http://www.myfonts.com/fonts/ywft/morricone/

YWFT Morricone is a combination of egyptian and italian slab serifs from the 1800s, with also simple geometric forms continuing from mid-century modernism. The design is a unicase setup, with alternates for the uppercase in the lowercase options. Although similar to some recent predecessors such as YWFT Black Slabbath, Morricone is a new gun with its own song. YWFT Morricone was named in honor of the famous Italian composer Ennio Morricone, who composed numerous classics for the spaghetti western movie genre.

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http://www.myfonts.com/fonts/coreyholms/ne10/

This stencil font takes its inspiration from a neon sign at my local pizzeria without being blatant in its reference. This monoline sans-serif face works in both large and small scales, making it versatile at bridging the gap between corporate and urban communication.

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http://www.myfonts.com/fonts/canadatype/merc/

Merc is a four-letter word that stops just one y short of Mercy. Merc is also the standard street abbreviation for mercenary, or a soldier for hire. Now that the global security business has become a two hundred billion dollar industry, we thought you would like to have your very own affordable merc. Merc is based on an all-cap metal face called Agitator, designed by Wolfgang Eickhoff and published by Typoart in 1960. The rough brush letters look like they were made by someone who is capable of elegance but has no time for it. These are letters that live to catch the eyes and warn them loudly: Doom is here, and if you want it screamed out, this Merc is at your service. Merc comes in all popular font formats, and offers a full range of Latin support, including Western, Eastern and Central European languages, as well as Baltic, Celtic/Welsh, Cyrillic, Esperanto, Greek, Maltese, and Turkish. Plenty of alternates were designed and scattered throughout the character set, so make sure to have a glyph palette or character map handy for some cool surprises.

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https://www.youworkforthem.com/font/T0589/isosibilia

Isosibilia is a display font, excellent for make possible the impossible! It has a unique perspective and it multilayer characteristic, let's you make titles, words and short sentences unique and weird. It has an outline and a fill version so you could choose whichever appearance you like.

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http://www.myfonts.com/fonts/ywft/jute/

YWFT Jute is a masculine, military, sans-serif design that was realized through a series of revisions to another typeface design called Flier. The constant reworking of Flier gave it a completely different look and feel, and thus was YWFT Jute forged. YWFT Jute is sharp, rigid and vicious, making for a striking solution when you need some seriously arresting headlines or short body text. YWFT Jute was converted to Opentype format in 2010.

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http://www.myfonts.com/fonts/julmeme/naname-kun/

Naname Kun is a geometric typeface created with oblique lines as a main texture. Its unique particularity is to be filled with diagonal hatching that varies in thickness to create different styles and weights. Applicable for any type of graphic design, especially for posters and logotypes.

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https://www.youworkforthem.com/font/T0289/ywft-isanti

Named after one of the most Swedish-American counties in Minnesota, Isanti is a hand lettered calligraphic font made to honor our nordic heritage, Lutheran illumination, and European newsstands. Generous spacing was given to Isanti to help with legibility at smaller point sizes, so it can be used for text as well as display. Isanti also offers up many stylistic alternates including old style letters, ligatures, and a handful of decorative swashes. Available in Open Type format so accessing all of those alternates is a cinch.

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https://www.youworkforthem.com/font/T0088/ywft-maudlin

YWFT Maudlin is a contemporary, adorable and round font design. The letters in YWFT Maudlin were designed to connect and twist around each other, resulting in endless type designs. This release works best in headline and display purposes. YWFT Maudlin was converted to opentype format in 2010.

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https://www.youworkforthem.com/font/T0493/lodgecode

Lodgecode functions as a geometric sans, but evokes more warmth. Corners are softened to provide a tactile, worn-in feel, while still maintaining a polished appearance. Lodgecode lends an understated simplicity to small settings, such as stationery and interface typography, but reveals more character above 24 points for a range of uses.

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https://www.youworkforthem.com/font/T1209/ywft-knit

YWFT Knit is an icon, symbol and pattern style dingbat font created with the ability to execute multiple design ideas. The font was designed with special kerning, allowing the ability on certain letter combos to create intriguing pattern designs. This isn't your typical dingbat design either, it comes filled with 241 unique glyphs, extended in areas like basic latin, latin-1, latin-extended a/b, greek and coptic, currency, mathematical operators and many other special delights.

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https://www.youworkforthem.com/font/T0018/ywft-selek

For striking, stylishly modern design, Selek(t) something incredible. (See what we did there?) YWFT Selek was designed with the idea of bringing a softer touch to machine-like letterforms, with the final result falling between mechanical and electronic. For legibility it is best to use the Light weight, but when very strong impact is required, the ExtraBold option provides an excellent design solution. YWFT Selek was converted to Opentype format in 2010.

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https://www.youworkforthem.com/font/T0169/ywft-neighborhood

YWFT Neighborhood is an typeface created by the integration and reinterpretation of 4 families of serifs into one community, one neighborhood, one font. It was originally hand drawn in 2008 by YouWorkForThem, then digitized into opentype format. YWFT Neighborhood contains a very unique, friendly and organic style, and contains Basic Latin, Latin-1 and extended glyph support.

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https://www.youworkforthem.com/font/T0057/ruby

Ruby is a display font with proud geometry and rounded terminals. With its roots in skateboard graphics, Ruby is young, fresh, strong and confident. Ruby comes with two complimentary styles for adding that precious sparkle we all need.

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https://www.youworkforthem.com/font/T0013/ywft-novum

"Novum" means "new thing," so it's a bit of a contradiction that YWFT Novum is a retro-styled font. This technical, heavy block font draws inspiration from a typeface originally used by the Swiss graphic designer Siegfried Odermatt. This thing is massive and powerful, and works great in headlines, posters and branding work, but can also be used in more abstract situations, like pattern creation. YWFT Novum was converted to opentype format in 2010.

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https://www.youworkforthem.com/font/T0014/ywft-onecross

Comprised entirely of "plus signs" of varying weights, YWFT OneCross had its genesis in YWFT OverCross (2002). When it was reworked later that year in order to create a more integrated blend of positive and negative space, Over became One, and thus was an empire forged. This is a powerful, visually arresting font that brings the serious noise to tech/future design projects and article headers alike. Both YWFT OneCross and its predecessor have been used by numerous magazines and websites since 2002. The font was converted to Opentype in 2010.

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https://www.youworkforthem.com/font/T0739/polen

Polen is a soft, well elaborated and unusual font design. Works great when used for display reasons only. Contains only uppercase alphabet designs.

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http://www.myfonts.com/fonts/canadatype/ronaldson/

The metal Ronaldson was the magnum opus of Alexander Kay, a first generation Scottish-American expert punchcutter whose résumé included clients no less historically prominent than Henry Caslon, Vincent Figgins and the Stephenson Blake company. His expertise at cutting roman faces was world-renown. This expertise is quite evident in Ronaldson Old Style's confident serifs, which loom from the T like an eagle's wings, and point out of the C, E, F, G, L, S and Z like the proverbial thorns on a rose. Only a master handcutter would be able to include such ornamental traits in a typeface yet still succeed in creating such a cleanly readable face. The popularity of Ronaldson Old Style around the turn of the century can still be seen in new editions of novels from that era, like the recent Arion Press letterpress edition of Edith Wharton's The Age of Innocence. This digital version of Ronaldson revisits the original sizes, where some of the letter forms varied considerably from one size to another, with a more technologically current, scalable type approach. The forms that were originally cut in display sizes are included in this digital version as alternates. The metal Ronaldson was only a roman style in different sizes. There was a sloped (oblique) version that was mostly deemed unworthy of being a counterpart to the roman, so there were plenty of instances were other old style italics were used with it instead. But even in those instances, the italic always seemed loose and clunky compared to the attractive color and evenness of the roman. In this digital version, a brand new italic was made, as well as a bold weight. Roman and bold small caps were also added, along with oldstyle, tabular, superior and inferior figures, and fractions of both the vulgar and nut varieties. Then plenty of ligatures and extra alternates were added.

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http://www.myfonts.com/fonts/novotypo/nt-plakaty/

Plakaty was originally designed / showcased somewhere in the 50's in the last century, in 1995 we digitized the main characters of the font. We completed the font in 2012. The font is inspired on the old wooden 'biljetletters' we found in an old typespecimen called 'Arti letterboek', typefaces designed by M. Meijer, former chief-draughtsman at De Bijenkorf Amsterdam, published by Uitgeverij Arti, Alkmaar. It can be considered as a hommage to the anonymous typefaces we know from old printers before the offset era. Made by Novo Typo. Designers from Amsterdam, The Netherlands.

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https://www.youworkforthem.com/font/T0333/notdef

Notdef is an uncompromising experiment, based on the common '.notdef' symbol.

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http://www.myfonts.com/fonts/typodermic/hemi-head/

Hemi-Head is a square, industrial typeface reminiscent of the 1960’s Dodge muscle car insignia. It’s available in 8 weights with italics.

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CM 179035 - Vintage Logos Set 3

The set contains 25 logos, AI, EPS and PSD editable files. Easy to modify, edit, re-size and color without the loss of quality or resolution. 100% vector shapes editable in Photoshop and Illustrator. Editable text. All fonts used are free or free for personal use only. The links for the fonts are in the Help file located in the main download.

CM 136765 - Vintage Auto-Press

Adding authentic vintage textures to your work has never been easier thanks to the smart PSD files inside the Vintage Auto-Press. Just place your design or illustration work inside a smart object layer, and then you can toggle on and off vintage textures dating back to the 1800's with a single click. There are also three different pre-made sizes of strokes for you to apply to your work that has an automatically generated rough edge that compliments the vintage textures included inside this package. These vintage textures come from the various vintage textures that I have released in the past, but many have been enlarged and modified to compliment the size of the Photoshop documents. As an added bonus, I have included 25 authentic vintage clip art pieces for you to use on your work as you see fit. They are provided in both Illustrator as well as Photoshop format to give you the versatility to use them how you see fit. This kit can transform your designs and illustrations in literally seconds, so if you enjoy saving a lot of time and creating amazing end results, this pack might be right up your alley!

https://www.youworkforthem.com/font/T3010/pandilla

Pandilla was inspired from personal sketches and letters developed by the past of the years making graffiti art. the forms of this typeface are related with the graffiti and street scenes of the different cities around the world and takes traits and elements of the Handstyle, Classic graffiti, Brazilian Picha o and different urban letters. This font has a variety of objectives, the first is to create a legible version of the graffiti inscriptions and use this typography for different print pieces, the second objective is to give back the essence of the meaning of the word Pandilla , this word has been transformed for the past of the decades and now is associated with negative things. The original meaning of this word is a group of people who feel a close relationship, which usually have a friend or close interaction with ideals or common philosophy among members. Pandilla is to be used in different print purposes and graphic pieces like Posters, Brochures, Magazines, Business cards and different stuff that uses big type sizes and big display formats.

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http://www.myfonts.com/fonts/sudtipos/santino/

Santino is a rounded monoline, post-bauhaus geometric font with smooth extremes and a touch of modern sensuality. It is named after Ariel “Negro” Di Lisio’s son. The fonts were designed by Ariel Di Lisio and digitized by Alejandro Paul.

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