http://www.myfonts.com/fonts/tart-workshop/henparty-sans/

Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight! These fonts are perfect for baby announcements, giftware, any creative kid projects, children’s books, scrapbooking, and more!

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/tart-workshop/seasoned-hostess/

Seasoned Hostess is a perfect blend of playful penmanship meets ink lettering! This fun and sophisticated casual script will be certain to make their mouths water!

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/typeotones/peter-sellers/

Peter Sellers is a revival display font. We wanted to pay homage to the fifties graphic design with this stylish typeface. Use the “Base” style alone or overlap it with “Volume” and change it to another colour.

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/typeart/mixed-breed/

PFM, PFB | 4 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/pink-broccoli/lil-rhino/

Lil Rhino is the more reserved but still slightly offbeat sister to the quirky comic Fat Rhino typeface. You can see the resemblance, they work well together, but they also each hold their own.

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/prop-a-ganda/pag-sottoterra/

Inspired by retro propaganda posters from the 60s to 80s. This is perfect font for your retrospective project.

OTF | 1 Font | JPG Preview | 1 Mb RAR

25 EPS | + JPG Preview | 165 Mb RAR

http://www.myfonts.com/fonts/rosetta/eskorte/

Eskorte is a diligently designed Latin-Arabic type family with an uncomplicated, inviting style that manages to convey a crisp, businesslike tone of thorough functionality. Its compact range of styles has been designed with a view to tidiness, efficiency, and ease of use by non-designers in offices, of legal and academic institutions, along with text-intensive corporate environments. Eskorte supports Arabic, Farsi, Urdu, and over ninety languages using the Latin script. The range of weights and styles in both Arabic and Latin were designed together, resulting in a smooth, coherent feel across the family. The Latin italics take on livelier, more fluid forms that echo the design character of the Arabic, allowing them to sit perfectly together, while the Extrabold is designed to add a punch to workaday official announcements and notices. The Arabic was designed in consultation with Titus Nemeth.

TTF | 12 Fonts | JPG Preview | 3.1 Mb RAR

CM 312570 - Badges & Logos Vol.11

This collection contains 6 professional badges & logos templates, perfect for branding projects, corporate identity, apparel design, posters, stickers, labels, packaging design and much more!

http://www.myfonts.com/fonts/ef/meier-kapitalis/

As a late work the “Meier Kapitalis” forms an arch within the typographic creations of the Swiss type designer Hans Meier who died in 2014. The first sketches of this typeface can be found in the teaching manual “The Development of Script and Type” (German: “Die Schriftentwicklung”; French “Le développement des caractères”) which was published in 1994, however, under the title “Roman Lapidary, 1st Century”. The booklet was first published by the Syntax Press, Cham, Switzerland and contains an introduction by Max Caflisch in which he writes: „The present work, „The Development of Script and Type“ is a concise, authoritative textbook, concentrating on the essentials in a wide survey from ancient Greek inscriptions to the printer’s typefaces of the present day. His (Meier’s) 72 varieties of letterforms enable the student or general reader to understand the history of script and type, while more than 60 of his own calligraphic specimens provide excellent models for all who practice this art.“ Unfortunately, the “Meier Kapitalis” is one of the few typeface families in this publication which has been digitized. It was to be the last type project fully realized by Meier. In cooperation with Elsner+Flake, the typeface family was developed and expanded and now contains the four cuts: Roman, Medium, Demi Bold and Bold with either a complement of characters for 78 Latin-based languages (EL=EuropaPlus) or in West-Layout.

TTF | 8 Fonts | JPG Preview | 2.4 Mb RAR

http://www.myfonts.com/fonts/prop-a-ganda/pag-syndicate/

Inspired by retro propaganda posters from the 60s to 80s. This is perfect font for your retrospective project.

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/dstype/apud/

Apud, a typeface with narrow proportions, interchangeable weights that avoid text warping, sharp serifs and square terminals. The clean, contemporary look and rigid structure makes Apud suited for any kind of publication design.

OTF | 8 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/astype/alea/

Alea is based on the drawings of Maria Balle. The floral, organic look of these bastard script initials will play well together with nearly all Didone designs and will give them a special note. Alea works perfectly with the Adana fonts also available from astype. The Opentype features Superior, Inferior & Numerator will activate the filling objects. Use these features on a new layer and choose your color to get up to three color layers.

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/lanston/ltc-ornamental-initials/

Little is known of the origin of these decorative Initial Caps. Series 448 at 24 point were a different design from the 36 point on which this digital version is based. In addition to the basic 26 characters, there is a negative version contained in the lower case position and a fill character (for two color caps) option in the number and punctuation key positions.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/k-type/barbica/

Barbica is a glyphic typeface with the clean feel of a sans. Angular flared terminals and vertical struts provide stroke contrast and definition without being overly obtrusive. Paradoxically, the typeface looks both contemporary and archaic. Four fonts are included - Regular, Italic, Bold and Bold Italic.

TTF | 4 Fonts | JPG Preview | 1 Mb RAR 

http://www.myfonts.com/fonts/jnlevine/brattleboro-stencil/

The inspiration for Brattleboro Stencil JNL was found within a reproduction of a sales catalog for stencil punch dies manufactured by S.M. Spencer & Co. (originally of Brattleboro, VT), circa 1868. Basically a sans serif letter, the font’s unusual feature is its “split tail” design where the letters take on a bit of a “Western” look in appearance.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/studio-k/chenko/

Chenko is a nod to Alexander Rodchenko the Russian Constructivist artist and designer whose poster work is characterised by its stark, stripped down typography and bold, geometric graphics. It was truly revolutionary in its day, and continues to be influential in ours. Chenko is my own take on his deceptively simple letterforms, and designing a font without a curve or a diagonal (okay I cheated on a few details like the O-slash and A ring characters) presented some interesting design challenges!

TTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/stackyard/

An original, high-quality, handwritten typeface. Brings thoughts to a traditional and classy storefront. The font is filled with stylistic and contextual alternates, which give it both variation and a naturally handwritten look.

TTF | 1 Fonts | JPG Preview | 9.5 Mb RAR

http://www.myfonts.com/fonts/hvdfonts/brandon-grotesque-office/

This special Office version of Brandon Grotesque is especially for all Microsoft Office applications (Word, Excel, Powerpoint …). It contains just the 4 basic styles which are stlye-linked and can be easily accessed by the “I” or “B” button in Office. The fonts are manually hinted so their appearance is also optimized for these applications.

TTF | 4 Fonts | JPG Preview | 2.6 Mb RAR

CM 433133 - Fine Skin Retouch Photoshop Action

Fine Skin Retouch Photoshop Action is designed to help photographers and retouchers speed up their Beauty, Fashion & Portrait retouching workflow and increase the quality of their finished product.

http://www.myfonts.com/fonts/latinotype/corporative-soft/

Corporative Soft is the slightly rounded-edged version of Corporative. This font has a marked personality and distinctive traits, which makes it suitable to be used at large text sizes. At the same time, the smooth transition from straight to curved lines gives the font amore friendly feel. This display typeface is the perfect choice for logos, posters, signs, branding, packaging and so on! Corporative Soft comes with Latinotype’s standard set of 350 characters, making it possible to use the font in 128 different languages. Corporative Soft provides users with a wide range of characters, weights and widths for every project. By combining different variants, designers can achieve the best results. The family consists of 64 fonts: a basic family that includes 8 weights plus italics, an alternative family of 8 weights with matching italics and 2 condensed families, one regular and one alternative, both with italics. Corporative Soft was created by LatinotypeTeam and developed by Javier Quintana, Eli Hernández and Rodrigo Fuenzalida, under the supervision of Luciano Vergara and Daniel Hernandez.

TTF | 64 Fonts | JPG Preview | 8.4 Mb RAR

http://www.myfonts.com/fonts/resistenza/modern-love/

Breaking from our catalog of typefaces to create a new handwritten font family, Modern Love was born out of our desire to see what would happen if we took a step back from the norm. We weren’t looking for the perfection of the many calligraphy techniques, but more of a natural way of writing with the same tools. Our escapist experiment into casual lettering culminated into 4 fonts: Modern Love Regular, Grunge, Rough and Caps. Modern Love Regular is a hand-painted script, each glyph individually designed with a pointed brush and walnut ink. The aim was to create an effortless hand-drawn feel while keeping the contrast high density. Playful, yet polished, this font works very well when accentuated with the family’s two distinctive styles: Modern Love Grunge, simulating a washed-out effect, perfect to add a vintage look to your projects; and Modern Love Rough, with its crunchy borders, makes letters visibly rough-around-the edges and gives large letters an unmistakeable pop. All three fonts include a hand-painted set of ornaments, swashes and alternates to limitlessly customize and decorate your texts, accessible through Opentype features. Modern Love Caps is the fourth font, a handwritten Sans Serif that ties the family together with its simplicity and readability. Designed with a pointed nib and Indian ink, this font boasts a different style that perfectly complements Modern Love Regular, Grunge and Rough. The result is a fresh font family perfect to create headlines, posters, DIY hand-lettered artwork, books, holiday cards, wrapping paper, invitations, T-shirts, labels, packaging for cosmetics, fashion supplies, food products, artisanal goods, and an endless array of options for your projects. Modern Love…when brush meets passion.

TTF | 4 Fonts | JPG Preview | 15 Mb RAR

http://www.myfonts.com/fonts/hoftype/equipcondensed/

EquipCondensed is the matching complement for Equip and EquipExtended. With its 16 fonts it extends the Equip family to 48 styles. It not only works superbly as a contrasting face for the ‘normal’ Equip but due to its moderate width, it also performs brilliantly as a space saving typeface. EquipCondensed is very well suited for ambitious typography. The EquipCondensed family comes in OpenType format with extended language support. All weights contain semi-ligatures (design optimized single characters), proportional lining figures, tabular lining figures, proportional old style figures, lining old style figures, matching currency symbols, fraction- and scientific numerals and arrows.

OTF | 16 Fonts | JPG Preview | 1.5 Mb RAR

http://www.myfonts.com/fonts/gatf/zanderley/

Zanderley was inspired by a small, almost random sample from a turn-of-the-last- century calligrapher’s instructional manual. It’s a bit Roman, mixed with a little blackletter and a lot of random decorative fun.The family consists of two typefaces- Zanderley regular is a heavy, friendly an d fun display face. They are well complimented by Zanderley initials. Try them out soon!

OTF | 2 Fonts | JPG Preview | 1 Mb RAR