http://www.myfonts.com/fonts/wiescherdesign/bodoni-classic-swing/

Bodoni Classic Swing is another of my decorative additions to Bodoni’s family of typefaces. Bodoni did not design decorative versions. His quest was for purity in book design. He was purely as a printer who had to cut his own fonts because there simply weren't any foundries in those days. I think if Giambattista were alive today he would design many decorative typefaces.

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http://www.myfonts.com/fonts/filmotype/lucky/

Among the early collection of handwritten script fonts offered by Filmotype in the beginning of the 1950s, the monoline script Filmotype Lucky was originally penned by Ray Baker in the early 1950s. Remastered and expanded with exacting precision from the original filmstrips, Filmotype Lucky includes a full international character compliment, automatic fractionals, ordinals, and a suite of alternates in dynamic OpenType format for a smooth connecting look.

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http://www.myfonts.com/fonts/intellecta/uthan/

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25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 343 Mb RAR

http://vmffont.bigcartel.com/product/dealer-script

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http://www.myfonts.com/fonts/pink-broccoli/velvet-teen/

An art deco style typeface inspired by the poster from the 1971 film, Velvet Vampire. Such a playful font for a horror flick!

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http://www.myfonts.com/fonts/pink-broccoli/houndcats-pb/

A light hearted comic sansserif typeface inspired by a 1972 cartoon of the same name.

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http://www.myfonts.com/fonts/prop-a-ganda/pag-ministero/

Inspired by retro lettering on advertising posters from the 50s to 80s. This is perfect font for your retrospective project.

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http://www.myfonts.com/fonts/prop-a-ganda/pag-novembris/

Inspired by retro lettering on propaganda posters from the 1930s to ’40s, this is perfect font for your retrospective project.

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http://www.myfonts.com/fonts/prop-a-ganda/pag-norm/

Inspired by retro lettering on advertising posters from the 50s to 80s. This is perfect font for your retrospective project.

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http://typography.net/fontfamilies/view/16

The Shire Types are a collection of six typefaces inspired by a time when England's midland counties were changing. A time when parts of rural England changed the plough for the steam hammer and the shire horse for the steam engine. The resulting Shire Types bring together a heavy, solid notion of the Industrial Revolution mixed with ideas about specific localities. The individual typefaces take their names from six of the Shires that are grouped together around the Black Country and neighbouring rural areas.

OTF | 6 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/sideshow/rumpus-room/

Hey everybody! We could use a little excitement and I know just the place. Let’s head down to the Rumpus Room! It’s fun, it’s casual and it’s a guaranteed good time for all! This charming handwritten pen script looks right at home on your design work or next to a lovely macrame owl hanging!

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http://www.myfonts.com/fonts/wilton/rijk/

The font name comes from the Dutch word “Rijk” meaning “rich”. I'd like you to consider Rijk as a good Pinot Noir: medium bodied, offering succulent juicy berry flavors, accentuated by delicate aromas of coffee and vanilla oak. Ruby red in color, it boasts of velvety tannins and a long fulfilling fruity aftertaste. Rijk has a structure that is delicate and fresh. The aromatics are very fruity like cherry, strawberry, and plum, often with notes of tea-leaf, damp earth, or worn leather… My intent was to create a script that is rich, while not overbearing. It will serve many noble and useful purposes because of its fresh and lively texture. It is also very legible because it has a slightly more upright angle. Use Rijk for headlines, packaging, identities, advertising and online. Available in OpenType, it includes a range of ligatures as well as a full range of class kerning.

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http://www.myfonts.com/fonts/tegetype/david-aubert/

The name of this typeface, David Aubert, comes from the calligrapher of Philippe Le Bon and Charles Le téméraire, both Dukes of Burgundy who worked and lived in Brussels in the 1500s. This revival of his writing is a good example of the bâtarde bourguignonne style.

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http://www.myfonts.com/fonts/joebob/sinister-sam/

For all your sinister documents, magic spells and medieval poetry: here’s sinisterSam.

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http://www.myfonts.com/fonts/nicksfonts/mikey-likes-it-corpulent-nf/

Fat and sassy, this ultrabold brush font is based on the works of lettering legend Mike Stevens as seen in his book, Mastering Layout. A natural choice for can't-miss headlines, this typeface also works surprising well for short blocks of body copy. Both the OpenType and Truetype versions of this font contain the complete Latin language character set (Unicode 1252) plus support for Central European (Unicode 1250) languages as well.

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http://www.myfonts.com/fonts/softmaker/jaro-handwriting/

Digitized handwriting fonts are a perfect way to give documents the “very special touch”. Invitations look simply better when handwritten than when printed in bland Arial or Times New Roman. Short handwritten notes look authentic and appealing. There are numerous occasions where handwritten text makes a better impression. Jaro Handwriting is a beautiful typeface that mimics true handwriting closely. Use Jaro Handwriting to create stunningly beautiful designs easily.

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http://www.myfonts.com/fonts/madtype/stomper/

Inky and grungy, Stomper is perfect for your layouts that require the look of imperfection.

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http://www.myfonts.com/fonts/otto-maurer/lycaner/

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http://www.myfonts.com/fonts/okaycat/milk-cursive/

Milk Cursive is the healthy choice. Fortify your designs & fulfill your daily textual needs with these flowing, bubbly letters. Enjoy the refreshingly natural look of an every-man’s calligraphy with a fat & wide style. Milk Cursive is extended, containing West European diacritics & ligatures, making it suitable for multilingual environments & publications. It also contains some icons as extra characters, such as a star, a heart, an arrow, flowers, a butterfly, and manicules (pointing hands). Go ahead and have fun with it!

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http://www.myfonts.com/fonts/adtypo/fazeta-sans/

Fazeta Sans is a perfect companion to serif typeface Fazeta. Two light weights were added, so the complete typeface consist of 14 fonts (7 weights + matching italics). The fine gradation lets you choose perfect weight for any type of project. Every font have 1140 glyphs – just like the serif version and contains the same features, so use and combining of whole typeface is very comfortable. Also fixed kerning allows better comfort for eyes by reading and shortens the length of the text. I tried to preserve sharp and cold impression from serif version, but some straight lines had to be curved due to the natural limitation of sans typefaces (for example the upper arch of “f” is shaped more smooth). However it keeps extremely open form. A little playfulness was left at the end of letters “k, K, and R”, but if you want, this can be eliminated by using a rigorous SS01 feature. Serifs were here transformed into a small yaw from main stroke and so enlive the monotony of sans kind of types. Also slight cutting the top of the letters helping to surprisingly vivid final impression. Fazeta Sans is therefore suitable for wide range of type sizes – from small marginalies to huge poster sizes.

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http://www.myfonts.com/fonts/schizotype/toothpaste/

Toothpaste is a font based on the idea of a continuous line creating connected script, as if written by a squeezed tube of toothpaste. Every letter and number connects, and there are 48 contextual alternate characters and ligatures to make the script flow even more smoothly. There’s also some swirls and curls included as ornaments. This is a fun, decorative font. It would look good on kids' websites, scrapbooks, or maybe it’s the perfect font for a dentist’s logo.

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http://www.myfonts.com/fonts/typeassociates/rhapsodie/

Rhapsodie was originally developed from some freehand calligraphy that I used for a series of posters. It has proved effective in headlines and is remarkably legible and strong with some interesting, somewhat cursive capitals.

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http://www.myfonts.com/fonts/tart-workshop/henparty-serif/

Originally created by the Tart Workshop’s own Crystal Kluge as a logo for an online tea store for chicks, Henparty Serif and Henparty Sans are sure to delight! These fonts are perfect for baby announcements, giftware, any creative kid projects, children’s books, scrapbooking, and more!

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