for advertising, packaging, logo, editorial and publishing, branding and other creative industries. Each style includes 700+ glyphs, Kyoto supports around 200 languages in the Latin and Cyrillic. This font provides advanced typographic support with features such as ligatures, alternate characters, old-style figures, fractions, numerator/denominator, superior/inferior, and various symbols.
