http://www.myfonts.com/fonts/typodermic/renju/
Renju is an irreverent, textured slab serif typeface. The convincing rubber stamp effect is enhanced by automatically swapping common letter pairs with custom ligatures. Renju’s design is based on another Typodermic font: a cut-paper headliner called Gomoku.
OTF | 1 Font | JPG Preview | 3.4 Mb RAR
http://www.myfonts.com/fonts/cbx-jukebox/funny-bone-jf/
TTF | 1 Font | JPG Preview | 1.7 Mb RAR
http://www.myfonts.com/fonts/artytype/omni-serif/
Typefaces don't simply appear fully formed to a designer, even with a clear concept in mind, they evolve naturally during the design & development process. Out of the current ‘Artytype’ collection, Omni has evolved the most, being a stripped back off-spring from several exploratory exercises. At first glance and particularly at small scale, you'd be forgiven for thinking the basic characteristics have a conventional outlook; but on closer inspection, it’s own distinctive, clean cut, subtle styling becomes apparent, revealing enough personality to stand alone or complement a wide variety of projects; subsequently, it’s a font that won't go out of style quickly and may even become a modern classic in time. The Omni family has 2 distinct styles, sans and serif, each style being available in 4 weights; all 8 fonts have slanted options to match making a total of 16 fonts. Dictionary definition of OMNI: Combining form - Of all things, in all ways or places. Quite an apt name for a font with ubiquitous aspirations.
OTF | 8 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/typeotones/designal/
Designal is a Félix Rufín design based on the DIN theme. The goal was to create a suitable unicase, an old dream of typographers. The icons collection —more than 400— is a result of Rufín’s obsession with label design. OpenType, 9 styles.
OTF | 9 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/suomi/abiding/
A Slab Serif font family of five weights for headline and text use, with old style numerals and small caps.
OTF | 10 Fonts | JPG Preview | 1 M RAR
http://www.myfonts.com/fonts/cercurius/fitzronald/
Fitzronald is a body text typeface with a strong personality combined with a good legibility in small sizes. It is an excellent book typeface, but it can be used in e.g. advertising and packaging as well. Due to its good legibility at low resolution, the Webfont version is a superb website typeface. Fitzronald is based on Ronaldson, an American typeface originally cut by MacKellar, Smiths & Jordan in 1884. The popularity of Ronaldson lasted for several decades, and copies of the typeface -- more or less accurate -- were issued by other type foundries in America and Europe. The typeface was also adapted for machine composition by the Monotype and Linotype companies.
OTF | 4 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/nicksfonts/spiffily-nf/
Here’s a workmanlike interpretation of John Pistilli’s eponymous extreme Didone, originally designed for VGC in the 1970s. The typeface’s strong contrasts and graceful nuances guarantee that your headlines will get noticed. Both versions of this font include the complete Unicode Latin 1252, Central European 1250 and Turkish 1254 character sets.
OTF | 1 Font | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/sparkytype/tarnation/
TTF | 1 Font | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/letraset/oberon/
The fashion conscious will undoubtedly detect a touch of the '70s about Oberon with its free-flowing initial capitals and casual, script-like lowercase. British designer Phill Grimshaw has enhanced its appeal with a contour design in the letterforms and a wealth of alternative lowercase letters to choose from.
OTF | 1 Font | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/counterpoint/califunkia/
A heavy, cartoonish and fun font based on a hand lettered 1960s advertisement. The hand-lettered original gave me the idea to expand this into an OpenType font with multiple interlocking ligatures. There are over 260 alternate ligatures found the in the “Discretionary Ligatures” OpenType Feature, which will lend the font a hand drawn look. The ligature glyphs can also be accessed via the glyph palette. Great for any design that requires a fun and light-hearted mood. Contains language support for both Latin-based and most Eastern European languages.
OTF | 1 Font | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/urw/ribera/
ibera is a contemporary sans serif typeface including three styles. The Ribera characters have smooth curved spins and little contrast combined with a big x-height and big counters. These characteristics make Ribera ideal for almost any type of graphic design. Its unique look is well suited for corporate identity, its precise drawing for branding and poster design, the fresh look for advertising and the clear appearance for sign posting. But also editorial design benefits from Ribera. It expresses a modern look in headlines and stays highly legible in small sizes. As part of the URW++ SelecType collection, Ribera meets very high quality standards. The character set includes various OpenType features and a broad language support.
TTF | 3 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/cadson-demak/option-sans/
Option Sans is a rework of Anuthin Wongsunkakon’s Coupe. The popular font originally sold by T26 has now been humanized. Improved legibility from the original Coup to serve better as fine text font.
OTF | 4 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/tegetype/sursum/
Sursum, inspired by the Roman monumental letterform, was designed to provide the possibility to play with the 58 OpenType ligatures and the 25 alternates letters. The Sursum family includes 3 weights, all with the same OpenType features.
OTF | 3 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/canadatype/styx/
Philip Bouwsma makes use of his extensive calligraphy and type design experience by reaching into his vault and completing one of his unfinished projects from the mid-1990s. The result is Styx, a four-font connected-script family, with rough and smooth variations, each containing two sets of majuscules and plenty of alternates sprinkled throughout the character map. The Styx family comes in all popular font formats, and includes an extended range of language support covering Western and Central/Eastern European languages, Turkish, Baltic, Esperanto and Celtic/Welsh. The OpenType fonts contain both flat and class-based kerning.
OTF | 4 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/armtype/ghea-arpi/
The font family includes Armenian and Latin alphabet systems. This font is recommended to be used in books, magazines, office documentations.
OTF | 8 Fonts | JPG Preview | 1 Mb RAR
25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 369 Mb RAR
http://graphicriver.net/item/optotypo/10278447
Wellcome to the Optotypo font presentation. Optotypo is a sans serif type inspired by the eye charts used by ophthalmology to determinate the eyesight capacity. Optotypo features almost 400 glyphs including symbols, ligatures, alternative glyphs and contains the open type latin pro character set. We hope you enjoy this type as much as we did bringing Optotypo to life.
OTF, TTF, WOFF | 1 Font | JPG Preview | 1 Mb RAR
https://www.myfonts.com/fonts/type-together/edita/
Edita is a gentle typeface, humanistic in concept yet with a contemporary feel, where softness and fluidity play a very important role. This can be seen especially in its italics, which are loosely based on handwriting. This book typeface family is intended to be used in books where text is set together with photographs and other graphic elements. However, Edita is a general book typeface, versatile enough to be used in many other contexts, from novels to promotion material. Edita’s large character set, covering most languages which use Latin script, and styles give the designer the possibility to work with a big typographic palette, allowing complex typesetting with several levels of information. This is further enhanced by the two optically corrected weights Edita Small and Small Italic. They have been particularly designed for their use in very small type sizes, such as in captions and notes. They differ in having a slightly bigger x-height, heavier stems, reduced contrast, and carefully drawn ink-traps to ensure legibility at sizes as small as 5 pt. Additionally, their extenders are shorter to save space which allows text to be set with tighter leading.
OTF | 8 Fonts | JPG Preview | 2.7 Mb RAR
http://www.myfonts.com/fonts/jonahfonts/georgie/
TTF | 8 Fonts | JPG Preview | 1 Mb RAR
http://www.myfonts.com/fonts/redrooster/alys-rr/
TTF | 2 Fonts | JPG Preview | 1 Mb RAR
25 UHQ JPG | up to ~ 9000 x 6000 | 300 dpi | 292 Mb RAR
http://www.myfonts.com/fonts/polenimschaufenster/pis-wanderlust/
PiS Wanderlust is inspired by specimens from the book „Die Schriften des Malers“ from 1950 and by vintage hand painted signposts and guides found on hikes in the outskirts of Vienna and rural Austria, hence the name Wanderlust! Although classic, constructed modernist it features some charmingly unfashionable quirks and is available in rounded for a smooth and warm feel. Lace up those hiking boots, don't forget to pack some Landjäger and cool drinks and enjoy the view from above the treeline!
OTF | 2 Fonts | JPG Perview | 1 Mb RAR
http://cortadoscript.com/
Cortado Script is a fresh take on mid-century pointed brush lettering. To capture the loose spontaneity of handwriting, its innovative OpenType programming strategically inserts connection breaks amid the rhythm of cursive strokes. Automatic features also swap in different shapes for repeated letters, substitute ligatures where needed, and add restrained flourishes to word endings. With assertive energy and casual elegance, Cortado Script is poised to command attention in a wide range of design applications.
OTF | 1 Font | JPG Preview | 6.9 Mb RAR
