FF Beowolf Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-beowolf/

Dutch type designers Erik van Blokland and Just van Rossum created this display and serif FontFont in 1992. The family has 5 weights, and is ideally suited for advertising and packaging, editorial and publishing, poster and billboards as well as software and gaming. FF Beowolf provides advanced typographical support with features such as ligatures and alternate characters. It comes with proportional oldstyle figures. In 2011, FF Beowolf was added to the MoMA Architecture and Design Collection in New York.

OTF | 3 Fonts | JPG Preview | 1 Mb RAR


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FF Autotrace Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-autotrace/

British type designer Neville Brody created this display FontFont in 1994. The family has 5 weights, and is ideally suited for music and nightlife and poster and billboards. FF Autotrace provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with tabular lining figures.

OTF | 4 Fonts | JPG Preview | 1 Mb RAR


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FF Automatic Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-automatic/

OTF | 2 Fonts | JPG Preview | 1 Mb RAR


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FF Bull Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-bull/

British type designer John Critchley created this display FontFont in 1995. The family has 6 weights, and is ideally suited for festive occasions, film and tv as well as poster and billboards. FF Bull provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional lining figures.

OTF | 6 Fonts | JPG Preview | 1 Mb RAR


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FF Amman Sans Font Family

 

 

http://www.myfonts.com/fonts/fontfont/amman-sans-pro/

German type designer Yanone created this sans FontFont in 2010. The family has 14 weights, ranging from Thin to Black (including italics) and is ideally suited for advertising and packaging, logo, branding and creative industries as well as poster and billboards. FF Amman Sans provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Serif.

OTF | 14 Fonts | JPG Preview | 1 Mb RAR


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FF Amman Serif Font Family

 

 

http://www.myfonts.com/fonts/fontfont/amman-serif-pro/

German type designer Yanone created this serif FontFont in 2010. The family has 8 weights, ranging from Regular to Extra Bold (including italics) and is ideally suited for advertising and packaging, editorial and publishing as well as logo, branding and creative industries. FF Amman Serif provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Arabic writing system. This FontFont is a member of the FF Amman super family, which also includes FF Amman Sans.

OTF | 8 Fonts | JPG Preview | 1 Mb RAR


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FF Avance Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-avance/

Dutch type designer Evert Bloemsma created this serif FontFont in 2000. The family contains 4 weights: Regular, Italic, Bold, and Bold Italic and is ideally suited for book text, editorial and publishing, small text as well as web and screen design. FF Avance provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

OTF | 16 Fonts | JPG Preview | 1 Mb RAR


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FF Advert Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-advert/

Dutch type designer Just van Rossum created this sans FontFont in 1991. The family contains 4 weights: Light, Regular, Bold, and Black and is ideally suited for advertising and packaging projects. FF Advert provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert Rough.

OTF | 4 Fonts | JPG Preview | 1 Mb RAR


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FF Archian Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-archian/

Hungarian type designer György Szönyei created this display FontFont in 1999 and extended it in 2010. The family has 11 weights, and is ideally suited for advertising and packaging, logo, branding and creative industries, music and nightlife as well as sports. FF Archian provides advanced typographical support with features such as ligatures, alternate characters, and stylistic alternates. It comes with proportional lining and tabular lining figures. As well as Latin-based languages, Archian Stencil also supports the Cyrillic writing system.

OTF | 12 Fonts | JPG Preview | 1 Mb RAR


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FF Angie Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-angie/

FF Angie Regular won the Brattinga prize at the 1990 Morisawa awards in Japan.

OTF | 8 Fonts | JPG Preview | 1 Mb RAR


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FF Advert Rough Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-advert-rough/

Dutch type designer Just van Rossum created this display and sans FontFont in 1992. The family has 5 weights, ranging from One to Five and is ideally suited for advertising and packaging, film and tv, music and nightlife as well as poster and billboard projects. FF Advert Rough provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. This FontFont is a member of the FF Advert super family, which also includes FF Advert.

OTF | 5 Fonts | JPG Preview | 1 Mb RAR


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FF Angst Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-angst/

German type designer Jürgen Huber created this display FontFont in 1996. The family contains 3 weights: Regular, Condensed, and Heavy and is ideally suited for film and tv, music and nightlife, poster and billboards as well as software and gaming. FF Angst provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

OTF | 3 Fonts | JPG Preview | 1 Mb RAR


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FF Assuri Font

 

 

http://www.myfonts.com/fonts/fontfont/ff-assuri/

German type designer Fabian Rottke created this display FontFont in 1994. The font is ideally suited for poster and billboards. FF Assuri provides advanced typographical support with features such as ligatures. It comes with proportional lining figures.

OTF | 1 Font | JPG Preview | 1 Mb RAR


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FF Atlanta Font Family

 

 

http://www.myfonts.com/fonts/fontfont/ff-atlanta/

Slovakian type designer Peter Bil'ak created this display FontFont in 1995. The family contains 3 weights: Extra Light, Regular, and Extra Bold and is ideally suited for festive occasions, logo, branding and creative industries, music and nightlife as well as sports. FF Atlanta provides advanced typographical support with features such as ligatures and case-sensitive forms. It comes with proportional oldstyle and proportional lining figures.

OTF | 4 Fonts | JPG Preview | 1 Mb RAR


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PF Regal Display Pro Font Family

 

http://www.parachutefonts.com/typefaces/allfonts/regal-display-pro

The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, ?nesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they di?er in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.

OTF | 10 Fonts | JPG Preview | 1 Mb RAR


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PF Champion Script Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-champion-script-pro/

PF Champion Script Pro is perhaps the most advanced and powerful calligraphic family ever made. It received an award for Excellence in Type Design from the International Type Design Competition ‘Modern Cyrillic 2009’ which was held in Moscow. Most recently, it received another award from the 3rd International Eastern Type Design Competition - Granshan Awards 2010. This typeface was first presented in June 2007 at the 3rd International Conference on Typography and Visual Communication (ICTVC) and was met with rave reviews. It is based mainly on the manuscripts of the 18th century English calligrapher Joseph Champion. Developed over a period of two and a half years, each one of the 2 weights is loaded with 4300 glyphs(!), offering simultaneous support for all European languages based on the Latin, Greek and Cyrillic scripts. Furthermore, a wide selection of alternate forms and ligatures is included for all languages, in order to accommodate diverse design aesthetics. These alternates are either applied automatically through an advanced programming scheme, or manually through several OpenType features. An attempt was made to design a contemporary script typeface with classic roots, by following certain guidelines, i.e. lowercase characters were designed so they are less inclined, have a higher x-height and are less condensed than the original. Several characters were stripped-off their connecting lines in order to enhance legibility. Four sets of alternate swashed capitals as well as a plethora of ornaments and frames (117) was included. Small caps and their alternate forms were designed to replace the capitals which disrupt the flow of text within a sentence with their extravagant swashes. All characters were carefully designed with the proper weight in order to sustain harsh printing conditions (on special papers), a situation which affects mainly the light connecting parts of calligraphic typefaces. Finally, it was programmed in such a way as to preserve handwriting qualities, by designing an extensive array of ligatures and alternate glyphs in all languages, never before released or incorporated within the same font.

OTF | 2 Fonts | JPG Preview | 1.3 Mb RAR


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PF Centro Sans Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-centro-sans-pro/

Centro Sans Pro is an award-winning typeface. It received a Gold Award from the European Design Awards 2008 and an Excellence Award from the International Type Design Competition 2009 as part of the Centro Pro type system. This large series of 40 fonts with 1519 glyphs each is composed of three superfamilies (serif, sans and slab), includes true italics and supports Latin, Greek and Cyrillic. According to the jury of the European Design Awards “...Centro Pro is an almost ‘invisible’ typeface with distinct personality, it has legibility as its main attribute and is ideal for a wide range of design works. It does not attract any unnecessary attention, but rather serves its purpose. A rare case of contemporary type family working across three alphabets. Centro Pro meets an ever-growing demand for such typefaces among pan-European companies and institutions”. Centro Pro has become very popular among printed media and is ideal choice for newspapers, magazines and corporate applications. Furthermore every font in this series has been completed with 270 copyright-free symbols, some of which have been proposed by several international organizations for packaging, public areas, environment, transportation, computers, fabric care and urban life.

OTF | 16 Fonts | JPG Preview | 1.6 Mb RAR


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PF Benchmark Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-benchmark-pro%20/

Benchmark Pro is a carefully structured geometric typeface which works amazingly well in body text due to its simplistic nature and large x-height. The design of Benchmark Pro started out as an attempt to convert the minimalistic structure of a technical and purely geometric design into a readable modern and friendly sans serif. This was achieved by selectively changing and turning the straight lines of the initial drawings into curves and applying legibility techniques to the transformed letterforms. These letterforms have a distinct personality which is bolstered by its angular curves and open counter terminals. The result is a contemporary text typeface that looks quite fashionable. Benchmark Pro gets away from the ultra modern and mechanical structure but keeps its display nature, it gets away from the classical but still remains legible. This robust san serif type family offers an extended character set which supports simultaneously Latin, Cyrillic and Greek. All Benchmark Pro font variants have a companion italic, rounding the total family members at 14 fonts. Each font includes more than 750 glyphs and is powered with 17 opentype features.

OTF | 14 Fonts | JPG Preview | 2.1 Mb RAR


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PF Cosmonut Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-cosmonut-pro/

Spaced out and a bit nutty. This typeface revisits the futuristic atmosphere of the 50s and 60s cartoons and is complemented with an amazing, wacky and super cool series of 50 pictograms, designed by the master designer Dimitris Foussekis. This is a very popular informal typeface which was expanded recently into a ‘Pro’ version that includes Latin, Greek and Cyrillic.

TTF | 2 Fonts | JPG Preview | 1 Mb RAR


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PF Fuel Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-fuel-pro/

This typeface was inspired by the rough surroundings of a modern city and reflects the contradicting nature of an emerging global youth culture. Ever since its first release—back in late 1999— it is constantly on our ‘most wanted’ list and has been part of numerous product campaigns. Music, mobile telephony, food and beverages, politics, you name it. Coca-Cola used it, José Cuervo used it for about 3 years. The new ‘Pro’ version goes one step ahead. You may now capture the essence of the younger generation in every major European language. PF Fuel has been extended with the full array of Cyrillic characters as well as matching frames for this extra stamped look. Furthermore there more alternate characters than ever. Create a custom look, when same characters sit close, or one next to the other. You may find these useful—alternate characters either in the lowercase positions, or access them through the ‘stylistic alternates’ OpenType Pro feature.

OTF | 1 Font | JPG Preview | 1 Mb RAR


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PF Mechanica A Pro Font Family

 

 

http://www.parachutefonts.com/typefaces/allfonts/mechanica-pro

This typeface draws its inspiration from a late 19th style which was popular for newspaper headlines. It featured straight diagonal lines in place of the usual curves. The PF Mechanica Series projects a disciplined architecture, which combines a modern hitech structure with rigid angular forms.  PF Mechanica A comes in 2 weights with a normal and bold solid face.  On the other hand, PF Mechanica B is more involved with 5 ultra modern styles. The new “Pro” series has been recently expanded to include Latin, Greek and Cyrillic.

TTF | 2 Fonts | JPG Preview | 1 Mb RAR


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PF Reminder Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-reminder-pro/

Use Reminder to add a homey and personal touch to your notes and messages. Whether it is a note to your loved ones or a colleague at the office, this is the typeface to use. But don't take our word for it. The applications of this typeface are endless. Since its first release back in 2003, we have seen it being used for anything from banking to automobiles. And now, with this “Pro” version you can communicate with a big part of this world in a way you always wanted. PF Reminder Pro comes loaded with 555 glyphs which support all European languages including Greek and Cyrillic.

TTF | 3 Fonts | JPG Preview | 1 Mb RAR


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PF Square Sans Condensed Pro Font Family

 

 

http://www.myfonts.com/fonts/parachute/pf-square-sans-condensed-pro/

Square Sans Pro is one of Parachute’s most popular typefaces. It has been used by the likes of companies such as Samsung and organizations like the European Commission. Now a new version has been released. Square Sans Condensed Pro is a square-shouldered, modern and self-assured text typeface which lends style to a variety of projects. With its generous x-height, full-bodied counters and uniform stroke weight, it provides high legibility and uniform typographic color at all sizes. This is an exceptionally warm and comprehensive type family -with slightly rounded edges and softened curves- which possesses a robust and friendly appearance. The family consists of 12 fonts -from extrablack to thin- including true italics. It supports opentype features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Latin, Greek and Cyrillic.

OTF | 12 Fonts | JPG Preview| 1.1 Mb RAR


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PF Wonderland Pro Font

 

 

http://www.myfonts.com/fonts/parachute/pf-wonderland-pro/

Alice in Wonderland. Innocent, emotional, almost childish, looks like it just came out of a fairy tale. The long stems, quirky serifs and loose characters, as well its youthful energy, establish an emotional attachment to this typeface. So perfect for children’s books. Designer Dimitris Foussekis completed this font with a matching series of 62 pictograms the so-called ‘Wonderbats’. Now, the brand new ‘Pro’ version has been expanded to include all European languages by supporting simultaneously Latin, Greek and Cyrillic scripts.

TTF | 1 Font | JPG Preview | 1 Mb RAR


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