http://www.myfonts.com/fonts/insigne/yorkten/

Clean and welcoming, the distinct look of Yorkten is remarkably satisfying to the eye. Straight to the point, Yorkton features a fashionable, geometric composition with angled main stems. There are no fewer than fifty-four fonts in the family, all of which are characterized by one of three widths – extended, normal or condensed. Each individual subfamily is equipped with eight weights from Thin to Black with respective Italics, giving Yorkten a breathtaking range of fonts to boast. The greater value for you, though, is its members’ ability to work well together. With a deep toolbox of weights and widths to choose from, this family provides you with significant value and a broad number of design solutions, making sure you have the tools you need for each challenge. So where should you use the font? Jeremy Dooley designed Yorkten’s underpinning structure to be compact. Combined with its superior features and terrific legibility, this versatile font can be used effectively for many jobs, whether in print or on screen. Use it freely for e-books and apps. Yorkten is particularly great for headlines, banners, posters, and websites. As with all insigne fonts, fonts that are well received by the market are expanded into future variants such as rounded or slab serif types. Yorkten’s later expansions will increase the versatility and functionality of the family. There’s no need to wait for these future releases, though. This new face already complements a number of other insigne faces, such as Grayfel, Look, or the Cabrito Superfamily. So what are you waiting for? Get Yorkten today and bask in the rich potential it offers! Get Yorkten and luxuriate in its straightforward multifunctionality!

TTF | 54 Fonts | JPG Preview | 20.2 Mb RAR

25 EPS | + JPG Preview | 124 Mb RAR

25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 231 Mb RAR

http://www.myfonts.com/fonts/rohh/xyngia/

Xyngia is a professional modern sans serif typeface. Thanks to its excellent legibility it is a great choice both for on-screen use as well as print purposes. Xyngia is designed for use in long and short paragraphs of text, headlines and user interfaces. Its design nuances gives it distinctive character making it an interesting option for brand identification and logo design. Xyngia consists of 22 fonts - 11 weights and their corresponding italics. It has extended language support (over 1000 glyphs) and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, standard and discretionary ligatures, stylistic sets, contextual alternates, lining, oldstyle, tabular and small cap figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

TTF | 22 Fonts | JPG Preview | 19.5 Mb RAR

http://www.myfonts.com/fonts/latinotype/brocha/

I made the first sketches for Brocha when I first visited Easter Island in 2011. I took inspiration from pre-Columbian art for suchsketches, but I must say that they were kind of rough and clumsy; it was an experimental, but limited-use typeface. It took a long time, but thanks to my learning about type design gained over the years, I have finally been able to resume my project. I have made sure to preserve the Latin American spirit of my original designs in order to give my final typeface an expressive handmade highly humanist look. Brocha is a display sans with friendly design ideal for high-impact headlines, logotypes or use on cookies packaging designs. Brocha consists of 2 subfamilies: one basic and one alternative. Each subfamily comes in 8 weights plus italics. The Alt version is highly recommended for those art directors who look for more varied fonts when designing.

OTF | 32 Fonts | JPG Preview | 7.6 Mb RAR

25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 240 Mb RAR

http://www.myfonts.com/fonts/mugur-mihai/indento/

Indento is a multi-purpose modern geometric slab serif for headlines, posters, branding but fairly legible to be used as longer text. The straight and rounded corners combined with deep cuts and asymmetric serifs gives it a distinctive look while still keeping its rigorousness and legibility. The family consist of three weights, each with a companying italic. The extensive character set—513 glyphs in each font—includes support for Central and Eastern European languages and OpenType features like small caps, ligatures, fractions, slashed zero, stylistic alternates and more.

TTF | 6 Fonts | JPG Preview | 2 Mb RAR

25 EPS | + JPG Preview | 106 Mb RAR

http://www.myfonts.com/fonts/talbot/kamerik-205/

Kamerik 205 is inspired by the classic, geometric sans-serifs such as Futura and Avant Garde, but has shallower ascenders and descenders for a more compact look, and features a traditional double-storey lower case a and g. It’s a versatile, modern sans, highly legible as a text font and with a clean, elegant look as a display font at larger sizes. The Kamerik 205 family comprises of five weights, and is closely related to Kamerik 105. Kamerik 205 features an extended character set to include accented characters for additional Central European languages.

TTF | 10 Fonts | JPG Preview | 1.4 Mb RAR

http://www.myfonts.com/fonts/emtype/camber/

Camber is the last in a personal series of squarish sans. It is a noiseless typeface with a geometric base, it has a synthetic and clean design, but with a human sensitivity where the geometry fails. It tries to be more versatile and simpler than its predecessors, with a pragmatic approach, having less visual noise and virtually removing the disturbing elements. The family is generous in width meeting a certain shortage of wider fonts. Camber works well in both display and text, it is a multipurpose font suited for magazine, branding and web. The type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics.

TTF | 14 Fonts | JPG Preview | 2.6 Mb RAR

25 EPS | + JPG Preview | 172 Mb RAR

http://www.myfonts.com/fonts/wiescherdesign/avea/

»Avea« is a new, elegant, friendly and open minded font– designed by Gert Wiescher in 2015 – it has 7 weights with corresponding oblique cuts. »Avea« is well suited for advertising, logo, billboards, small text, signage, branding, packaging, editorial, posters, web and screen design. »Avea« is an OpenType family for professional typography with an extended character set of over 700 glyphs and extensive kerning. It supports more than 40 Central- and Eastern-European as well as many Western languages. Ligatures, different figures, fractions, currency symbols and small caps can be found in all cuts.

TTF | 14 Fonts | JPG Preview | 6.9 Mb RAR

25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 310 Mb RAR

http://www.myfonts.com/fonts/positype/lust-pro-didone/

Confident and versatile, Lust Pro™ is an exercise in indulgence—an attempt to create something over the top and vastly useful. If Lust Pro seems both new and familiar, that’s because it is. The series unapologetically channels Herb Lubalin, but produced with a deliberate, contemporary twist. There is an intentional slyness infused in the letterforms—the extreme thick and thin lines flow effortlessly without becoming gratuitous. It’s always just enough, not too much. What makes the type series so appealing? The curves. When asked to describe the letterforms, most people unwittingly allude to the human form, using adjectives usually reserved for describing physical traits… creating all-too-familiar comparisons. Summerour has grown to accept this as unavoidable and reasonable given his acknowledgement of its influences and has provided nuances within the letterforms to accentuate that. Intended to be set large, the typeface boasts 3 widths and 5 weights and matching italics for both the Regular and Didone variants (that’s 60 fonts in total), making it perfect for editorial use and a highly flexible solution for any display need.

TTF | 30 Fonts | JPG Preview | 9.5 Mb RAR

http://www.myfonts.com/fonts/parachute/pf-din-stencil/

Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. After the successful introduction of DIN Monospace a few months earlier, PF DIN Stencil now completes Parachute’s extensive library of DIN superfamilies. It was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. Two companies dominated the market in the mid-twentieth century: the Marsh Stencil Machine Company in the United States and the Sächsische Metall Schablonen Fabrik in Germany. Ever since the late 1930s, it was the German Sächsische Metall Schablonen Fabrik which used heavily the new DIN 1451 standard font (introduced in 1936), attempting to overthrow the reign of the Didot-style modern roman which was at the time the most common stencil letter in Germany. These letters were manufactured mainly as individual zinc stencils which could be ordered in sizes between 10 and 100mm. The DIN Stencil family manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. Furthermore, the spacing attributes of the glyphs were redefined and legibility was improved by revising the shape of the letterforms. The DIN Stencil family consists of 8 diverse weights from the elegant Hairline to the muscular Black. Currently, it supports Latin, Eastern European, Turkish and Baltic.

OTF | 8 Fonts | JPG Preview | 1.7 Mb RAR

http://www.myfonts.com/fonts/durotype/animo/

Animo stands out from the crowd. Animo is surprisingly legible for its outspoken personality. Many of Animo’s small details were crafted to enhance its legibility, while preserving its personality. Animo is suitable for both text and display use — for graphic design, corporate identity design, magazines, reports, editorials, web, advertising, signage, etc. Animo includes 32 fonts, 8 weights, 16 uprights, and matching italics. Animo provides nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Animo provides small caps, arbitrary fractions, and extensive language support. Animo Alt provides a more usual shape for the ‘A’, ‘M’, ‘W’, and ‘w’.

TTF | 32 Fonts | JPG Preview | 7.2 Mb RAR

CM 229945 - People Avatars Icons Flat Collection

Vector collection of 14 flat avatars icons set with people. Design elements for web and mobile application, business banners, sites, infographics, social and media projects.

http://www.myfonts.com/fonts/hoftype/carnac/

Carnac, a minimalistic monoline face follows the same linear structure as its earlier released, rounded counterpart Carnas. Carnac, however, appears crisp and fresh because of its squared edges and angular contours. It is a clean, contemporary face with a wide range of styles from Thin to Black. Designed to be ideal for shorter and longer text applications and also for headlines and signage. The Carnac family consists of 16 styles and is well suited for ambitious typography. It comes in OpenType format with extended language support. All weights contain ligatures, superior characters, proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and matching arrows.

TTF | 16 Fonts | JPG Preview | 5.1 Mb RAR

http://www.myfonts.com/fonts/hubertjocham/tasty/

Tasty is an strong self-confident brush script headline typeface. It is ideal for food packaging and product branding.

OTF | 5 Fonts | JPG Preview | 1 Mb RAR

CM 357606 - Copier Funk Graphic Styles

I love the worn out, rugged texture you can get from running artwork through an old photocopier. It instantly feels like something that's been around for a long time and can give your design a vintage look or just add character to a too-clean design. The trouble is, not everyone has access to an old copier, and for those who do, the process can take a while. Instead of printing, copying multiple times, scanning, editing and image tracing, try these Copier Funk graphic styles for Illustrator to get the texture you're looking for in seconds!

https://www.myfonts.com/fonts/font-fabric/sensa/

Sensa is a handmade font family consisting of 21 fonts. It is divided into 6 subfamilies, each contributing to its wide range of visual power – Sensa Brush, Sensa Pen, Sensa Wild, Sensa Sans, Sensa Serif and Sensa Goodies. Only your imagination is the limit. Pick any of the font as a leading one and the rest of the fonts can accompany it with ease. To work together in all possible combinations, all fonts in this package were created with that simple idea in mind. Sensa is applicable for almost every design project - from advertising, packaging, editorial and branding, to web and screen projects. For a beauty and tender sensation or for more male and strong communication – you have a wide selection.

OTF | 21 Fonts | JPG Preview | 13 Mb RAR

CM 319347 - Margaret. Watercolor Flowers

This set of 48 high quality hand painted watercolor floral Images(elements, bouquets, arrangements) in Hires. Perfect graphic for wedding invitations, greeting cards, photos, posters, inspirational quotes and more.

http://www.myfonts.com/fonts/mti/joanna-nova/

The Joanna® Nova design, by Monotype Studio designer Ben Jones, is an extensive update to Eric Gill’s original Joanna typefaces and brings this much admired – but underused – slab serif typeface into the 21st century. Joanna Nova features 18 fonts – more than twice as many as the original Joanna – with a wide range of weights including thin and ultra black, which were not available in the original design. Every glyph has been redrawn using a variety of reference sources, including Gill’s original sketches and the copper patterns used in Joanna’s initial production. When Jones set out to design Joanna Nova, he saw that the ‘real Joanna’ was not immediately evident. “Some of Gill’s original drawings have a sloped ‘M’; there is also a ‘K’ and ‘R’ with a curled leg and a letter ‘d’ without the flat bottom,” he explained. “Is this Joanna? Or is it the version used to print Gill’s Essay on Typography? Or is it the digital version with which most people are surely more familiar than any other version? Ultimately, I think, none of these and all of these were ‘Joanna’ because, as with any typeface, it is more the idea or concept behind the typeface that makes it what it is. My approach was to create a version of Joanna that appears in your mind when you think of Joanna.” Jones noted that one of the most distinguishing aspects of Joanna is the italics; and that, for reasons unknown, many of the characters in the current versions are much more condensed than those in the hand-set fonts of metal type., The newer designs being almost unusable at small sizes. The italics in Joanna Nova have been reworked to be more legible and closer to their original widths. Joanna Nova expands the original Joanna in several ways that open up new typographic possibilities, These additions include several new weights, support for Greek and Cyrillic scripts, small caps for all scripts in both upright and italic styles, several numeral options and a host of context-sensitive ligatures. The Joanna Nova typeface family is part of the new Eric Gill Series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

TTF | 18 Fonts | JPG Preview | 2.9 Mb RAR

CM 283384 - Handmade Textured Animal Silhouettes

Over 100 handmade VECTOR animal silhouettes with an integrated texture. Includes a wide variety of animals from the Farm, Sea, Birdlife, Wild, Northwest and Woodland. All silhouettes are hand-drawn and converted to vector format in Illustrator CS6. Pack comes as an Ai file (CS) and as an EPS (CS) file as well as individual PNG images on a transparent background.