Barricada is a playful, distressed, and decorative font design, created by Rodrigo Araya Salas. Barricada includes language support for Greek + Cyrillic as well.
OTF | 1 Font | JPEG Preview | 3 Mb RAR
Native typeface comes in TTF format. It was inspired by the lettering that has been popularized by various lettering artists over the last 4-5 years. Originally a take on an Americana style of lettering, Native screams "Whiskey Label", but will look great on anything from a type based logo to Apparel Design. This is my first font and hopefully first of many. Not only does this include Native TTF, it also includes a Photoshop Action called "Instapress". This is a personal action I've been using on my own designs for a while. It comes with a PSD file that let's you know how to size your artwork for the Action to work the way it works for me! It comes with 3 different actions: Instapress Thin, Instapress Medium, Instapress Thick. All made to work on different font weights. Feel free to try all 3 to see which one fits best with your artwork. It was made on CC & worked great on CS6 as well. Works with Vector artwork & Transparent PNG. Originally I planned on just selling the font, but I thought, why not add this in as well! Enjoy :)
TTF | 1 Font | ATN | PSD | 9.6 Mb RAR
YWFT Pakt is a condensed, sans-serif typeface consisting of ten different weights. While the design of YWFT Pakt is conservative, serious and authoritative, it still manages to maintain that fresh feeling that more venerable names just don't have.
TTF | 10 Fonts | JPEG Preview | 3.5 Mb RAR
The Atrament font family was originally conceived in 2003 as the corporate display type family for Suitcase Type Foundry. Its original source of inspiration is the front cover of the Devetsil - Revolucni slovn’k almanac (1922), designed by Karel Teige. The lettering on this cover is a condensed sans serif with rounded stroke terminals. Atrament is significantly broader than the model and its characters are better balanced, reflecting the evolution of semi-condensed sans serifs throughout the 1960s. The horizontal strokes of both lower and upper case are less stressed than the vertical stems. Noteworthy are the unusual tiny gaps in the apex and vertex of letters with diagonal strokes, designed to prevent ink from spreading and smudging the letter shapes. This detail is one of the main features of the font’s character. The general feel of the italics closely matches the strictly vertical, parallel character of the regular cut.
OTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR
The heaviest typeface in the world, Black Slabbath. There’s only one thing about this new typeface that isn’t colossally black: the razor-thin white space. It slices through and between geometric characters, creating a juxtaposition of contrasts and rhythms. Black Slabbath is delivered in OpenType format. Already being used by a number of hot companies and design firms, Black Slabbath makes any text look delicious. This colossally black typeface is the next big thing, with stylish geometric characters that create a juxtaposition of contrasts and rhythms. Black Slabbath also takes advantage of the innovative OpenType format and includes ligatures and alternates. Black Slabbath is the brainchild of graphic designer Stefan Kjartansson, YouWorkForThem commissioned the typeface, nursing the development of its painstaking drawing, kerning, and spacing to perfection over six months in 2007-2008.
OTF | 2 Fonts | JPEG Preview | 3.7 Mb RAR
www.tendollarfonts.com/strassenbahn/
Strassenbahn, a monospaced uppercase typeface inspired by the lettering of viennese tramway displays. Specialty about Strassenbahn is the international accents being reduced by height to fit in the "screen". Get on board!
TTF | 1 Font | JPEG Preview | 5 Mb RAR
"Always intrigued by Bodoni’s original work, I was set out—back in 2000—to examine his work and study Manuale Tipografico, one of the greatest specimen books ever printed. Issued in 1818 at Parma, Italy by Bodoni’s widow, the two-volume work shows an impressive array of 142 roman alphabets and some foreign ones such as Greek and Cyrillic. After a careful examination of all characters, I decided to create a typeface based on the distinct script capitals presented in the book. Matching lowercase italics were later selected and designed to complete the series. Since my intention was not to create simply a digital version of Bodoni’s work, this typeface was designed with connected characters and capitals with extra calligraphic elements.
The result was released in 2002 and published in our award-winning catalog/book IDEA/Trendsetting Typography vol.1. Later in 2005 we revived a large number of ornaments and borders (credit goes to designer George Lygas).
OTF | 6 Fonts | JPEG Preview | 3.9 Mb RAR
Ebisu is a sans serif family consisting of 10 different weights. Designed by Alex Haigh in 2010, and influenced by one of his original designs from 2008 Hiruko - Ebisu loses the soft sans serif curves, for a more robust geometric styling. But it’s much more than a geo-replica. The lowercase characters also have a more exaggerated sharpness that gives the whole family a unique look and feel. The kerning has been individually crafted for each letter, with vigorous attention - to ensure that each letter from is produced in a way that works with every member of the set, for a tightly knit sans serif family. It speaks many languages too. The open type features have an extended character set to support Central, Eastern, and Western European languages. With each weight conveying a different personality, Ebisu is set to become the modern new sans serif family to sit alongside you classics for versatility, cleanliness and a crafted edge.
OTF | 10 Fonts | JPEG Preview | 3.1 Mb RAR
Ever tried to write a Sans-Serif by hand? We did it Supernett! More than 4700 glyphs per style to pursue one goal: let the font look real hand-made, let equal glyphs look different to each other.
OTF | 6 Fonts | JPEG Preview | 37.7 Mb RAR
Booster Next FY, our friendly round sans-serif typeface, comes out with six new weights, from Thin to Black. Due to its large width, this family offers a good legibility in all text sizes for branding, editorial designs but it’s also a perfect typeface for Web or other Screen Applications. To try it is to love it!
OTF | 6 Fonts | JPEG Preview | 9 Mb RAR
YWFT Burls comes at you like the late-60s Minnesota Vikings defensive line. Burly, thick, massive, manly, and tough with retro thickness and fifty pounds of lard-enriched meat sauce.
OTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Castiana is an elegant font inspired by old books, medieval typography, and rustic art.
OTF | 1 Font | JEG Preview | 4.3 Mb RAR
Inspired by the art of sign painting, Sideshow is the ideal display font for announcing a big event, sale or anything important. This display font comes with an excellent assortment of 40 special graphic-glyphs that won't be ignored.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Golos is an sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.
OTF | 2 Fonts | JPEG Preview | 6 Mb RAR
Inspired by an afternoon bike ride through downtown Los Angeles Awning Display is approachable and easy to read from a distance. It captures the charm of signs I notice painted on awnings. Awning Display will add the perfect personal touch to your next project. This bold uppercase alphabet is perfect for grabbing attention in any storefront or window display.
OTF | 1 Font | JPEG Preview | 6.1 Mb RAR
Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and thier extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects.
OTF | 19 Fonts | JPEG Preview | 3.3 Mb RAR
Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
We're really happy to launch our first font 'Sickamore'. This is a bold marker-pen style display font, great for headers, logos and attention-grabbing words or phrases. The font is all CAPS however does include various alternate capitals in the lower case form. Also included are numerals, punctuation and currency glyphs.
TTF | 1 Font | JPEG Preview | 5 Mb RAR
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