"My goal was to make a design that might fit in anywhere,” says Jim Ford about his Quire Sans™ typeface. “I wanted it to be highly functional and sexy at the same time.” With one foot comfortably in the realm of oldstyle design and traditional book typography, and the other in evolving electronic media, the Quire Sans family does, indeed, fit in just about anywhere. As for sexy, someone once quotably wrote, “A great figure or physique is nice, but it’s self-confidence that makes someone really sexy.” Yes, Quire Sans is sexy, performing confidently in virtually any setting.
OTF | 20 Fonts | JPEG Preview | 6.6 Mb RAR
Flavored with a cool set of discretionary ligatures, and infused with delicate sweetness, Suntea is quirky and refreshing! Suntea Caps keeps it bold with all-caps and alternates for each character. Hand drawn and delicious, let Suntea quench your thirst for a friendly font.
OTF | 2 Fonts | JPEG Preview | 5.4 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 235 Mb RAR
Winco family can be labelled a humanist sans-serif, but in spirit it is more closely related to that rather rare typeface category called ‘glyphic’ or ‘incise’. While conceiving Winco, Ramiro Espinoza studied the work of the masters of postwar book cover design: Helmut Salden, Boudewijn Ietswaart, Berthold Wolpe; among others. He also looked into German and Czech traditions of expressive printing types that had such a strong presence in the earliest decades of the 20th century. Having established a stylistic framework, Espinoza designed the typeface from scratch. This allowed him to create an original, typographically consistent and versatile family in five weights, from Light to Ultra Black. The process has resulted in a typeface that successfully combines the high legibility and seriousness of a text face with the expressiveness, dynamism and subtle irreverence of the original hand-rendered alphabets. Winco is a versatile family whose extreme weights – Light, Black and Ultra Black – make for striking headlines, while the middle weights work well in both display and text settings. Produced as CFF OpenType fonts, all weights come with small caps and multiple numeral sets, including superscript, subscript and fractions, alternate glyphs and ligatures, making Winco a typographically sophisticated family suitable for a wide range of editorial and corporate work.
TTF | 10 Fonts | JPEG Preview | 10.1 Mb RAR
25 EPS | + HQ JPEG Preview | 254 Mb RAR
25 UHQ JPEG | up to ~ 9900 x 7200 | 300 dpi | 249 Mb RAR
We destroyed our fonts and create a new collection with our best-sellers types.
OTF | 11 Fonts | JPEG Preview | 10.4 Mb RAR
If you’re searching for a new sans-serif, here is Wes FY! This font is a modern geometric grotesk reminding of Paul Renner’s Futura. It has a large x-height and tight letter-spacing, and comes in five weights from Thin to Black. While the extremes are definitely intended to large sizes usage, the intermediate weights will be well suited to text setting at smaller sizes.
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 345 Mb RAR
25 EPS | + HQ JPEG Preview | 210 Mb RAR
Signque is an elegant and modern sans serif typeface. The contrast between curves and straights but also between open and closed contours gives the typeface a very fashionable and distinctive appearance. Signque is designed as a headline typeface and is applicable for any type of graphic design (web, print, motion, etc.). The signque type family includes extended Latin characters, standard and discretionary ligatures, figures and oldstyle figures, fractions, ordinals and superscript figures. It is available in thin, light, regular, medium, bold and black weight.
OTF | 6 Fonts | JPEG Preview | 4.4 Mb RAR
Woolen is a hand-inked & italicized serif, based upon a 17th century type specimen by Jean Jannon. Many of the capital letters are decorated with subtle sprigs and leaves, while the lowercase letters remain classically styled, giving the font a warm and natural look with just the right amount of dignity. Woolen is perfect for logos and branding – she shines in retail identities, particularly for farms, markets, and restaurants. Even though the font is slanted, it reads beautifully as body text and display headlines. Multi-language support is included in the font.
OTF | 1 Font | JPEG Preview | 5 Mb RAR
25 UHQ JPEG | up to ~ 9000 x 6000 | 300 dpi | 295 Mb RAR
A finely crafted sans serif typeface with an uncomplicated appearance. Soft curves are mixed with minimal angles to create a readable font ideally suited for identity, editorial and online uses. Details include 10 weights with italics, 540 characters, 5 variations of numerals, small caps, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 20 Fonts | JPEG Preview | 5.6 Mb RAR
The Russian word Мир (Mir) means both World and Peace. The rendezvous of the two terms seems quite unique and utopistic today, but it is comforting to see that it was natural at some time deep down in Russian history. Bits of both meanings were going through my mind while I was designing this typeface. Mir’s character set is multiscript – Latin, Cyrillic and Greek – and extends to many parts of the linguistic world. In fact it covers more than 100 languages. Stylistic consistency between the language systems make typographic border crossings painless even where national borders are still closely guarded. And in regions where mathematics, physics or chemistry are to be expressed, a rich set of OpenType features lets Mir master also these situations. Serious things are best be said in a relaxed, unpretentious way. So Mir doesn’t put on a show. Mir has authority without being authoritarian, it is serious but not stern. It can explain difficult things and stay calm and down to earth at the same time. Mir Medium has another useful feature: It can be freely downloaded and used by anybody anywhere. You can test the Mir Family with free Mir Medium and get more styles when you need them.
OTF | 6 Fonts | JPEG Preview | 6.3 Mb RAR
Klef is a highly legible, geometric text and display font. Inspired by classic sans-serifs Futura and Avant Garde, this elegantly minimal typeface is available in a comprehensive family of seven weights. Klef features an expanded character set to include Central European accented characters in addition to the usual Western European characters. A highly versatile, contemporary sans-serif, Klef is suitable for more-or-less any text or display purpose.
OTF | 7 Fonts | JPEG Preview | 5.3 Mb RAR
The branding agency's client wanted an "ultra modern" typeface that was "futuristic without being gimmicky or ephemeral," according to the design brief. Designer Sebastian Lester took on this intriguing custom font assignment, but soon, a bureaucratic decision cancelled the project. "I was left with a sketchbook full of ideas and thought it would be a shame not to see what came of them," says Lester. He decided to finish the design on his own. Lester's research confirmed that the principal ingredient of an "ultra modern" typeface was simplicity of character structure: a carefully drawn, monoline form, open letter shapes and smooth, strong curves. To conceive a typeface that crossed the line from modern to futuristic, Lester decided to amplify these qualities. About a year after Lester's initial conceptual work, two highly functional and versatile typefaces emerged. These are Neo Sans and Neo Tech, designs Lester describes as "legible without being neutral, nuanced without being fussy, and expressive without being distracting." Both the Neo Sans and the more-minimalist Neo Tech families are available in six weights, ranging from Light to Ultra. Each has a companion italic, and Neo Tech offers a suite of alternate characters. While engineered to look modern as tomorrow, Neo Sans and Neo Tech display the functional and aesthetic excellence that earns them a place in the list of classic designs from the Monotype typeface library. Neo is a trademark of Monotype Imaging Inc. registered in the U.S. Patent & Trademark Office and may be registered in certain other jurisdictions.
OTF | 12 Fonts | JPEG Preview | 4.3 Mb RAR
Go back to a time when the Mediterranean coastline was truly glamorous, when stylish women and men in wire-framed glasses listened to Domenico Modugno songs on the radio while sipping wine in sidewalk cafes. A relaxing summer’s day, a gentle sea breeze, taking the time to write a postcard to your loved ones in your best handwriting. The 1950’s may have come and gone, but the elegance and simplicity of that classic style has not, Mina keeps the feel of calligraphy, the long connections between letters is elastic, the clean, thin lines, it is a relaxed cursive ideal for logotypes, titles, and lettering. There are eleven Mina font styles and many loops to choose from to customize any letter. Bring the seaside glamour of a bygone era to your projects of today with Mina. Ranging from light to heavy, Mina Calligraphic, and Mina Shadow, this family of fonts work perfectly separately but you can also achieve beautiful results when combining them.
OTF | 15 Fonts | JPEG Preview | 16 Mb RAR
Miller, designed by Matthew Carter, is a “Scotch Roman”, a class of sturdy, general purpose types of Scottish origin, widely used in the US in the 19th century, but neglected since and overdue for revival. Miller is faithful to the Scotch style though not to any one historical example — and authentic in having both roman and italic small caps, a feature of the originals; Tobias Frere-Jones and Cyrus Highsmith added to the series. Among other uses, Miller is recommended for Newspaper, Magazine, Book, Web and Corporate use.
OTF | 7 Fonts | JPEG Preview | 6.7 Mb RAR
25 UHQ JPEG | up to ~ 10700 x 4000 | 300 dpi | 405 Mb RAR
