https://www.myfonts.com/fonts/branding-with-type/bw-gradual/

Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.

CM 1519658 - Jazzling Script & Sans - Font Duo

Jazzling is a script font, originally made with a brush pen, then digitized. It comes in both slanted and upright versions. I've also included a complimentary sans serif font, in regular and demibold weights. The Jazzling Duo has a vintage yet modern calligraphy feel to it. Its casual, friendly elegance is perfect for branding, logo design, packaging, merchandise, t-shirt, quotes, social media, editorial and much more! Jazzling Script, both slanted and upright, comes packed with opentype features like ligatures and stylistic alternates. Browse through the preview images to see some design examples. Multilingual support covers the following languages: Afrikaans, Basque, Breton, Danish, Dutch, English, Faroese, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Javanese (Latin), Malay (Latin), Norwegian, Portuguese, Sami (Southern), Spanish, Swahili, Swedish and Walloon.

https://www.myfonts.com/fonts/alias/ano/

A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular - a ‘standard’ alphabet; Upper Lower - where upper case characters are replaced with oversized lower case; Wide - where upper case characters are the width of a square, and lower case the same style half the width of a square. Each style drawn in italic and back-italic versions. The resulting nine variations in six weights made 54 fonts in total. For weights Regular through to Eighth the character weights divide in half. So the Half weight is half that of Regular, Quarter weight is quarter that of Regular and so on. This means for example that when Ano Half is set at twice the size of Ano Regular the weight of line is the same between the different character sizes. This proportion was used whenever typefaces were used in combination, so that headline and standfirst typography always had a consistent weight of line. The different styles and mathematically defined weights allowed for a variety of layout options. For example by using different sizes and mixing up upper and lower case letters in Upper Lower, and by stacking letters into block shaped words in Wide. The two bolder weights were drawn without this mathematical weight increase, as doubling the Regular weight would have filled in its counters and look clumsy. These Bold and Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights. Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights.

CM 1501769 - Alice Blue

Alice Blue is quite lovely font that you can use in many projects / designs. Please check “great for” section below to find out more.

https://sellfy.com/p/XS0L/

Geometric Sans Serif font family with 6 weights including a thin, light, book, semibold, bold and extra bold. Includes uppercase and lowercase characters, numerals and most common other characters.

CM 1500087 - Isolated Food Items Vol.2

Contain PSD and PNG files with: walnut, chestnut, nutcracker, almonds, sunflower seeds, peanuts, chickpeas, goji, pistachio, buckwheat, chia, cashew, pumpkin seeds, white beans, rice, lentils, popcorn seeds, wheat seeds, raisins, cranberry, sesame seeds, poppy seeds, red lentils, etc. All images are with a transparent background, converted to smart objects, with transparent shadow on a separate layer (top view). Is all you need to create beautiful presentations, hero images, headers, flyers, banners, mockups, great for blogs and websites, restaurant and food identity. Present your projects in an interesting and attractive way to your clients. Check other volumes for more food items.

7 PSD files:

• Size 3000x2000px 300ppi

• Contain isolated food images on categories

• Each PSD is Layered and Grouped

• Each Group contain the food image and the shadow both converted to Smart Object and linked together

• Smart objects are resized down at 50%, so you can scale up to x2 of objects size

• The Shadow is transparent so you can place it on any background and you can also hide it or reduce opacity to fit your design

• Adobe Photoshop CS2 or Higher

91 PNG Files:

• Saved at 300ppi with transparent background and no shadow

• Each PNG is named just like in PSD and saved in a group with the the same name like the PSD file

CM 1498679 - Geometric Logo Designs

Geometric Logo Designs - Premium Edition. Vector and easy to customize logo designs with free font used.

FORMATS

• .psd

• .ai ( Illustrator CS )

• .eps ( Illustrator CS )

• .txt ( help file with links to download the fonts )

Every logo have 2 styles and 4 versions

• Vertical

• Vertical + Slogan

• Horizontal

• Symbol

CM 1500708 - Pro Smart Oil Painting Action

This action set has been developed for photographers and graphic designers. Everything is very straight forward. I have tried to make the item as very easy to use.

Instructions 1. Open Photoshop. 2. On the “Window” tab, click “Actions”, once the window has opened you will see an arrow pointing right in the top right hand corner, click this then click “Load Actions”. 3. In the end you just have to choose your action and click the play button. 4. You are done! This actions will work in photoshop all latest version like CS5,CS5.5,CS6,CC2014+

CM 1527682 - Lush Greens Wedding Presets

Deep rich, modern, Greens and beautiful skin tones for an overall modern look. The slight desaturations provides soft tones and a bump in contrast deepens the over feel of the image. This preset works best on outdoor areas when you want to boost your greens. This is part of my LAVISH Collection. Each Preset has been hand made to give you a consistent set of presets in the same tonal family to edit an entire wedding. Unlike other collections these presets were made to be shown on imagery side by side. You will be able to add a variety of feels to your images while still having a flow in your clients wedding images. The LAVISH Collection will give your wedding photography a unique style all your own as you can fully customize each Preset/ACR with the Tool Kits for Both Lightroom & Photoshop.

LAVISH - TOOL KIT FOR LIGHTROOM & PHOTOSHOP:

• 50 Lightroom Tool Kit Stackable Presets used on top of your LAVISH Preset

• 40 Photoshop ACR Tool Kit Presets used to further adjust you LAVISH Preset

Presets to Fully adjust and customize your presets, remove JPG contrast if you shoot in JPG, lens profile corrections that fix lens problems as distortion, chromatic aberration, vignetting and perspective correction non-destructively. You may need to adjust your presets according to your taste, lighting, and shooting style. I have included 50 adjustment presets for Lightroom & 40 adjustment presets for Photoshop Camera Raw. These can be applied on top of any of your LAVISH Presets to help you fine tune your outcome. There is a (reset) or -RESET- Preset for each adjustment preset to help you go a step back incase you want to remove your last adjustment.

INSTRUCTIONS & USAGE

• 12 Page PDF to help you use/install/adjust your LAVISH Collection of Presets in Both Lightroom & Photoshop

• Written instructions for Lightroom/Photoshop

COMPATIBILTY:

For Use in Both Lightroom & Camera Raw 4, 5, 6 and CC. Can be used on both Windows and Mac operating systems. Best Results from use on RAW images but will also provide good results on JPG images.

Unique seamless ornament pattern with transparent background

Perfect for products such as,

• Wallpapers

• Textiles

• Personal projects

• Gift wrapping

• Invitation cards

• Stationary products

• Packaging

• Accessories

• And more

Download includes:

• 1 PSD file where you can choose the background color, 4000 x 4000 px, 300 dpi

• 1 PNG file with transparent background, 4000 x 4000 px, 300 dpi

• 8 JPG files with my favorite background colors, 4000 x 4000 px, 300 dpi

• 1 pattern file (.pat) 4000 x 4000 px, 300 dpi for Photoshop

• BONUS! Jpg file and a texture in 4000 x 4000 px, 300 dpi

CM 1527667 - Malifisenta

Malifisenta - a new fresh handmade calligraphy font. Very suitable for greeting cards, branding materials, business cards, quotes, posters, and more! This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more :)

CM 1446498 - Lebakre Font Duo

Lebakre font duo, a double clean bold and monoline script plus and a casual sans serif typeface that never get any wrong for your vintage branding, logo, adventure, fashion things, hipster generator, quotes, posters, and many more. Lebakre Script - A monoline round script with various style with implementation of hand lettering things. Uppercase, Lowercase, Numbers and Puncts, Stylistic Alternates, and Ligature are available in this type. So many variation and possibilities for your design projects. Lebakre Sans - A round bold sans serif font to make a good pairs for Lebakre Script. its an All Caps style, the lowercase are a lil' bit smaller than the uppercase, bring another vibe to your design by combining them for the various style.

CM 1501952 - Marsha Typeface

Marsha Script is a handwriting script font which good looks, trendy and charmed feeling. Create with concern and add your project with jazzy feeling too. Marsha Script is just what you've been looking for! Use Marsha Script on all of your projects to give delicacy and sophisticated taste. In particular would look great on, branding projects, logos, product packaging, posters, invitations, greeting cards, titles, blogs, everything that includes particular charm and you name it. ;) Marsha Script lettering script comes with upper and lowercase characters, punctuation glyphs, numerals and a TTF of web font.Feel free to use it for commercial/ extended license purposes. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop, Corel Draw X version, and Microsoft Word. And this Font has given PUA unicode (specially coded fonts). So that all the alternate characters can easily be accessed in full by a craftsman or designer. Thanks for looking and we look forward to you take pleasure in it as much as we did creating it!

https://www.stormtype.com/families/preissig-antikva/

This vintage, iconic typeface of original Czech letter-founding has been faithfully revised, extended and newly rendered in 2012. The majority of Vojt?ch Preissig’s type faces have been, from their very creation, subject to controversial evaluations which might perhaps fill more pages than have been set in these type faces so far. The considerable technological backwardness of Czech typography between the world wars intensified the author's creative effort even more. He had been devoting thought to his Antikva type face from 1912 onwards and dozens of hardly perceptible nuances of the same design have been preserved in his drawings. It was his only book type face, but it shows no signs of any hard struggle in creating it. Its extraordinary vividness and elegance are really surprising. It may be still indebted to the forms of Art Nouveau, which was withering away at that time, but its proportions, colour and expression inspire other Czech type designers. Preissig’s Antikva, Menhart’s Figural (and also R??i?ka’s Fairfield) and Týfa’s Antikva represent a clear line of development, very far away from the soft aesthetics of Tusar, Dyrynk or Brunner. The co-author of the modification for computer composition is Otakar Karlas. Without his experience the work would remain only a shadow of Preissig’s design. Our aim was to produce a large family of type faces for the setting of both books and jobbing works. The digital transcription of Preissig’s Antikva came into existence from summer till winter 1998. The direct model for this type face is the most successful, two-cicero (24 pt.) design dating from 1925. The designs of other sizes (12 pt., 14 pt., 16 pt. and then 36 pt. and 49 pt.) lack vividness and are the source of the widespread mistaken belief that Preissig’s Antikva consists of straight lines. That is, unfortunately, how even Muzika and Menhart describe it. Neither is it a Cubist type face as many of the semi-educated think today. Special attention had to be paid to italics. It is apparent that their design is not as perfect as that of Preissig’s Antikva. In contradistinction to the original we have deleted almost all lower serifs in the lower-case letters, enlarged the angle of inclination and completely redesigned the letters a, e, g, s, k, x, ... All crotches have been lightened by marked incisions. In other words, none of the italic letters corresponds to Preissig’s model. The signs which were missing have been supplemented with regard to the overall character of the alphabet. Preissig did not deal with bold designs, but the crystal-clear logic of his “chopping-off” of the round strokes enabled us to complete the type face family without any greater doubts. An excessively fragile type face, however, cannot be used for setting in smaller sizes; that is why we have prepared a separate family of text designs which has shortened ascenders, normal accents, slightly thickened strokes, and is, in general, optically more quiet and robust. We recommend it for sizes under 12 points. By contrast, the elegance of the basic design will be appreciated most in the sizes used for headlines and posters. Preissig’s Antikva is suitable not only for art books and festive prints, but also for poetry and shorter texts.

https://www.stormtype.com/families/plagwitz/

Plagwitz is the name of the part of Leipzig where the Werkstätten and Museum für Buchkunst are to be found, which, in September 2000, hosted the ATypI Congress. During the lecture on Black Letter type faces, a lovely quotation from Bismarck could be heard: ?I never read German books set in Roman type.? These circumstances gave me the idea that it would be nice to create some distinctive Black Letter type face. The best Black Letter type faces we know date from the Gothic period, when books were copied by hand, with the use of a bevelled quill. Our alphabet still takes into account Neo-Classical influences when decorative ascenders of upper case letters were added. In 19th-century typography, such Black Letter type faces were frequently complemented with Didot-type Roman faces and steel-engraver’s scripts. I, too, would recommend to combine Plagwitz-Gotisch with type faces like, for example, Hercules, Genre, Excelsor Script and Splendid Quartett.

CM 1527045 - 50 Retouching Pro LR Preset

This lightroom pack is very creative & professional lightroom pack. Every preset work properly. No destroy preset included in the pack. This preset work with any photos. Item Features This lightroom preset pack will work in Lightroom version 4.0, Lightroom 4.2, Lightroom 4.3, Lightroom 4.4, Lightroom 5, Lightroom 5.5 and CC version. This preset is very clean & professional retouching with editable. Smart adjustments & professional results. – Supported file formats: DNG, TIFF, and JPEG formats (in other words, the formats primarily used in digital cameras).

• One Click to Apply Effects On Your Photo

• Clean preset, Smart work

• Easy to use/ No destruction effects

• Save Your Precious Time And Money

• High-Quality Retouching Preset

CM 1500086 - Isolated Food Items Vol.1

Contain PSD and PNG files with: slice of bread, baked rolls, round and square bun, baguette, rustic bread, donuts in different colors, flour, dough, corn flour, yeast, salt, pasta bowls, spaghetti, wide noodles, apple pastry, hot dog puff, cheese pastry, pizza pastry, pretzel, croissant, etc. All images are with a transparent background, converted to smart objects, with transparent shadow on a separate layer (top view). Is all you need to create beautiful presentations, hero images, headers, flyers, banners, mockups, great for blogs and websites, restaurant and food identity. Present your projects in an interesting and attractive way to your clients. Check other volumes for more food items.

7 PSD files:

• Size 3000x2000px 300ppi

• Contain isolated food images on categories

• Each PSD is Layered and Grouped

• Each Group contain the food image and the shadow both converted to Smart Object and linked together

• Smart objects are resized down at 50%, so you can scale up to x2 of objects size

• The Shadow is transparent so you can place it on any background and you can also hide it or reduce opacity to fit your design

• Adobe Photoshop CS2 or Higher

73 PNG Files:

• Saved at 300ppi with transparent background and no shadow

• Each PNG is named just like in PSD and saved in a group with the same name like the PSD file

CM 1523216 - Lens Flares Procreate Brushes

IMPORTANT: These brushes are compatible only with the iOS app Procreate for iPad. They won't work in Photoshop or other digital drawing/editing softwares!

A set of 20 handmade lens flares & lights effects brushes for Procreate. They work great for space/sci-fi digital art, or for adding special lights effects to your artworks. Don't hesitate to test blending modes & colors to get interesting results! These brushes can also be combined for custom lighting effects. Most of them are stamp brushes (indicated in each brush name); which means they are meant to be used by just "stamping"/placing one brush at a time where you want (not by dragging the stylus like when using a painting brush, for example). Others, like starfield brushes, can be used like regular brushes.

You will receive a ZIP containing the 20 brushes files, in .brush format. The set includes:

• 10 Lens flares stamp brushes

• 4 Diffraction spikes stamp brushes

• 3 Starfield brushes

• 3 Lights brushes

• Also included a JPG sheet with a quick tip of how these brushes can be used.

CM 1500525 - Annual Report

Exeelo – Annual Report are 28 Pages,both of A4 and Letter size. Clean Bold shapes, and cropped placeholder for photos.It has all the features you’d expect in a professional brochure template, from placeholders, to text styles, customizable infographics, and easy to edit master pages. Available in two different sizes A4 and US Letter.

FEATURES:

• Easy Customization and Editable

• A4 (8.2×11.7) and US Letter (8.5×11) Size with 3mm bleed

• 28 Complete pages

• Paragraph Style, Character style included

• Images, text, Objects are Different Layers

• Design in 300 DPI Resolution

• Indesign files

• Images and Mockups not in the zip file

• Working file adobe cc

• Adobe Indesign CC,CS6,CS5,CS4 or Earlier software version supported

CM 1501943 - Coffee Mug Mockup Bundle

This listing is for 11 mockup photos. Show off your mug designs with these pretty and easy-to-use photos. You will receive 11 high resolution photos each at 4000 x 4000 pixels. All 11 photos are zipped together. About Prospect Photos: As a busy lady with a 9-5 desk job, I often come home too tired to work on my side business. I didn't have much time left in the day to promote my projects on social media. So I began to look for content to use on Instagram and found beautiful images but they were way out of my budget. So I began to create my own photos and I fell in love with styling images. I want to help your business grow with affordable and easy-to-use images.

https://www.optimo.ch/typefaces_Apax.html

This new typeface by François Rappo explores the visual grammar of constructivism through a modernist lense. Thanks to a rigorous and systematic design, Apax reveals a strong constructivist identity. Its geometric architecture develops radical shapes through many distinctive letters. Still, this uncompromising approach is combined with the tradition of modern grotesques based on functionalism. Therefore Apax is drawn with the unique optical balance that characterizes François Rappo’s typefaces. The fluidity of the typesetting surface allows Apax to be used in a wide range of contexts, from body text to visual identities. Each style proposes alternate glyphs that allow to adapt the typeface to its application context. The family is designed with an optimized contrast gradient available in six styles and their matching italics.

https://commercialtype.com/catalog/styrene/

Styrene, a new sans serif by Berton Hasebe, is his latest exploration of proportion and simplicity in type design. The initial inspiration for the family was a charmingly awkward sans serif called Breede Schreeflooze shown in an early 20th century type specimen published by the Enschedé Typefoundry in the Netherlands. However, Styrene has an ahistorical attitude. Its name was inspired by the purposefully synthetic feeling to its curves and geometry. Styrene is characterized by its proportions: typically narrow characters like f j r and t are hyperextended and flattened, adding openness in unexpected places. Styrene’s two widths offer different textures in text: version A is dogmatically geometric, with a stronger overall personality, while version B is narrower for more reasonable copyfit, though not truly condensed.

https://commercialtype.com/catalog/chiswick_serif/chiswick_headline

Chiswick follows the path taken by John Baskerville (1706–1775) in taking the handmade letter and fixing it in type. The single surviving example of Baskerville’s lettering, cut in the 1730s, shows the vernacular letter that would be the model for his later adventure in printing. As a modern serif design, Chiswick has high contrast between thick and thin, yet its freewheeling shapes make it quite distinct from other members of the genre, such as Didot, Bodoni or a Scotch Roman. At the same time, its crisp contrast makes it different from a transitional design such as Baskerville or the types cut by Richard Austin for John Bell, which are more formal in style. Chiswick Headline is designed for situations where Chiswick Poster is too delicate and Chiswick Deck too heavy in its thins and serifs; perfect for sizes from 30 point to 60 point.

http://www.fontsmith.com/fonts/fs-millbank

When designer Stuart de Rozario surveyed the fonts used in signage on London’s public transport systems, he reached a dead end. They seemed staid, sterile, lacking in personality, and ill-suited to use by modern brands. He was pointed in another direction entirely. ‘The driving force behind my thoughts was to design something more current and fresh without compromising legibility and clarity. A font with both personality and function, that’s versatile and large and small sizes, and effortless to read, but which also says something new.’