https://typofonderie.com/fonts/retiro-family/

Retiro is a daring interpretation of Spanish typography. Severe, austere and yet, full of life, Retiro is a vernacular version of Castilian and Andalusian in a typical Didot. Named after a lovely park in Madrid, Retiro started life as a a bespoke typeface designed to give a unique voice to the magazine Madriz. In 2006, the founder of Madriz was looking for a Didot for his new magazine. The Didot is the archetypal typeface used in high-end magazines. Retiro, based on Ambroise is a synthesis of these high contrast styles mixed with an Hispanic mind. Result is then, after 2-3 years of work, a typeface with countless variations – Retiro in 2009 included 470 glyphs – to establish typographic shades adapted to different sections and pages of the Madriz.

https://www.myfonts.com/fonts/linotype/avenir-next-pro/

Avenir Next Pro is a new take on a classic face—it’s the result of a project whose goal was to take a beautifully designed sans and update it so that its technical standards surpass the status quo, leaving us with a truly superior sans family. This family is not only an update though, in fact it is the expansion of the original concept that takes the Avenir Next design to the next level. In addition to the standard styles ranging from ultra light to heavy, this 32-font collection offers condensed faces that rival any other sans on the market in on and off—screen readability at any size alongside heavy weights that would make excellent display faces in their own right and have the ability to pair well with so many contemporary serif body types. Overall, the family’s design is clean, straightforward and works brilliantly for blocks of copy and headlines alike. Akira Kobayashi worked alongside Avenir’s esteemed creator Adrian Frutiger to bring Avenir Next Pro to life. It was Akira’s ability to bring his own finesse and ideas for expansion into the project while remaining true to Frutiger’s original intent, that makes this not just a modern typeface, but one ahead of its time.

CM - Handwritten Font Pack & Extras 1681441

As a launching promotion (till 1 August) you can buy Handwritten Font Pack & Extras for the incredible price of just $18 (normal price $22). So hurry up and grab this ultimate handwritten pack and start designing that cool stuff you always wanted :) Handwritten Font Pack & Extras is a unique pack that contains 13 Fonts grouped in 8 Font Families, 6 Super Cute Logos and a Big Pack of Doodles. All the fonts are coming in OTF, TTF and WOFF format, so you don’t have to worry for not having the right format for your next design project. Both the 6 Premade Logos (Fully Editable) and the Big Pack of Hand Drawn Doodles are in PSD and AI vector format (Stroke version included – for Doodles pack).

CM - New! ExoticTaste Script Font 1682085

Introducing New! Exoic Taste Script Font. Every detail is natural and exotic. Carefully made. You can create your own designs with the fluff and natural texture. It's the perfect choice for personal branding projects, handwritten quotes, homeware designs, product packaging - or simply as a modern & stylish text overlay to any background image. If you are a social media geek, you are getting the right file. Because you will get boost your blog or page with this font. You can choose from a wide variety of designs, from greeting card designs, poster / flyer designs, apparel / t-shirt designs to web designs.

CM - Camelone Typeface 1684026

Can be used for various purposes namely headings, logos, wedding invitations, t-shirts, letterheads, signages, labels, news, posters, badges etc.

https://lettersfromsweden.se

With the aim to be the leader in sustainable transport, Scania builds its business while creating value for customers, employees and society. Delivering customised heavy trucks, buses, engines and services, focus is always on efficient, low-carbon solutions that enhance customer profitability. With design direction by Brand Union Stockholm we have developed a wide type family with 8 styles and updated the classic word mark.

CM - BUNDLE Microsoft SurfaceBook MockUp 1660175

Professional premade scenes, great for your web design showcase, product, presentations, advertising and much more.

• Realistic Looking Template Files.

• Smart Objects.

• High Resolution.

• Photoshop Version: CS5 or Higher.

• Organized Layers

• Print quality 3000x2000

• Professional Perspectives, Reflections, Clean Look.

• Reflections and Shadow on Separated Layers.

• Well organized layers and folders.

• Fully layered, Easy to use.

• Help file included + video tutorial.

CM - Trend Color S/S'18 Indigo Alchemy 1682282

Color Trend images and pantone colors for Spring/Summer 2018. Everything you need to create your own trend board, mood board or other presentation or product.

• 85 - Creative Commons CC0 Images - average size approximately 1200px x 1900px

• 4 - Pantone Color Palettes (CMYK - Coated)

• 4 - CMYK (Pantone Color Bridge) .aco files for each color palette

CM - Watercolor Robots Party 1603067

Watercolor Hand painted collection of cute robots of girls, boys, birds, flowers, clouds for kid's decor. You can use Robots Collection for children's interiors, scrapbooking, party invitation cards, photo albums, banners, business cards, posters, websites also like wallpaper, wrapping paper, cloth design, as a festive decoration and for your other designs. All parts of this set were watercolor hand painted and then carefully digitized. All PNG files have a transparent background. Each illustration is saved separately? in it's own PNG.

Here’s what you get:

•  44 robots and elements PNG(300dpi) files with transparent background.

•  11 cute wreaths PNG(300dpi) files with transparent background.

•  12 seamless pattern JPG(300dpi) files 3600x3600px

•  12 seamless pattern PNG(300dpi) files with transparent background 3600x3600px

•  7 seamless borders PNG(300dpi) files with transparent background, width 3600px

CM - Spider Webs Photoshop Action 1683840

High detailed Spider Webs Actions. Great Work with any image. Support 300 DPI. So you can use it in small or large picture. This action transforms your photos into professional looking Spider web. You have lots of layer control to adjust your results. The action has been tested and working on Photoshop CS3,CS4,CS5,CS6,CC, the action will only work on "English versions" of Photoshop. I highly recommend you use this action on high resolution photos for the best results. For the best results, it is recommended to use high resolution photos in the range of 1500px – 3500px. The optimal range is from 2000px – 3500px. The detail and clarity in the effects generated by the actions reduce the smaller your photo is, and the images in this preview are not included. 

• The market of your actions for your photo/works this are the best for you.

• Easy to use.

• The Real and the best effects for your photos/works.

• With the best quality.

• Support 300 DPI image

• compatible for PS CC 2017

CM - Monthly Planner 2018 (MP14) 1683390

• 12 pages

• Portrait and landscape orientation

• Week starts Monday (Size A4)

• Week starts Sunday (Size Letter)

• CMYK colors

• Print ready

• Fully editable

• Layers, swatches, paragraph styles

• Free fonts used

CM - 10x20 Photo Collage Template Pack 1683891

Use these 10x20 Photo Collage Templates to showcase your work and make fun, dynamic Wall Art for yourself or your clients. Great for designing storyboards or vision boards. Help your business grow and utilize these templates for marketing tools. The possibilities are endless, for any digital application. Templates are created with individual clipping masks and labeled layers to be fully customizable to fit your needs! Can be used Horizontal or Vertical. Works with Photoshop, Photoshop Elements and Illustrator!

CM - Instagram Social Media Bundle 1683408

The product includes 10 hand lettered inspirational words designed natively for Instagram. However, you can also use the design on your Twitter, LinkedIn, Blog, Facebook etc. The files are set for easy changes! Each of template is easy to edit and customise, all you have to do is replace background colour or images it Smart Objects and Colour overlay. Or you can hide and show different layers to get the combination you like. That’s it! So easy! With 120 exported high resolution jpeg files ready to post for you, you can now enjoy a bit of relaxing time without worrying what to post on Instagram! As we all know, continues posting on Instagram is the key! This set would be a great match for your personal or commercial needs: perfect for bloggers, fashion and retail brands, magazines and so much more!

Contents:

• 120 Jpegs

• 1 PSD file includes all hand letters and layout design

Features:

• Resolution 2400 x 2400 px

• 72dpi

• RGB color mode

• Smart layers

• Smart objects

• Neatly organised layers

• Easy customisation

CM - Ayka Keynote Template 1684027

• 50+ Creative Slide

• Screen Ratio 16:9 - FULL HD

• Easy to customise

• Modern layouts based on Master Slide

• Drag n Drop Object Placeholder

• All Object are Vector and smart object

• Fully and Easy editable content

• Key and Key '09 File

• Used Free Font

• Stock Photos Not included

CM - Tennis Ball Patent 1659769

Retro Vector Tennis Ball Patent - great for creating flyers, posters, illustrations or products. You can use this licence to create your own works.

CM - Grungy Frames Brushes 1683067

A collection of 6 assorted Photoshop brushes and PNG digital stamps. Black PNG files are 300 dpi.

https://www.fontstore.com/font/hongkong/styles

HongKong is a large, futuristic-style sans serif family. The letters have straight-sides – even ‘e’ and ‘o’, for example – and the whole typeface has a rather minimalistic design. Many typical sans serif features have been reduced somewhat. Quite a few lowercase letters are spurless. The ‘a’ still has a double-storey structure, but it is without the final spur on its bottom right. Other features of the fonts include a rounded-top ‘A’ and a single-story ‘g’. HongKong includes 14 fonts. These are seven different weights, each with a companion italic. The italics are obliques. Like the upright fonts, all of their letterforms are drawn with monolinear strokes. Each font includes alternate, even more-rounded versions of the letters ‘M’, ‘N’, ‘V’, ‘W’, ‘X’, ‘Y’, ‘Z’, ‘v’, ‘w’, ‘x’, ‘y’, and ‘z’ … plus all of the diacritic characters based on these. HongKong’s lowercase letters have a very tall x-height, and their ascenders rise above caps just a little bit. The family’s lighter weights feel nice and loose in text, while the heavier weights are spaced more tightly. HongKong is a great font for the tech industry, but could also be put to good use to advertise music or art.

https://www.fontstore.com/font/screen-sans/styles

Screen Sans is a large family of constructed-style sans serif fonts. These fonts feature forms that look like those that have been favored by engineers for over a century. Their letters are straight-sided, and the strokes that make them up are monolinear. The Screen Sans family includes 14 members. Seven of these fonts are italics, although these italic fonts should really be called ‘obliques,’ as the letters are slanted versions of what you’ll find in the upright fonts. The family’s weights range from Extralight through Extrabold. The x-height is moderate, so the ascenders and the descenders are quite prominent. The ascenders rise above the capital letters and the numerals – both of which share the same height. Each font uses a double-storey ‘a’ and single-storey ‘g’. Years ago, fonts like Screen Sans were primarily used to brand firms in engineering and tech. Recently, however, they have become increasingly popular solutions for setting text on screen. The Regular weight of this family would be excellent for setting body copy either on screen or in print. The other weights can be used for text sizes, too, but will function even better when used large. Screen Sans was designed by Jérémie Hornus and Ilya Naumoff.

https://www.fontstore.com/font/pally/styles

Pally is a highly-informal sans serif design. Its three weights were designed by Jean-Baptiste Morizot. Pally’s letterforms are all a bit wobbly; the angles of many letters’ strokes are atypical – just look at the capital ‘A’ – and the left and right-hand-sides of many letters are not the same size or height (e.g., the lowercase ‘a’ and ‘n’). As a result, Pally has a lot more character than most sans serif typefaces. It could be an excellent choice for headlines or signage in children’s services projects, like family centers, pediatricians’ offices, primary schools, etc. Once you begin to understand the different rhythm that Pally offers, its underlying typographic sophistication becomes clear. The ascenders of the lowercase letters, rise above the heights of capital letters and numerals. The lowercase alphabet includes a double-storey ‘a’, a single-storey ‘g’, and a Jensonian ‘e’, with a diagonal stroke in its middle-section. Each Pally weight has been drawn in a more-or-less monolinear fashion. In the fonts’ extended character sets, there is plenty of space between each letter and diacritics that come on top of it.

https://www.fontstore.com/font/bespoke-sans/styles

Bespoke Sans is family of humanist sans serif fonts. They feature large, open counterforms, which hep maximise the typeface’s legibility in text. The family includes five weights, ranging from Light through Bold. Each weight has an upright and an italic font on offer. The tops of the Bespoke Sans’s lowercase ascenders all end in diagonal shears. This kind of diagonal stroke-ending is visible throughout the typeface’s design. It acts as a subtle reference to the kind of broad-pen that could be used to write Bespoke Sans’s letterforms out. The lowercase ‘a’ and ‘g’ in the five upright fonts are double-storied. In the italic fonts, these become single-storied. The fonts’ numerals are proportionally-spaced oldstyle figures, which harmonise especially well with the lowercase letters. Bespoke Sans is an excellent choice for use in branding, corporate communication, editorial design, and even in signage and wayfinding systems. It gets a text’s message across quickly – no matter if the text is long or short – without sacrificing its own unique and inherent voice.

https://www.fontstore.com/font/bespoke-slab/styles

Bespoke Slab is family of humanist slab serif fonts. They feature large, open counterforms, which hep maximise the typeface’s legibility in text. The family includes five weights, ranging from Light through Bold. Each weight has an upright and an italic font on offer. The tops of the Bespoke Slab’s lowercase ascenders all end in diagonal shears. This kind of diagonal stroke-ending is visible throughout the typeface’s design. It acts as a subtle reference to the kind of broad-pen that could be used to write Bespoke Slab’s letterforms out. The lowercase ‘a’ and ‘g’ in the five upright fonts are double-storied. In the italic fonts, these become single-storied. The fonts’ numerals are proportionally-spaced oldstyle figures, which harmonise especially well with the lowercase letters. Bespoke Slab is an excellent choice for use in branding, corporate communication, editorial design, and even in signage and wayfinding systems. It gets a text’s message across quickly – no matter if the text is long or short – without sacrificing its own unique and inherent voice. The Bespoke Slab fonts are a real team effort; they were designed by Jérémie Hornus, Théo Guillard, Morgane Pambrun, Alisa Nowak, and Joachim Vu.

https://www.fontstore.com/font/author/styles

Author is a family of humanist sans serif fonts. They are optimised for use in modern publications – hence the the name ‘Author.’ Its letterforms are slightly expanded, which gives the counterforms inside of them enough space to breathe, thus increasing their legibility and helps with their on-screen rendering, too. Author’s family includes six weights, ranging from Extralight through Bold. Each weight has an upright and an italic font on offer. The uppercase letters are virtually monolinear in appearance; however, several of the lowercase letters have visible stroke contrast. The tops of Author’s strokes terminate in diagonal cuts; these are reminiscent of the broad-pen that would be used to write the humanist letterforms the typeface is based on. In Author’s upright fonts, the lowercase ‘a’ and ‘g’ are double-storied; there is a single-storey ‘g’ in the fonts as an OpenType alternate. In the italic fonts, the ‘a’ and the ‘g’ are both single-storied. The ascenders of Author’s lowercase letters a slightly taller than the tops of the capitals. The family’s fonts include both lining and oldstyle figures; in both versions, the ‘3’ has a flat top. Author comes from Satya Rajpurohit, the founder of Fontstore.

https://www.fontstore.com/font/bega/styles

Bega is a simplified sans serif typeface. Formal reduction plays a strong role in its design. This is most visible in its ‘spurlessness.’ The visible strokes (or spurs) have been eliminated from the letterforms that would typically feature them. The lack of spurs in Bega is most-clearly visible when you look at the top-left corners of letters like ‘m’, ‘n’, and ‘r’. The Bega family includes eight weights, which range from Thin through Black. Each weight has two fonts on offer: An upright font, and an italic. Bega’s italics are obliques; their letterforms are slanted. The strokes of Bega’s letterforms all appear to be monolinear; that doesn’t mean that Bega is without contrast, however. Thanks to the family’s large number of weights – eight really is a lot – you can combine two or more of them with each other to create headlines that exhibit quite a bit of contrast! Each of Bega’s fonts includes a full range of numerators and denominators, to use when typesetting fractions, etc. The font’s numerals are proportional lining figures; these have the same height as Bega’s uppercase letters. The lowercase letters’ ascenders are tall, and they rise up above the tops of the capital letters and numerals. Bega’s friendly look makes it an ideal choice for use in corporate communication design. The typeface was designed by Sabina Chipar? and Diana Ovezea.

https://www.fontstore.com/font/bianco-slab/styles

Bianco Slab is a family of 12 fonts, optimised for use in editorial design. Its broad character set includes a number helpful features for quality typesetting. The typeface also it has the right personality for use in branding. A slab serif, the fonts’ design is mostly monolinear. The family’s six weights range from Light to Black, and each weight has both upright and italic fonts on offer. In Bianco Slab’s upright fonts, the lowercase ‘a’ and ‘g’ are each double-storied; these become single-storied in the italics. The upright fonts contain alternate, singe-storied versions of the ‘a’ and ‘g’, as OpenType alternates; their character sets also include alternate, rounder versions of the ‘e’ and ‘y’. Bianco Slab’s lowercase letters have a tall x-height. The ascenders just peak up above the tops of the capital letters. Each of the Bianco Slab fonts include small caps and more than three-dozen ligatures. The fonts’ default numerals are proportionally-spaced oldstyle figures; there are also lining figures, and full ranges of numerators and denominators available for easier fractions-typesetting, too. The fonts’ numerator and denominator range include not just numbers, but also lowercase letters, punctuation marks, and even mathematical operators. Each Bianco Slab font also include ten directional-arrow glyphs. The Bianco Slab family was designed by Rafael Jordán Oliver.