25 UHQ JPEG | up to ~ 8400 x 5600 | 300 dpi | 279 Mb RAR
25 UHQ JPEG | up to ~ 8700 x 6500 | 300 dpi | 312 Mb RAR
Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes.
OTF | 6 Fonts | JPEG Preview | 6.7 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 255 Mb RAR
St Patrick is a typeface inspired by medieval inscriptions but adapted to modern typography. In addition to the regular style there are 4 variants that can be combined in layers. Includes smallcaps and alternatives. This typeface is the oblique variant of the font San Benito (also from TipoType).
OTF | 5 Fonts | JPEG Preview | 7.6 Mb RAR
Wurz is a family with 32 variants. Designed for labels, titles and posters. And to play with typography in large sizes! Is a grotesque geometric. Designed on a modular basis.
OTF | 32 Fonts | JPEG Preview | 4.4 Mb RAR
Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine. The request of the president Mario Piazza was a new CP Company with some redesigned glyphs, but the result is a radical evolution of its concept being intended to be used as a font for text far more readable. In Abitare Sans was kept the geometric structure without neglecting the numerous editorials requirements.
TTF | 30 Fonts | JPEG Preview | 12.4 Mb RAR
25 UHQ JPEG | up to ~ 7000 x 7000 | 300 dpi | 277 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 231 Mb RAR
Amorie is a tall and skinny hand drawn font. It comes in various weight and styles, and with an array of opentype options. Built to appear completely hand crafted, different designers could produce completely different results, selecting either Modella (classic and chic), Nova (fun and fancy) or SC (Small Caps and all business.) Each style comes in light, medium and bold and has an accompanying italics version. Opentype for this font includes Contextual Alternatives, which produces three versions of each character, making sure no two identical letters appear next to each other thus giving your design a fully authentic look. There are also stylistic alternatives, which offer different style to a select few characters, including capital letters: A, K, R, Q, Y and lowercase letters: a, e, k, t, y. Lastly, is a large set of swashes, 3 for each letter they accompany. For the most part this includes the whole uppercase alphabet as well as lower case letters with an ascender or descender. Amorie includes a large set of graphic extras, including stylish frames, arrows, line breaks, corners, flourishes and more. The complete package gives you one unbeatable font family. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.
OTF | 22 Fonts | JPEG Preview | 24.6 Mb RAR
Core Deco is an Art Deco Fonts Family which consists of various styles, inspired by some art deco posters from late 1930’s to 1950’s. There are two major styles of this type family. One is thin and elegant, and the other has strong contrast. Each style has alternative shape-like 3-D structures, patterns, outlines and so on. Except for Core Deco, others are named Core Deco A,B,C as their styles. Basically every single font of Core Deco family has geometric shape and two width variations of characters, narrow and wide. Despite the different styles, every font goes well together because of their common parts. Though it’s not intended, some similar styles could be layered together. Core Deco family contains complete Latin 1252, Central European 1250 and Turkish 1254 character sets, and also each font includes support for style alternative features. If you are looking for an art-deco style font which is modern and could be used for various artworks, get this family and save your time.
OTF | 14 Fonts | JPEG Preview | 4.8 Mb RAR
25 UHQ JPEG | up to ~ 8700 x 5600 | 300 dpi | 210 Mb RAR
Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.
OTF | 9 Fonts | JPEG Preview | 14.4 Mb RAR
25 UHQ JPEG | up to ~ 9300 x 6300 | 300 dpi | 210 Mb RAR
The concept of this font is very simple. Wide and Legible, No decorative, just simple. The variety of weights make your design more flexible.
OTF | 36 Fonts | JPEG Preview | 7.2 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 221 Mb RAR
LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.
OTF | 4 Fonts | JPEG Preview | 5.7 Mb RAR
25 UHQ JPEG | up to ~ 10000 x 5300 | 300 dpi | 270 Mb RAR
Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight is has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty of books, Appareo has 5 character variations assigned through Contextual Alternatives using Opentype features. This allows no two same letters to ever be found near each other. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.
TTF | 9 Fonts | JPEG Preview | 18.1 Mb RAR
25 UHQ JPEG | up to ~ 9400 x 6200 | 300 dpi | 208 Mb RAR
This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the “American Type Founders” was acquired. It’s a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase ‘g’ with its two semi-open counters and the ‘k’ and ‘x’ with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the ‘v’ and ‘w’ and the uppercase ‘M’ and ‘N’. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome’s elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.
OTF | 42 Fonts | JPEG Preview | 4.5 Mb RAR
