CM 1642686 - Magazine Template 20

• Designed with Smart Objects

• CMYK Color Profile

• 300DPI / Print Ready

• Size: 8.5"x11"

CM 1583183 - Hi Sunshine | Script Font

Hi Sunshine is cute and can be used on cards, posters, merchandise, book covers, websites, packaging, and basically anywhere you like. The overall feel of the font is simple and warm, elegant and informal and it is perfect if you want to convey a sense of friendliness and style.

http://www.myfonts.com/fonts/tb-atf/alt-gothic-atf/

ATF Alternate Gothic is a new, significant digital expansion of Morris Fuller Benton’s classic 1903 type design. Originally available in one bold weight, the metal typeface came in three slightly different widths for flexibility in copy-fitting layouts. ATF Alternate Gothic has impact at any size. Its letterforms are instantly familiar: Benton’s original metal type family was used throughout the 20th century in newspapers, magazines, and advertising, providing “strong and effective display” in a compact space. Monotype issued its own metal version for machine typesetting, and Alternate Gothic likely served as inspiration for Linotype’s ubiquitous Trade Gothic® Bold and Bold Condensed. ATF Alternate Gothic expands on the characteristics that perhaps made Trade Gothic so popular, providing a wider range of weights and widths to address the needs of today’s designers and technologies. The space-saving clarity of ATF Alternate Gothic brings readability to the world of advertising typefaces. With its finely graded range of ten weights, with four widths of each weight (40 fonts total), this extensive type family can be used to pack a lot into a narrow space, and the range makes it easy to create variations of an advertisement or announcement for different formats and media. The tall x-height and narrow proportions, combined with a relatively low waist and springy, tension-filled forms, make ATF Alternate Gothic strong and effective in display. All ten weights have been carefully spaced for readability, caps and lowercase work well together, while attention-grabbing all-caps settings are clear and never crowded, no matter how narrow.

http://www.fontsmith.com/fonts/fs-joey

FS Joey was the offspring of a project with Rudd Studio to develop a logotype for an online streaming TV service, in 2008. While under wraps, the secret project was code-named Kangaroo. The logotype led to a second project, to design a corporate typeface for the service. It was the first big project Fernando Mello had worked on with Jason Smith. “Like any designer who just joined a team, I was very excited about it, drawing and sketching lots of ideas. I remember Jason and I experimenting with lots of possibilities, for both the logo and the typeface.”  

http://www.fontsmith.com/fonts/fs-jack

It was a forensic examination by Jason Smith of his existing designs that laid the groundwork for FS Jack. Jason made a list of unique characteristics that would give the sans serif font its typographic thumbprint, which included an unusually large x-height and slightly off-the-wall letters like the lower-case “a”, “g”, “k” and “y”. “I wanted to make something that was slightly uncomfortable,” says Jason, “and in doing so simplify the quirkiness down to a few letters.” Fernando Mello did “the rest of the cooking”, filling the design out and making the additional weights. 

http://www.fontsmith.com/fonts/fs-kitty

FS Kitty is the type equivalent of Bagpuss: plump, cute, cuddly and not fond of exercise. So don’t go giving it a run-out on body copy; FS Kitty is an all-caps font made for showing off in posters and headlines, and on products, point-of sale and especially sweets.

http://www.fontsmith.com/fonts/fs-maja

Fontsmith received a brief to develop a font that would form part of the broadcast identity for the UK’s first digital Freeview channel – E4. It needed to work seamlessly in text and display, both in print and on-screen, and please the eye of the target audience, 18-34-year-olds. So, young, fresh and informal.

http://www.fontsmith.com/fonts/fs-matthew

For not the first time, Fontsmith was commissioned to develop a font for one of the UK’s terrestrial TV channels. The product was a clearly-defined three-weight family. When italics were added, it became FS Matthew, a clean, stylish, structured sans serif with swooping, open curves and a bright, lively personality.

CM 1624368 - Creative Landscape Construction Kit

This product was made specially for graphic designers, illustrators and digital artists or for those who wants to join one of this categories! Creating a vector landscape is a complex, time-consuming and resource-intensive process that requires designing and illustrating of many different elements and details. We offer you an excellent set of natural objects stylized in the tradition of modern vector graphics, using which any person with an initial skill in working with vector graphics can create beautiful landscapes for his creative and / or commercial projects. This collection was made as a result of creating of many landscape illustrations; but some of elements were created special for Creative Market customers.

Here you can find more than 250 objects:

• Summer trees;

• Plants and flowers;

• Rural buildings;

• Stones;

• Environment elements;

• Land pathes;

• Different useful stuff;

• Brushes for Illustrator.

CM 1641429 - Rose Gold 9 Grid Instagram Bundle

There are 19 square JPEG styled stock photos sized at 1200 x 1200 px, 3 quote graphics both PNG & PSD format, 1 Mood Board Template and 1 other graphic template to use with your own product photo or selfie. I've included PSD templates in the zip file in case if you want to tweak the color palette or change out any of the text, you can! There's also a Visual Guide Board, a 9 Grid Story Prompt List, and a handy How To Use Guide in case you need a bit more direction!

CM 1625598 - Watercolor Ribbons Bundle

The watercolor ribbons bundle contains all my collections of banners packed together! They would be great for adding a watercolor pastel touch on any of your project such as website, cards, wedding invites...

The archive contains:

• 8 collections of 12 watercolors banners

• Each clipart is saved as a PNG with a transparent background at 300dpi and 12"x12"

CM 1624810 - Wall Calendar 2018

• Week starts Monday, size A3

• Week starts Sunday, size Tabloid

• 12 months + cover + 2018/2019 calendar poster

• Layers, Swatches, Paragraph Styles

• You can place your logo, contact information and your amazing photos

• CMYK Colors

• Free font used: Roboto https://www.fontsquirrel.com/fonts/roboto Roboto Slab https://www.fontsquirrel.com/fonts/roboto-slab

• File Formats: INDD CC, IDML (CS4+), PDF Preview

CM 1624566 - Penny Skateboard Wheels Mockup Set

• files works only in Photoshop (min. PS CS4);

• pack includes 2 .psd files, 2 different views, file specs: 1800x2500 px 300dpi;

• changeable colors and design (via smart objects);

• backgrounds: custom, neutral and white (check preview);

• Amazon ready: white background is always included;

• well organized layers as in all of other Creatsy mockups.

CM 1625641 - Vintage Typewriter Set

Set of vector patterns and brushes for Adobe Illustrator. You get:

• 7 patterns of vintage typewriters for Adobe Illustrator (ai);

• 7 files with rapports (ai; jpg);

• 6 files in format ai (Adobe Illustrator CC) with scatter and pattern brushes of vintage typewriters; The patterns and brushes is for personal ou comercial use.

CM 1625400 - Vector Marble Patterns

All colors are editable. Total files you receive: 18 files

• 2 vector files containing all elements (AI, EPS10)

• 16 JPEG images of all patterns (hi-res, 8333x8333)

How to use: Vector marble patterns can be used for wallpaper, pattern fills, surface textures, holiday gifts, scrapbooking, label stickers, gift wrap, packaging, clothes, print on fabrics and so much more...

CM 1603355 - Hand Draw Flowers

Hand Draw Vector Flowers - floral handmade cliparts. - Ideal for branding, logos, invitations, wedding invitations, handmade craft items, scrap booking, printed paper items and more.

• eps file

• 49 x png file (separate flowers, compositions)

• 300 dpi

• size: 8" x 6", 3" x 3"

CM 1642683 - Magazine Template 19

• Designed with Smart Objects

• CMYK Color Profile

• 300DPI / Print Ready

• Size: 8.5"x11"

CM 1642682 - Magazine Template 18

• Designed with Smart Objects

• CMYK Color Profile

• 300DPI / Print Ready

• Size: 8.5"x11"

https://www.myfonts.com/fonts/posterizer-kg/workshop-brush/

WORKSHOP Brush is one more of three WORKSHOP handwritten fonts, created to imitate a manuscript written with brush. You can use the alternates and ligatures to give your design a realistic, hand painted look. If you find a single repeating glyph, you can change that by toggling between Stylistic Alternates. There are Cyrillic glyphs and few Stains in the same style. WORKSHOP Brush is the perfect choice for those who prefer more expressive typography.

CM 1641695 - Chester Sans - Type Family

Chester Sans is San serif typeface designed in a week's challenge that i put myself on. I wanted to design a simple font that can be used for everything text based such as annual reports, books, menus etc. Multilingual support: Russian, Latin, Central European etc.

CM 1624765 - NEW! Young & Wild Brush Font

Hello! I want to introduce to you my new font Young & Wild. Fonts are provided in TTF & OTF and WEB formats. 

- Young & Wild - clean version of the font;

- Young & Wild Brush - very textural brush version of the font;

- Young & Wild Extras - arrow, a variety of strokes, conversational clouds, flowers and many other elements for your design.

CM 1625444 - Road Trip a Adventurous Font

This font is perfect to add to any project.

http://www.fontsmith.com/fonts/fs-rufus

FS Rufus is an outgoing, likable sort of font with an eccentric streak. Wide letterforms and curious ink-traps make for an engaging personality, and a set of discretionary ligatures make FS Rufus irresistible to designers wanting to play. Not a small set, either: there are some 80 different options available.

http://www.fontsmith.com/fonts/fs-rome

The original template for this one-weight, all-caps font was the inscription on Trajan’s Column, carved in AD 113 to celebrate the emperor Trajan’s victory in the Dacian Wars. College student Jason Smith copied the stone lettering from the cast on display in London’s Victoria & Albert Museum. In Roman times, the signmaker would paint letters onto stone with a wide brush for the stone mason to chisel out later. The signwriter would end each stroke with a flick of his brush, which the mason would also carve into the stone. Ecce (as they would have said in Rome): the serif was born.