Bakery Script is the Argentine duo’s nod to the high spirits of the 1970s. Angel Koziupa used his ever popular wild brush to draw the outline version, and Alejandro Paul refined it, expanded it, then extrapolated the solid version. While the outline version makes the letters seem like they're growing out of each other’s shadows, the solid version presents a wilder version of the casual dancing letters Koziupa’s brush has entertained us with during recent years. Sharp in places, perfectly curved in others, and with many letter alternates and ligatures included within the fonts, Bakery Script would be at home in packaging design, outdoors and adventure literature, and everywhere a display design needs that sharp but friendly touch to reach its goal.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Argenta is handwritten and fresh. The casual spirit of this face is evident, but complemented by very specific typographic details. A playful script with an immensely useful array of alternate characters. Released in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as AdobeCS.
OTF + TTF | 1 Font | JPEG Preview | 1.1 Mb RAR
Amorinda is a connected script that manages to be wild and disciplined at the same time. It can scream wildly within a design or smoothly blend in to make it more human. With its versatile character and a complete set of alternates, Amorinda is the perfect display face for everything from product branding to signage. This 2007 version of Amorinda is now available in OpenType format to expand possibilities of use with lots of alternates when used with OpenType-aware applications such as Adobe Creative Suite.
OTF + TTF | 2 Fonts | JPEG Preview | 1.5 Mb RAR
Taluhla is lovely handwritten font with a matching set of borders, banners and ornaments. It is unique, elegant and easy to read. Taluhla has 3 different weights (light, regular and bold). It can be best used for invitations, greeting cards, posters, advertising, film, weddings, books, menus and anytime you would like to express yourself kindly.
OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR
Innervers Gothic is a modern, geometric sans serif typeface. It is designed with a very low stroke contrast. The initial design inspiration was in the shape of superellipse. The family consists of six weights ranging from 10 to 60: 10 Ultra Light, 20 Thin, 30 Light, 40 Regular, 50 Medium and 60 Bold. It is a display typeface, well suited for headlines, logo, advertising etc. Thanks to its tall x-height and its wide and geometric forms of letters, it is also very readable in small text sizes. Opentype features include standard ligatures, fractions, proportional/tabular figures, numerator and denominator numbers, as well as superscript and subscript numbers.
OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR
Gelato Script is a smooth-flowing typeface with an air of familiarity. Influenced by both formal scripts and mid-Twentieth Century hand lettering. The power of OpenType is used with precision in the Contextual Alternate feature to make sure letters connect seamlessly, t’s cross where they can and swashes don't crash into neighboring glyphs. 781 glyphs make up this font, which is capable of speaking in many different languages. Alternate forms are grouped into stylistic sets to make it easy to change the mood of the text. For example, ss01 makes droopable letters drop below the baseline to break it up a little if required. I recommend using it sparingly, one glyph at a time, but if you do enable it for a whole chunk of text, the clever OpenType programming ensures that it doesn't go overboard. Sets 2, 3 and 4 bring about alternate forms of S, s, B and Q. Set 5 changes AE and OE to some perhaps controversial Upper/lowercase ligatures. Engage ss06 for the underline feature. After a word, simply type two or more underscores and a line extends backwards under the word you just typed. Don't worry if you have to break for a descender, the OpenType programming will take care of making sure it connects properly to the preceding character. Sets 7 and 8 are for alternate ampersands, and ss09 swaps the script r for a regular shaped r.
OTF | 1 Font | JPEG Preview | 4.4 Mb RAR
Cultura New is a reviewed, expanded and improved version of the previous released Cultura.
OTF | 10 Fonts | JPEG Preview | 4.6 Mb RAR
Lalola (whose early version was released as ‘Lola’ by the spanish foundry Type-Ø-Tones in 1997) is a display typeface with strong attitude. It was inspired by a lettering model by Eugen Nerdinger and Lisa Beck. From a few letters of that model, Lalola became an original design and a single font, comprising all the necessary characters for languages based on the Latin alphabet. You can ‘say it loud’ with Lalola, either in lower or uppercase, yet with wit and a unique, distinctive friendly voice. Lalola received already two mentions, the Typefacts’ Best Typefaces of 2013 and the prestigious TDC 2014 Certificate of Excellence.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
A handwritten marker script with a real squeaky texture. OpenType ligatures help create a more convincing hand written look.
OTF | 1 Font | JPEG Preview | 3 Mb RAR
Marzo is a monoline, minimalist, modern typeface, that tries to take its forms to a state of natural purity, definitively elegant. Designed by Ariel Di Lisio and digitized by Alejandro Paul.
OTF | 1 Font | JPEG Preview | 1.8 Mb RAR
Meet Me In Brooklyn is a fun and friendly hand painted font. This typeface is unique and will brighten up any of your designs. Meet Me In Brooklyn was creating with a mix of water and acrylic paint giving it a softer wet brush feel. Capitals and lower case letters work exceptionally well together. This font is very playful but legible.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
The Charles Bluemlein Script Collection is an intriguing reminder of the heady days of hand lettering and calligraphy in the United States. From the early 1930s through World War II, there were about 200 professional hand letterers working in New York City alone. This occupation saw its demise with the advent of photo lettering, and after digital typography, became virtually extinct. The odd way in which the Bluemlein scripts were assembled and created - by collecting different signatures and then building complete alphabets from them - is a fascinating calligraphic adventure. Because the set of constructed designs looked nothing like the original signatures, fictitious names were assigned to the new script typefaces. The typeface styles were then showcased in Higgins Ink catalogs. Alejandro Paul and Sudtipos bring the Bluemlein scripts back to life in a set of expanded digital versions, reflecting the demands of today’s designer. Extreme care has been taken to render the original scripts authentically, keeping the fictitious names originally assigned to them by Bluemlein.
OTF | 1 Font | JPEG Preview | 1 Mb RAR
Enamel Brush is a caricature of a 1955 font called Catalina by Emil Klumpp. In OpenType savvy applications, some letter combinations are automatically replaced with ligatures for a more natural look.
TTF | 1 Font | JPEG Preview | 7.6 Mb RAR
Filmotype Zephyr combines the elegant script capital forms with a classic condensed italic to create a smart and stylish typeface. Originally released in the early 1950s, Filmotype Zephyr has been meticulously redrawn from the original font filmstrips and has been enhanced to include a full international character compliment, automatic fractionals, ordinals, and a host of alternate characters in dynamic OpenType format.
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
KatieRose was designed by a calligrapher to have an elegant, handwritten feel, without the fussiness of traditional calligraphic scripts. Its fine hairlines and sculptural downstrokes are easily read at display and smaller sizes alike.
OTF | 1 Font | JPEG Preview | 10.3 Mb RAR
Kaili FY, an exotic typeface with crazy ligatures. Inspired by Indian scripts, this new font developed in two weights offers 825 singular ligatures and give designers many possibilities to set original layouts in an exotic style.
TTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
HWT Artz is the newest wood type to be cut at Hamilton Wood Type and Printing Museum. It was designed by venerable type designer Erik Spiekermann exclusively for his own print studio (P98a in Berlin), specifically to be cut into large size wood type. The digital version is being offered to the general public with proceeds of sales to benefit the museum’s ongoing operations. HWT Artz evokes bold early 20th century European poster lettering. The design itself is intended to minimize hand-finishing and thus production time with rounded corners rather than sharp interior corners that would normally have to be hand-finished. In keeping with the tradition of naming new Hamilton designs after key figures from the living history of Hamilton (and following Spiekermann’s tradition of four letter font names), Artz is named after Dave Artz- Hamilton Manufacturing retiree and master type trimmer.
OTF | 1 Font | JPEG Preview | 2.4 Mb RAR
The display typeface that is based on the shapes of traditional Chinese hieroglyphic characters. Designing the font for imitations in the Chinese style the author nevertheless demonstrates serious attitude and thoroughness using the table of keys of the regular Kaishu script. As a result the font looks stylistically authentic and genuine. The typeface was designed by Aleksandra Egorova, the young type designer from St. Petersburg, and released by ParaType in 2008.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Gionni was designed by Cindy Kinash. This is a hand drawn, tall, light, thin retro inspired font.
OTF | 1 Font | JPEG Preview | 1.1 Mb RAR
