http://www.myfonts.com/fonts/wilton/terzo/

Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!

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http://www.myfonts.com/fonts/wilton/bellezza/

Bellezza (Italian: beautiful) is an elegant calligraphic script with many ligatures to provide great solutions for Invitations, presentations, signage, posters wherever sensitivity, legibility and elegance is essential.

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http://www.myfonts.com/fonts/wilton/ciseaux/

Ciseaux was inspired and is dedicated to the art of paper cutting. Early paper cutting artists were often royalty, but it soon became a folk art practiced by commoners whose cutouts decorated their homes. By the seventeenth century it had spread throughout the world. The Japanese called it Mon-kiri, the German’s Scherenschnitte and Turkey even boasted a guild devoted to the art form. In Poland the designs were traditionally symmetrical and often used layers of colors to form pictorial collages. When Russian invaders confiscated scissors, villagers were found to cut their intricate designs with sheep shears! The art form later developed into cutting out elaborate designs of nature scenes and people, celebrating special occasions and even decorating legal documents. Ciseaux letterforms mimic paper cutting art in its shapes with a rather loose and almost joyous rhythm. The overall effect is somewhat earthy and natural yet it has an element of sophistication that cannot be ignored. Just like paper cutting, Ciseaux can be used for special occasions like invitations, brochures, identities, restaurant menus, and if you dare, some awesome looking paper graffiti.

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http://www.myfonts.com/fonts/wilton/beurre/

In thinking about a way to express the character of this script, it occurred to me that the splitting of the main downstrokes in the caps is almost like when knife cuts into butter. Picture a butter knife that slices into butter, slowly wedging the cut wider so that when it is pulled back, the remaining shape would resemble the main downstroke of any capital letter. The lowercase characters have an almost roundhand-like character but with a slightly more formal presence. Available in Postscript, Truetype and Opentype for both Mac and Windows, Beurre is ideal for Menu’s, Invitations and pretty much anywhere you need a reasonably strong, but friendly legible script. Enjoy!

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http://www.myfonts.com/fonts/wilton/saycheez/

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http://www.myfonts.com/fonts/wilton/diario/

I am a huge Moleskine notebook fan - This font is named Diario to celebrate everyone that uses a journal and everyone that appreciates a cool handwriting style. Diario reflects this tactile paper- ink plus designer convergence. In the meantime, be inspired and write your own journal!

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http://www.myfonts.com/fonts/wilton/peekaboo/

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http://www.myfonts.com/fonts/ywft/clairemy/

The smell of ink is redolent in the air, as the resistance printers screen propaganda deep in a basement in the French Quarter. The Absinthe is flowing, and there’s static on the radio, as YWFT Clairemy makes its proud and vibrant presence known. Hand-drawn in the night air with a DC-3 propeller blade, YWFT Clairemy is 327 glyphs of pure, Bistromathic glory, and contains OpenType alternates that would make DeGaulle perm his moustache. Cue the trumpets. Designed by Blake E. Marquis & YouWorkForThem.

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http://www.myfonts.com/fonts/ywft/composite/

YWFT Composite is a bitmap/digital style design that was originally inspired from collecting machine generated printouts during press checks. YWFT Composite has a special power of capturing a very digital, robotic like alphabet that works for both on screen and print layouts. It has been used in numerous magazines as a strong masculine header face, but can even be used for short body content on screen. YWFT Composite was designed in 1999, converted to opentype in 2010.

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http://www.myfonts.com/fonts/tipografiaramis/cargo/

Cargo TRF is a revision of existing Cargo typeface dated 2001. The new version of Cargo consists of three styles—A (plain), B (punch-out holes) and C (screw heads). Cargo TRF is recommended for use in big sizes as a display typeface. It is available in OpenType format with Western CP1252 character set.

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https://www.youworkforthem.com/font/T0443/capset

Designed by the Swedish design studio Suprb, this was a custom-made typeface for the Nordic magazine Cap & Design. The typeface was originally designed to be used as the main headline style and as a strong graphical element throughout the magazine layout. This amazing typeface has now been made available for the public to purchase via YouWorkForThem.

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https://www.youworkforthem.com/font/T0498/c13-hex

Extra geometric in nature and intended predominantly for display and logotype utilities, C13 HEX was built atop an isometric triangular grid.

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https://www.youworkforthem.com/font/T0004/ywft-caliper

YWFT Caliper was originally created as a unique-yet-readable bitmap typeface. While it works well onscreen at small point sizes, it also can be used at larger sizes for retro-style headers and attention-grabbing statements. YWFT Caliper also contains two free bonus design styles that explore alternate and very unique letter options. These extra styles (called "Stairstep" and "Cube") are what set Caliper apart from the rest of the pixel fonts out there on the grid. YWFT Caliper was converted and updated to Opentype format in 2010.

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https://www.youworkforthem.com/font/T0093/ywft-chateau

Home-spun & hand-done, the coarsely calligraphic YWFT Chateau is an endearingly uneven complete script face with unerring links and lots of character. YWFT Chateau was converted to opentype format in 2010.

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http://www.myfonts.com/fonts/typo5/chato-band/

Chato Band is a beautiful script font, originally created as a custom project for a music label. With slight imperfections between characters, it has a unique look, with ink drawn and vector elements, a lot of work and time devoted to each character. Complete character set. It comes in the form of three sub-families: Chato Band Regular (with the original inked look), comes with a Regular and a Bold version. Chato Band Smooth (a smooth, clean version of ChatoBand with variations and new designs for some characters), comes with a Regular and a Bold version. Chato Band Space (an hybrid version, with a mix of subtle different kerning and weights), comes with a Regular and a Bold version.

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http://www.myfonts.com/fonts/canadatype/blackhaus/

Almost a half of a millennium after being mistaken for the original 4th century Gothic alphabet and falsely labeled 'barbaric' by the European Renaissance, the blackletter alphabet was still flourishing exclusively in early 20th century Germany, not only as an ode to Gutenberg and the country's rich printing history, but also as a continuous evolution, taking on new shapes and textures influenced by almost every other form of alphabet available. Blackletter would continue to go strong in Germany until just before the second World War, when it died a political death at the height of its hybridization. For almost 50 years after the war, blackletter was very rarely used in a prominent manner, but it continued to be seen sparely in a variety of settings, almost as a subliminal reminder of western civilization's first printed letters; on certificates and official documents of all kinds, religious publications, holiday cards and posters, to name a few. In the early 21st century, blackletter type has been appearing sporadically on visible media, but as of late 2005, it is not known how long the renewed interest will last, or even whether or not it will catch on at all. The last few years before World War II were arguably the most fascinating and creative in modern blackletter design. During those years, and as demonstrated with the grid-based Leather font, the geometric sans serif was influencing the blackletter forms, taking them away from their previous Jugendstil (Art Nouveau) hybridizations. Blackhaus is a digitization and elaborate expansion of a typeface called Kursachsen Auszeichnung, designed in 1937 by Peterpaul Weiss for the Schriftguss foundry in Dresden. This is one of very few designs from that time attempting to infuse more Bauhaus than Jugendstil into the Blackletter forms. This is why we used a concatenation of the words blackletter and Bauhaus to name this face. The result of injecting Bauhaus elements into blackletter turned out to be a typeface that is very legible and usable in modern settings, while at the same time harking back to the historical forms of early printing. The original 1937 design was just one typeface of basic letters and numbers. After digitizing and expanding it, we developed a lighter version, then added a few alternates to both weights. The Rough style came as a mechanically-grunged afterthought, due to current user demand for such treatment. Having the flexibility of 2 weights and many alternates of a blackletter typeface is not a very common find in digital fonts. More specifically, having the flexibility of 2 weights and alternates of a 20th century blackletter typeface is almost unheard of in digital fonts. So the Blackhaus family can be quite useful and versatile in an imaginative designer's hands.

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https://www.youworkforthem.com/font/T0002/ywft-blackgold

Challenging Stage! YWFT Blackgold was originally designed as a second extension to YWFT Caliper. It is a thick, chunky, video game-inspired pixel font that works great in digital- and retro-themed projects. (And of course for entering your name in the high scores.) YWFT Blackgold works well for both body and headline use, and is typically best onscreen, but don't let that keep you off a billboard in Times Square. YWFT Blackgold was converted to opentype in 2010.

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https://www.youworkforthem.com/font/T0028/ywft-league

You've been working hard, and your team is really looking good this year. We'd like to invite you to join the League. YWFT League, that is. Inspired by high school and college football jerseys, YWFT League is in keeping with the strict and rigid style of its inspiration, but isn't afraid of quirks and tilts. YWFT League works great in sports, education and other team-oriented design works. YWFT League was converted to opentype in 2010, it was formerly known as Graphium.

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https://www.youworkforthem.com/font/T1359/ywft-herzog

Originally drawn in 2008 by YouWorkForThem, we revisited the Herzog drawings in 2011 and developed them into a fully functional opentype font release. YWFT Herzog comes with two style options (regular and alternate), with each style containing opentype stylistic alternates for upper case and lower case characters. When you buy the complete family of YWFT Herzog, we include a free copy of the original handset design (eps file), which contains several hundred letter options for your enjoyment. Designed by YouWorkForThem.

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https://www.youworkforthem.com/font/T3261/hext

Hext is a geometric display face. When used in blocks of type it forms a repeating pattern of the interlocking hexagons. Use it for unique headlines or single characters. Create simple patterns or more complex creations by stacking letterforms and mixing colours. Experiment and have fun. Created in 2012 by Jeff King.

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https://www.youworkforthem.com/font/T1306/ywft-hllvtka

With great pride, we present this hand-drawn alphabet in both upper and lower case, derived from the beloved standard of all existing things: Helvetica. Originally hand drawn in 2007 by YouWorkForThem, we revisited these drawings in 2010 and developed them into a fully functional opentype release. YWFT HLLVTKA comes with two style options (normal and outline), with each style containing opentype stylistic alternates for upper case, lower case, numericals and punctuations. For years, YWFT HLLVTKA has topped our charts as a handset design, and designers love it. So now, when you buy the complete family of YWFT HLLVTKA, we include a free copy of the original handset design (eps file), which contains several more letter options for your enjoyment. Designed by YouWorkForThem.

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https://www.youworkforthem.com/font/T2150/ywft-garnier

Someone call Nurse Ratched! Putting the rock in electroshock, YWFT Garnier brings a loose, juvenile style to the walls of the asylum. This was formerly a handset, and now we are proud to bring it out of the sanitarium in glorious Opentype format which includes a few dozen stylistic alternates, and a free handset that contains hundreds of letter designs in EPS vector format. It may appear sloppy at first, but look closely: there is a typographic code at work here. Fonts of this nature can often come off as childish or amateurish, but this is a primitive masterpiece of endless options. Get YWFT Garnier to really pop your ransom note, event flyer, or just create playful, modern designs of any and all types. Designed by YouWorkForThem.

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https://www.youworkforthem.com/font/T0096/foodshow

It has been spotted in movies, subways, ads, and publications worldwide. Foodshow is a font with script ligatures between its Bold characters, super legible and flexible for many purposes, it has enough attraction to be noticed as something different. Foodshow is now released with full character set. It also comes with a 3D painted version named FoodShow-HotDog, inspired by South American food signage.

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https://www.youworkforthem.com/font/T0095/fashyon

Fashyon was created as an experiment blending script and calligraphic elements, and with a perfect balance between characters, looks dynamic yet with a classical look.

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