http://www.myfonts.com/fonts/shinn/bodoni-egyptian-pro/

Beneath the dominant signifier of identity, a surprising dimension of Bodoni is revealed—its core architecture, stripped of the famous high contrast cloak. Further subverting typographic norms, a monoline of even width (in all but the heaviest weights) here describes capitals, lower case, and serifs. And yet a certain quaintness is evident; this is, after all, both deconstruction and historical fiction.

OTF | 14 Fonts | JPG Preview | 1.9 Mb RAR

http://www.myfonts.com/fonts/fw-alias/intimo/

A two version type family, Intimo One is a serif dot matrix typeface, letterforms made up of grid-based dots. Intimo Two is also made up of dots, but in this case the lines are curved, giving a softer, more organic feel.

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/harbour/

Harbour is a clash of Latin and Germanic typestyles - two conflicting letterforms, culturally, politically and aesthetically. Latin letterforms have a geometric base, blackletter types are calligraphic. Harbour takes calligraphic forms that derive from writing with quills, but is a typeface that is clearly drawn‚ rather than written‚ to produce graphic, dynamic letterforms.

OTF | 3 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/granite/

A semi text type with thin stresses, in Granite Semi Stencil the overall weight of the Granite Regular has been decreased by a set unit which has obliterated the stress to leave white space. This gives the typeface an idiosyncratic almost arbitrary take on the utility Stencil aesthetic.

OTF | 4 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/jude/

Simple, angular and incised, Jude mixes the geometric precision of the computer with expressive and intuitive letterforms. The typeface avoids classical references in construction and proportions to produce a bold, modern serif typeface for text and display. The italic is a sharp edged version of calligraphic letterforms.

TTF | 24 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/klute/

Klute references stylised forms of writing; historic Germanic, blackletter letterforms and graffiti and tagging. Its references are based on a personal idea of lettering - the action of writing is more personal and human than the craft of calligraphy or the mechanics of typing. These references suggest the idea of saying something particular and personal.

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/society-editor/

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/snowhouse/

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/squareworm/

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/sketchica/

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/some-weatz/

OTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/hanoded/aint-nothing-fancy/

A nice, ‘normal’ script font without the frills and thrills of my other work. It’s a handwritten typeface with a schoolboy kind of feel to it. Use it for your websites, your letters and product descriptions! Because of its unobtrusive nature, the font won't attract too much attention, so your work will stand out better.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/hanoded/americain/

Americain is a retro-style font, which was based on a single headline from a thirties advertisement. The letters are all caps, but there’s a little difference between ‘upper’ and ‘lower’ case. Americain is ideal for headlines and posters.

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/hanoded/all-over-again/

All Over Again is a messy, scratchy script that looks like someone wrote a lengthy letter, realized he had screwed up and had to start all over again.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/hanoded/abysmal-gaze/

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/hanoded/allez-hop/

Allez Hop is a very useful font: it comes with all accents, bells and whistles and has been created using scans of handwritten text. It has a certain ‘quickness’ to it, not unlike someone jotted down a couple of lines on a notepad.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/vladislav/panopticum/

Panopticum is a Vladislav Ivanov font family with 3 styles- Panopticum,Panopticum Re and Panopticum Broken. Panopticum is a custom font which is applicable for any type of graphic design - web, print, motion graphics, etc. and perfect for t-shirts and logos.

OTF | 3 Fonts | JPG Preview | 1.3 Mb RAR

http://www.myfonts.com/fonts/fw-alias/metsys/

A typeface derived from a logotype designed for New-Age electronic band System 7 in the early 1990s. Metsys is a soft-tech take on the monoline aesthetic. Letterforms are purified, rounded almost abstract graphic shapes.

TTF | 5 Fonts | JPG Preview | 1.1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/perla/

A display typeface, a didot in upper case only, but with a set of decorative alternate characters mixing semi-cyrillic and lower case influences.

TTF | 4 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/fw-alias/text/

Whereas blackletter types were hand written, Text letterforms are drawn using a series of graphic shapes that slot together in a series of permutations, one set for lower case and another for the upper case. As the link between the method of construction of the letterforms has been removed from the appearance (the quill pen with which they were written resulting in the angle and sharp stresses) there is no logic for these stylistic elements to work in any set way. As this fundamental rule of the blackletter style has been removed the typeface has become something other than a typical or derivative blackletter font.

TTF | 2 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/p22/vincent/

This set is inspired by the work of Vincent van Gogh. The alphabet captures the essence of van Gogh’s handwriting style, using his extensive correspondence with his brother Theo as the primary reference. This lettering style presents a bold brush-stroke appearance which bears striking similarities to the painting style of Van Gogh. A full international charcter set is featured. The extras feature selected imagery from van Gogh’s drawing and paintings.

TTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/stroke-dimension/

OTF | 1 Font | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/tevegraphy/

TTF | 3 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/mawns/the-world-is-yours/

OTF | 2 Fonts | JPG Preview | 1 Mb RAR