http://www.myfonts.com/fonts/fontmesa/high-country/

Although this font resembles the FontMesa High noon font a closer look reveals much more rounded serifs to this Antique Tuscan font.

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http://www.myfonts.com/fonts/fontmesa/high-noon/

Introducing High Noon; this very old font originally known as Antique Tuscan dates back into the 1800s and was available only as an uppercase font. Now with the addition of a new never-before-seen lowercase you'll find new uses for this old classic.

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http://www.myfonts.com/fonts/fontmesa/home-style/

Home Style is a revival of a very old font designed by Joseph Gille in or around the year 1820. You may have seen this font in the past under the names of Circus, Roma or Madame. Originally designed in France, this very decorative font was only available in uppercase including numbers. Today this font has been re-mastered and updated with the addition of a newly designed lowercase set of letters. Another change was made to the offset shadow, a typical drop shadow would be down and to the right, but the original design left the top right corners of each letter squared off instead of a diagonal cut off which I have done to give the letters more of a dimensional look.

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http://www.myfonts.com/fonts/fontmesa/la-macchina/

La Macchina is a bold script suitable for logos, letterheads & headlines. It also resembles the lettering used by Lamborghini Automobiles.

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http://www.myfonts.com/fonts/fontmesa/la-mesa/

La Mesa is a bold font suitable for logos, letterheads & headlines. It also resembles the lettering used by the Miller Brewing Co.

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http://www.myfonts.com/fonts/fontmesa/lonestar/

Lonestar is a revival of the old classic slab serif font named Hellenic which was very popular in the middle to late 1800s.

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http://www.myfonts.com/fonts/fontmesa/livery-stable/

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http://www.myfonts.com/fonts/fontmesa/lynchburg/

Lynchburg was inspired by the Jack Daniels Green Label Whiskey logo, included in Lynchburg are a couple Whiskey Barrels located on the less than and greater than keys.

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http://www.myfonts.com/fonts/fontmesa/main-street/

Main Street is a revival of the old font Soutache, the original version of this decorative alphabet was created in 1873 by Julius Herriet, a type designer active during the period marked by the Western expansion. Main Street with its split serifs and ornate scrollwork reflects the romantic splendor of the old west from fancy garb and Cowboy Saddles to Ice Cream Parlors and painted window signage. Main Street goes one step further by creating a base fill font which can be placed 

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http://www.myfonts.com/fonts/fontmesa/main-strike/

Main Strike is a revival of a very old Italian font that you may have seen in the past under the original name of Tuscan Ornate or Bracelet. Dating back to 1860 or earlier it has never been known to have a lower case set of letters. Previously only in upper case, this font comes alive again with the addition of a newly designed lower case set of letters.

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http://www.myfonts.com/fonts/fontmesa/bella-rose/

Bella Rose is a combination of photographic images and fonts layered together to create a final image that’s sure to get the individual viewer’s attention. The vivid color roses, included with the font, adds more beauty, depth and impact to what ever project you decide to use it on. Bella Rose may be used with or with out the rose photos, the basic font comes with an illustrated rose incorporated into the letters.

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http://www.myfonts.com/fonts/fontmesa/mavericks-luck/

From a few letters found on an old bank document from 1876, Maverick’s Luck was born, and born again to give your projects that old western appearance. Maverick’s Luck comes with multiple fill fonts, you will need an application that works in layers in order to use the fill fonts that come with FontMesa fonts.

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http://www.myfonts.com/fonts/fontmesa/mesa-pointe/

Mesa Pointe is a collection of pointing hand designs. Most of the hands have been re-drawn from old printing sources dating back to the 1800s. You may recognize some of the hands from old wanted or railroad posters. Mesa Pointe comes with three versions, plain, a shaded version and a fill version that can be used as a stand alone font or if your computer application works in layers you can use the fill font to fill in the open space in the center of each hand adding different colors.

TTF | 3 Fonts | JPG Preview | 1 Mb RAR

http://www.myfonts.com/fonts/emigre/malaga-ot/

This text was first published in 2007 in the type specimen booklet for Malaga. Why do we need another typeface? This is a prickly question often asked of typeface designers. Depending on who you ask, the answer in simplified form is usually one of two: 1. As the basis of written communication, type design carries social responsibility, so we must continue to improve legibility. 2. Type design is a form of artistic expression. Without art, life is not worth living. The best work, of course, accomplishes both. Xavier Dupré, the designer of the Malaga typeface family, has at least one leg securely planted in the latter notion. He believes, like others, that within typeface design most legibility needs have been worked out and that today we are satisfying aesthetic desires. We design typefaces to differentiate our communications. Type design is primarily a formal exercise reflecting our personal quirks, technological obsessions, and cultural heritage. In case of Dupré’s work, issues of cultural heritage and personal quirks are of particular consequence. An incessant traveler, he visited the following countries during the development of the Malaga type family: Thailand, Malaysia, Indonesia, Myanmar, Cambodia, Vietnam, France, Belgium, and finally, Spain, where his choice for the name Malaga originates (Malaga is a port city in southern Spain). Dupré’s home is where his laptop is. He travels with a 12- or 15 inch PowerBook, without a printer, and with sporadic access to his reference books and other historical documents. All he needs is a table and chair. He even learned to design without a mouse since hotel and cafe tables are often too small to also fit a mousepad. Dupré is the new global designer who can take disparate influences and fluidly process the information into a coherent whole. Malaga is a case in point. It is inspired by ideas ranging from blackletter to Latin fonts, and from the Quattrocento’s first Venetian antiquas to brush stroke types. This makes Malaga a richly animated font saturated with unorthodox detail. Its black and bold weights are particularly suited for headlines and short texts, while the subtle modulation and moderate contrast in the regular and medium weights makes it perfectly readable in extended text settings. While Malaga doesn’t claim to resolve any particular legibility issues, it is nonetheless perfectly readable and will impart any design with a healthy dose of visual character.

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CM 515945 - Set of Feather and Pattern

Here is a boho collection of 19 feathers elements, hand-painted with watercolor. They will be handy for making your own design projects The set includes 18 feathers (png) 300 dpi 7 patterns (jpeg) 12 000* 12 000 px 6 vector feathers (EPS 10).

25 EPS | + JPG Preview | 121 Mb RAR

http://www.myfonts.com/fonts/linotype/siseriff/

The Siseriff™ family of types contains nine different styles, which were developed by the master Swedish typographer Bo Berndal in 2002. Siseriff is a contemporary slab serif face. Except for the Siseriff Black weight, all of the letters display a slightly condensed appearance that is coupled with a relatively uniform width throughout the alphabet. Siseriff’s nine styles are distributed across five weights (Light, Regular, Semi Bold, Bold and Black). The Italic companions for these styles (Siseriff Black does not have an italic companion) are true italics. These redrawn italics add a higher degree of differentiation from the Roman weights than could be achieved with obliques alone. Many common Slab Serif families (e. g., Serifa) do not offer this degree of differentiation. This variety makes Siseriff the perfect choice for journalistic and editorial work, where a good hierarchy may be achieved solely by relying on the various weights available, and their italics.

OTF | 9 Fonts | JPG Preview | 1 Mb RAR

CM 341239 - Circle Icons Big Bundle

Circle Icons Big Bundle includes 42 sets of circle icons. Perfect for your blog, website, flyers or labels. Vector files included. So, you can scale icons without loosing quality, change colors, mix them together.

• 1 EPS8 file with all icons ( each icon 128x128 px)

• 1 PNG hi-res file with all icons on transparent background

• 1 PNG file with preview

http://www.myfonts.com/fonts/omtype/siberian/

Siberian is a geometric unicase sans-serif. It was inspired by Russian avant-garde typography and old Siberian runic scripts (Orkhon-Yenisey script). The idea was to create a typeface so simple, cold and beautiful as the snow in Siberia. And varied of course, as the snow too (according to a legend snow has more than 100 names in the north Siberian people’s language). So, every letter in this typeface has 7 stylistic alternates. And you can choose how cold your typography should be today. Siberian was initially designed for the I'm Siberian project (the tourist branding of Siberia).

OTF | 1 Font | JPG Preview | 1.8 Mb RAR

25 EPS | + JPG Preview | 150 Mb RAR

http://www.myfonts.com/fonts/fontmesa/ok-corral/

OK Corral is a revival of a very old Italian font that you may have seen in the past under the original name of Italian Print. The Lined version of this font has never been known to have a lower case set of letters until now.

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http://www.myfonts.com/fonts/fontmesa/open-range/

Open Range is a new font design based on an old classics sans serif font from the 1800s. Some may say that this font looks like a western version of the more modern Benguiat but samples of lettering from the 1800s show a similar design to Benguiat and may have been the inspiration for that font.

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http://www.myfonts.com/fonts/fontmesa/railhead/

Railhead is a revival of an 1870s type style that was originally available from both the Bruce foundry in New York and James Conner’s Sons type foundry. The Redux version is the original design but only the uppercase and punctuation were ever created the rest of this font design including numbers, accented characters and lowercase are of my own design. Looking at the original font the inside rails reminded me of a railroad so I created a new version by adding horizontal lines in the lower portion of each letter which resemble railroad ties and Railhead seemed to be the most logical name for this old revival.

TTF | 4 Fonts | JPG Preview | 1 Mb RAR