Soft and round are the words that best describe the Co font family. Its underlying geometry structures the font design and allows it to have an even rhythm. The harmony between organic and geometric shapes makes Co Headline uniquely appealing for display and titling where special expression is required. Co Text carries even more organic and fluid design elements than its headline cousin. To assist with legibility and functionality, features have been tightened and its basic proportions are less geometric in their appearance. The Co font family was created in collaboration with North Design and the Standard Edition includes a complete Latin A Extended character set. Please see the Corporate Edition of the font for an extended character set with Greek and Cyrillic scripts. Co Arabic is also available.
TTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.
OTF | 20 Fonts | JPEG Preview | 4.7 Mb RAR
Here’s what I said about the original Ginza: Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of fonts that encompass a very simple skeleton with a lot of visual appeal. And now with Ginza Narrow: Once Ginza was released, I immediately wanted to commit the time to create a narrower version—if for nothing else but to add additional versatility to the skeleton, but my schedule just would not allow it until a client recently asked me to. There was no need to ask twice as I had already started and then shelved the initial builds. I also had the opportunity to expand the localization of the fonts by adding Cyrillic.
OTF | 6 Fonts | JPEG Preview | 3.5 Mb RAR
Introducing the new Brilant Typeface, another serif font with handdraw style. It was inspired by handlettering that is popularized by various handlettering artist and including ornaments pack to decorate your work with this font...This font good for vintage design, t-shirt, logo, labels, posters and etc.
OTF + TTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Biographer is a mild upright script drawn by Angel Koziupa, with Alejandro Paul art directing and producing. Elegant but quite reminiscent of roman forms and proportions, Biographer keeps the calligraphy mostly toned down, but its ascenders and descenders occasionally flare out in final swashy confidence. As usual with Sudtipos fonts, alternates are plenty and the personal touch is never amiss. Biographer is great for women’s lit and poetry book covers, as well as tame packaging of products where conveying comfort and peace of mind is of importance. An extensive range of languages are covered (Western and Eastern European, Baltic, Turkish, Maltese and Celtic).
OTF | 1 Font | JPEG Preview | 3.6 Mb RAR
Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Aventura is burlesquely round, stylishly seductive, eternally sugar-fixed, and loving to a fault. Plenty of stylistic alternates are included to heighten the mood or soften it. Either way you look at it, there’s a lot of love in the air.
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children’s books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.
OTF | 11 Fonts | JPEG Preview | 2.6 Mb RAR
Samantha was designed with a focus on variety, versatility, beauty and practicality. With measured rhythm and contrasting, connected strokes, Samantha possesses a flowingly smooth elegance with the ability to take on many appearances, from simple styling to the fanciest of all flourishes with its 2700+ glyphs that take advantage of OpenType. Over 1100 alternate and swash letters feature ascenders and descenders that vary in length and complexity. Standard ligatures ensure that this font looks as perfect as possible and 20 discretionary ligatures enliven its style. Numerals are offered in their standard form, as well as an old style and a swash set too. The addition of 60 ornaments and 45 catchwords offer even more design possibilities.
OTF + TTF | 8 Fonts | JPEG Preview | 9.6 Mb RAR
An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.
OTF | 12 Fonts | JPEG Preview | 3.6 Mb RAR
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.
OTF | 12 Fonts | JPEG Preview | 2.1 Mb RAR
Zakia is informal script lettering font with a bunch of alternative characters to choose. Zakia uses OpenType feature such as swash and contextual alternates that can be found by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign. Zakia font suitable for any kind of publications like logo design, branding, poster, packaging, website or blog, etc. It is stylish and flowing, feels like human handwriting by using a copperplate pen.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Bisque is designed with a sense of play and rhythm, with intermittent areas of quietness, bringing a sense of ‘bounce’ to text. The combination of classic typographic forms and proportions with expressive, contemporary features create a typeface with charisma and joy. The 2011 revision involved adding an extended glyph set for much wider setting applications.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Dexsar Brush is the high detailed brush font that has over 240 glyphs and equipped with OpenType feature for make custom feel for your design. This font is designed for design purposes such as t-shirts, logos, posters and etc.
OTF + TTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.
OTF | 6 Fonts | JPEG Preview | 2.8 Mb RAR
Conceptualized by Dalton Maag font developer, Spike Spondike, Blenny is a true individual, with elegant hairlines and exaggerated ball terminals. Soft, voluptuous curves and a retro feel make it suitable for branding, bold headlines, or product labels. Blenny comes in one weight and supports two script systems, Latin and Thai. Inspiration comes from everywhere and Spike’s early sketches for Blenny played with a vintage, seafaring theme inspired by visits to the beach at St Leonards on the South Coast of England. Other influences included the retro typefaces used on old electronics equipment and gin bottles. It was Spike’s previous experience of working with Thai, and a trip to Bangkok, which prompted her to connect the diversity of shapes in the Thai script with the design of Blenny. Spike relished the challenge of creating the Thai glyphs whilst maintaining the key features of Blenny’s design. Creative decisions on the Thai in turn led back to refinements to the original Latin. For Spike, the end result is visually very pleasing. “Individual glyphs such as the “a” seem to wrap around themselves in a hug”. Bruno Maag, Chairman of Dalton Maag loved the design from the minute he laid eyes on it. “I’m considering having a tattoo done with it”. In honor of their new font, Dalton Maag has created the Blenny gin cocktail. Just like the font it’s named after, a Blenny is bold, punchy and has a touch of class.
TTF | 1 Font | JPEG Preview | 1 Mb RAR
Swift 2.0 Cyrillic Font Family
Gerard Unger developed this newspaper font between 1984 and 1987 for Dr.-Ing. Rudolf Hell GmbH, Kiel. He was mainly influenced by William A. Dwiggins (1880-1956), the typographic consultant of Mergenthaler Linotype, who started to develop more legible, alternative fonts for newspaper printing as early as 1930. Swift was named after the fast flying bird. Austere and concise, firm and original, Swift is suited for almost any purpose. Swift has been specially developed to sustain a maximum of quality and readability when used in unfavorable print and display processes, e.g. newspapers, laser printing and low resolution screens. Its robust, yet elegant serifs and its large x-height provide an undeniable distinction to the typeface, making it suitable for corporate ID and advertising purposes as well. Swift 2.0 family was designed in 1995. It’s an improved version with technical and aesthetic enhancements and new family members. The Cyrillic version was developed for ParaType in 2003 by Tagir Safayev. Please note that this family includes only basic latin characters; it does not include accented characters required for western and central Europe.
OTF | 8 Fonts | JPEG Preview | 1 Mb RAR
Red Ring and Red Square - the super-family of two families of fonts. The super-family includes sanserif Red Ring and geometric font Red Square. Families are synchronized by the number and weight of the typefaces and can be used either separately or together. Together Ring and Square produce a cumulative effect of Art Deco and Constructivism.
OTF | 5 Fonts | JPEG Preview | 1 Mb RAR
