Kodiak was designed by 40+ year sign painting veteran, Brian Grant, and is loosely based on the works of many great sign painting masters. Brian and Charles Borges de Oliveira teamed up to bring this beautiful sign painters classic to the digital age. Kodiak retains the warmth of a hand lettered font without being stiff and mechanical. Great for period style lettering to modern day logos. With over 160 alternates and 10 ornaments you are bound to find the right look for your next design!
OTF | 1 Font | JPEG Preview | 6.9 Mb RAR
Blu is an innovative multilayered ribbon font which I developed at the Berlin Weissensee School of Art. Seemingly inspired by bicycle tires and paper streamers it fits many use cases brilliantly. Traditionally the use of multilayered fonts can be very clumsy, since you often need to duplicate textfields and then align them precisely on top of each other. Not so with Blu: It comes with an InDesign plugin for Windows and Mac which takes all the pain out of chromatic fonts.
OTF | 2 Fonts | JPEG Preview | 8 Mb RAR
Originally designed in 2012 by Ryoichi Tsunekawa, All Round Gothic is a font family inspired by classic sans serif fonts such as Avant Garde Gothic and Futura.
All Round Gothic is a structured geometric sans, but also creates a sweet and cute atmosphere by removing unnecessary stems. With their bowls shaped by not-perfectly-geometric circles, All Round Gothic makes an organic impression in some degree. As a result, All Round Gothic became a new font family that covers between 1920s Bauhaus and contemporary design trends comprehensively and one of the most suitable family for any purpose such as text, headline, logo, poster, and animations thanks to clean and legible but soft and friendly letterforms.
All Round Gothic includes 5 weights and obliques corresponding to each weight. Why don't you try this family if you got a little bored with classic sans serifs.
TTF | 10 + 46 Fonts | JPEG Preview | 10.8 Mb RAR
Mymra Piano is a monoline serif Roman face, inspired by Charles Robinson lettering from the Art Nouveau period. The enchantment of some of the characters' flamboyant shapes has created an idea to rework the face and bring it to life as a contemporary typeface. Skeleton of the original characters have been used as a foundation for shaping glyphs. Bowed terminals and serifs helped to keep playful impressions of the entire typeface. The result of this work is a new typeface with Clarendonian, or Egyptian characteristics. Mymra Piano is ideally suited for display use in publications or advertising. Mymra Piano consists of six styles in Light, Regular and Bold weights ñ upright and true italics respectably. The typeface is released as OpenType single master with Western CP1252/ANSI character set.
OTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
I got rhythm, I got music, I got my swirls, who could ask for anything more?
Periplus is quite an eccentric type, full of twists and nice oddities here and there.
It is an all-caps font with 2 variations for each letter and number, stored at upper- and lower-case slots. For added amusement, every letter got not 1 or 2, but 4 swash variations. One can be reached through the OpenType swash feature: just select the letter and hit the swash button. The other ones you will access through a glyphs palette. All of them are neatly organized with the ‘access all alternates’ feature. The font is yet equipped with some stylistic alternates and ornaments.
Have fun!
OTF + TTF | 1 Font | JPEG Preview | 5.9 Mb RAR
Millie is a stressed, geometric script who spends her days as industrial lettering and her nights paired with blackletter on the patches of motorcycle gangs. Millie was weighted by the conventions of broad nib calligraphy, inspired by the Milwaukee Tools logo, and finds herself best used in logos and titles. She was designed to be used on about a 20 degree angle, though she looks just fine on a level plane. By using opentype, many ligatures, and two sets of stylistic alternates, Millie was developed to look great with any string of letters. Access the first stylistic set for a disconnected script look, and the second set for even more connections and fluid script than standard. Millie Round takes the edge off a bit, giving the entire set a more approachable and versatile feel.
OTF | 12 Fonts | JPEG Preview | 3.9 Mb RAR
Inspired by both turn of the century neoclassical forms and Dutch Fleischmann Type, Garvis is designed to bring the character of those typefaces into more modern times by increasing the sturdiness of the forms without losing their character. At display sizes, this typeface displays the subtle inconsistencies commonly found in traditional metal type printing. This detail is designed to virtually disappear at text size so as not to become distracting while still giving the text a warm, human quality. Garvis includes support for all contemporary (and many historic) Latin orthographies as well as complete IPA support.
OTF | 4 Fonts | JPEG Preview | 4.5 Mb RAR
A runcible font for dolomphius designs. I do not believe you won't give it a try!
OTF + TTF | 2 Fonts | + JPEG Preview | 4.4 Mb RAR
Taking into consideration some complaints about lack of capital letters and deficiency of heavier weight styles, the Fermo typeface was redesigned to replace the existing font, dated 2002. New Fermo includes two subfamilies—Fermo TRF and Fermo-Uni TRF. Both fonts now consist of three weight styles—light, regular and bold—with significant contrast. During the updating process some minor glyph shape adjustments and changes have been made. Fermo TRF’s main distinctions from the previous font are the new capital letters and additional weight (light) style. Fermo-Uni TRF is a unicase font with an additional lightweight style. Fermo is recommended for use as a display font. In large size settings negative tracking is recommended.
OTF | 6 Fonts | JPEG Preview | 3.2 Mb RAR
Built in 1930 - 1935 by Dutch architect Wolff Schoemaker, the Swarha Islamic Building was originally used as a lodging for the honoured guest country and the journalists for Asia-Africa Conference in 1955. This building has an important role as one of Bandung historical art deco heritage, with the art deco typefaces styles on it’s singage in this building, giving it a more classic west and east taste. Wolff Schoemaker was trying to combine the elements between eastern and western culture in design. One of his works was the Swarha Islamic Building in a circular design with rounded and high dynamic angle. Unfortunately the Swarha Islamic Building has been abandoned and and less attentioned by the local people itself to preserve this historic building. So I'm trying to raise the value of the historical heritage by creating this typefaces.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Sketchetik Fill – brother of famous Sketchetik – is a hand-drawn font in four styles: Light, Regular, Bold and Black. Sketchetik Fill is recommended for use as a display typeface.
OTF | 5 Fonts | JPEG Preview | 4 Mb RAR
Esquire’s appetite for variations on Stag continued with Stag Sans Round, commissioned in 2009 to freshen up their front section. The slight swelling in terminals, inherited from the blunt forms in the original, gives this family an organic quality unusual for a rounded sans, and the heaviest weights retain enough of their masculine power not to become too soft. Designed by Christian Schwartz and Ross Milne, 2009.
OTF | 12 Fonts | JPEG Preview | 5.6 Mb RAR
Fox is a completely new typeface based on my previously designed Fox family font, which has been in distribution by T26 type foundry since 2001. Old Fox typeface design decisions were reconsidered in a way to improve legibility without sacrificing its originality. This new Fox family consists two subfamilies: Fox TRF and Fox Sans TRF. Fox Sans TRF includes six styles, in roman and italic, respectively. This subfamily’s lowercase letters have a genuine neo-grotesque shape construction without any decorative distractions. Fox typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.
TTF | 6 Fonts | JPEG Preview | 4.6 Mb RAR
DUAL is a full width sans-serif typeface with an experimental side. Its straight lines and 90 degree angles give it a very geometric feel without hindering its legibility. There are three weights available right now, 100, 300 and 600. An additional 3 weights will be released later this year to complete the family (200, 400 and 500). The idea behind DUAL has been brewing for quite some time, and though there has been many “experimental” released in the past, it does have its unique features. For starters, it is a fully usable and legible font in its original state. Also, its 251 alternate glyphs and 10 stylistic sets are, of course, its main attraction making DUAL a very versatile typeface for any user, from the casual designer to the hardcore artist. Finally, it has extensive additional language support for the Americas and parts of Europe. With its 563 glyphs, It’s actually two fonts in one, and thus the name DUAL. Enjoy!
OTF | 3 Fonts | JPEG Preview | 4.8 Mb RAR
Egon Sans Condensed Font Family
Egon Condensed is a geometric sans serif typeface family built in nine styles - light, regular, bold weights in roman and italic respectably, plus three alternatives in roman. Egon Sans Condensed is an extension of Egon family - Egon Slab Serif (2008) and Egon Sans Serif (2010). Egon Sans is released as OpenType single master with a Western CP1252 character set.
OTF | 9 Fonts | JPEG Preview | 4.1 Mb RAR
Croog is a rounded geometric monoline typeface, built in three weights with true italics. Inspiration for this typeface was derived from FF Roice, with desire to create typeface less spicy or unconventional in appearance and more neutral, calm and friendly to use. Squarish in proportions, monoline letterfoms gain more readability by having short rounded serifs and terminals. The typeface is ideal for use in display sizes, though is quite legible in text. Croog is released as OpenType single master with a Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 9.3 Mb RAR
Lettre is a geometric serif font designed by Pablo Sinn. Thanks to its imperfections, this font looks like it is hand-lettered. Lettre brings back nostalgic feelings of mechanical typewriter characters and recovers the essence of the rustic and natural, what makes it a very modern typeface.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and hand held devices. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 18 Fonts | JPEG Preview | 4.3 Mb RAR
Neubau Grotesque is an upright italics variation of Neubau Sans and is built in three weights. The main difference of this typeface is that it presents a softer and more human look (less techno), while retaining the condensed geometric structure of its counterpart. Neubau Grotesque is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.
OTF | 3 Fonts | JPEG Preview | 4.1 Mb RAR
Lapis was Jim Rimmer’s venture into a territory he'd earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The end result is the kind of mosaic of influences only a guy like Jim could consider, gather, manage and apply in a way that ultimately makes sense and works as a type family. On the surface Lapis seems like something that can be billed as what Jim would have called an “advertising text face”. But under the hood, it’s a whole other story. On top of the calligraphic, nib-driven base Jim usually employed in his faces, Lapis shows plenty of typographic traits from a variety of genres, from Egyptian to Latin, from blackletter angularity to Dutch-like curvature, with an overall tension even reminiscent of wood type. There are some Goudy-informed shapes that somehow fit comfortably within all this. Then it’s all strung together with a mix of wedged, tapered and leaning serifs, placed with precision to reveal expert spontaneity and a great command of guiding the forms through counterspace.
OTF | 6 Fonts | JPEG Preview | 5.9 Mb RAR
Trump Soft Pro is the softer, round-cornered version of Trump Gothic Pro, the popular condensed gothic seen on films, magazines, book covers and frashion brands all over the globe. Trump Soft offers a friendlier grade of the same economic functionality, clear modular aesthetic and extended character sets as Trump Gothic. The sharper Trump Grothic series is a reconception of ideas from Georg Trump’s seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s, the Trump Gothic family was made available for the general public in 2005. Shortly thereafter, it became extremely popular. It continues to be used extensively today. In 2013, the typeface was redrawn, refitted, optimized and greatly expanded into a multiscript family of six fonts, each containing over 1020 glyphs and a wealth of OpenType features, including small caps, caps-to-small-caps, stylistic alternates, unicase/monocase alternates, fractions, ordinals, class-based kerning, and support for Latin, Cyrillic and Greek locales.
OTF | 6 Fonts | JPEG Preview | 3.1 Mb RAR
25 UHQ JPEG | up to ~ 7500 x 7500 | 300 dpi | 235 Mb RAR
The rainforest of Borneo which has a wealth of big trees and lush is the basis of inspiration of the Geegantic font. Therefore Geegantic has little difference with a similar font that usually appear in the feminine form. As you can see, Geegantic has the form of contrast stroke, a thick and casual. As display fonts, Geegantic aims to touch the needs of the general usage of displays, branding and advertising. However, under certain conditions, it is also possible to fill the text area.
OTF | 1 Font | JPEG Preview | 5.7 Mb RAR
