https://www.myfonts.com/fonts/wiescherdesign/blitz-condensed/
A very glitzy Blitz! Blitz-Condensed is an addition to my normal Blitz family. Both are topheavy fonts and are meant to be used together. The font gets a special shine because of this effect. And it stays readable despite its special design.
https://www.myfonts.com/fonts/storm/regula/
Regula is a Baroque alphabet taken over from a historical model including the latter’s inaccuracies and uneven letter edges. It reminds one of the character of letterpress, but if we were to be consistent, the letters which repeat themselves should also differ from each other, which is not possible in the case of digital setting. It is named after the secular monastic order Regula Pragensis, in honour of the inspiration which emanates from every moment spent in the presence of the members of this order with a glass of some good beverage.
https://www.myfonts.com/fonts/wiescherdesign/rotor/
Rotor is a speedy font. In 1929 K. Sommer designed a typeface for Linotype called “Vulcan”. Some years later they republished the typeface and called it Dynamo.
https://www.myfonts.com/fonts/wiescherdesign/futura-classic/
FuturaClassic is a recut of Paul Renners original Futura. This version was what Mr. Renner wanted the Futura to look like. He had to change his very stringent design because the market wanted a more pleasing typeface. I think the original design is worth saving because it is much more typical and has a personal and distinguished touch. I have also designed Geometra Rounded with rounded endings that looks more interesting than your usual DIN type.
Agrandir Font Family
Agrandir is a contemporary serifless type family based on geometric yet humanized and imperfected shapes. The typeface consist of 42 fonts: 7 weights × 6 widths, from very thin and narrow to extremely black and oversizely wide. There’s a fairly good number of OpenType stylistic alternatives in Agrandir, which can be turned on individually or as style sets: Default (Mixed), Grotesk, Humanist and Geometric.
Greta Arabic Font Family
Greta Arabic is an unprecedented typeface family available in 39 styles, exploring new territories in Arabic type. It is a powerful toolbox capable of dealing with the most complex typographical situations in Arabic or Latin.
https://www.myfonts.com/fonts/paratype/school-book/
The typeface was designed at the Polygraphmash type design bureau in 1949-61 (project manager Elena Tsaregorodtseva). Based on Shkolnaya (‘School’) typeface, 1939 (project manager Evgeny Chernevsky), a version of Century Schoolbook of American Type Founders, 1915-1923 by Morris F.Benton. The low-contrast text typeface of the Ionic-Legibility group, it is designed expressly for schoolbooks and children books.
https://www.myfonts.com/fonts/paratype/din-condensed/
Designed at ParaType (ParaGraph) in 1997 by Tagir Safayev. Based on a condensed style of DIN type family (Linotype Staff designers). That is a group of sans serif faces made to conform to the German Industrial Standard. Based on geometric style, they vary in width but not in weight. Light style was added in 2014 by Manvel Schmavonyan.
https://www.youworkforthem.com/font/T6740/imbue/
Imbue is a new take on a condensed Didone. It's characters are elegant and memorable, and most importantly, capable of getting attention at large and small sizes. It was designed in the June/July 2016.
https://www.myfonts.com/fonts/paratype/ariergard/
Type family of three weights was designed by Oleg Karpinsky in 2000-2001 and licensed by ParaType. It’s characterized by sharp geometrical letterforms and includes antique Cyrillic letter shapes: N has a diagonal stroke, uppercase Ó and × are equilateral. Both lc ã and ò have ascenders. For use in advertising and display typography.
https://www.myfonts.com/fonts/paratype/ariergard-rondo/
AriergardRondo is supplemental to Ariergard by the same author. It differs with sharp geometrical letterforms and with circular shapes of round letters. The face includes antique Cyrillic letter shapes: N has diagonal stroke, uppercase Y and Ч are equilateral. Both lc г and т have ascenders. For use in advertising and display typography.
MAD Sans Font Family
MAD Sans is the blue collar workhorse of the MAD font family. It was built up from skeleton forms of found AutoCAD material, which became the structure of the Light weights. The family was then expanded with Regular and Bold weights with matching Italics using the Light weights as a framework for the expansion.
https://fontbundles.net/font-bundles-store/118385-mediteran
Asthoria Font Family
Asthoria is a bold sans serif family with solid clean, rough, trace and outline files. Asthoria is simple but significant and defined by its crisp edges and modern touches. It is designed for optimal legibility. An all-caps sans-serif, Asthoria makes a statement without making a scene.
Serafina Font
Serafina is a script font design published by Akufadhl.
Radcliffe Font Family
Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a "contemporary classic" typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs, vertical stress, and little contrast of Clarendon's, refined with a humanist touch and a calligraphic approach, obvious in the italics.
Lariess Font
Lariess is a contemporary hand-made brush type. It will give your design a stylish look and feel. Lariess was painted on paper and carefully digitized and optimized after to give the best results for your design.
Durbar Bangla Font Family
Durbar font is geometric display font. It has two styles. These are regular and italic. Which will be very much useful for the user and designer. The character set which includes support for Assamese, Bengali, Bishnupriya Manipuri, Garo, Kokborok, Meitei, and Mundari languages. Durbar is a set of Unicode fonts suitable for setting books, magazines, newspapers and any other material which can benefit from its.
Roadster Font
Roadster is a line style display typeface, it is a condensed uppercase font perfectly made for poster designs and headings.
https://www.myfonts.com/fonts/wiescherdesign/contra-slab/
https://www.myfonts.com/fonts/redrooster/hauser-script-rr/
Hauser Script is a freely drawn brush script typeface, which was designed in 1936 by George Hauser for Ludlow. Hauser took advantage of the slanting matrices of the Ludlow machine to create what is possibly the most informal of American brush scripts. Steve Jackaman of International TypeFounders, Inc. (ITF) digitally engineered the typeface in 1998. Hauser Script has a graceful, calligraphic look that brings class to any project at display and subhead sizes.
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