https://www.myfonts.com/fonts/wiescherdesign/moanin/
»Moanin« is closely related to my »Julienne«, it has the same (388) set of glyphs that is fit for all European languages. Plus normal and old style numbers and a full set of numerators and denominators. The family comes in seven weights from Thin to ExtraBold and of course all with matching italics.
https://fontbundles.net/geekmissy/56484-puckery-tart-a-tasty-lettering-font
I like almost all citrus, but I gotta be honest — lemons are by far my favorite. After wanting one for over 20 years, I recently got my very own lemon tree, so I'm celebrating by naming a font PUCKERY TART!
https://fontbundles.net/vladfedotovv/23309-boxo-font
Boxo is a sans serif display typeface with round corners. It's a very versatile typeface that works great in large and small sizes, tight and wide spacing.
https://fontbundles.net/geekmissy/19023-macguffin-fun-font-set
Simple, clean, and fun -- MacGuffin is like if Dr. Seuss and a highway sign got put in a blender and came out in font form.
https://www.myfonts.com/fonts/wiescherdesign/slam-rounded/
»SLAM« is my new, very sturdy but elegant slab-serif font family. I designed this font family with body copy in mind and gave it all the glyphs necessary for use with all latin writing languages. I also gave the fonts all kinds of different numerals as well as a complete set of small caps and overall extensive kerning. It comes in eight rounded weights with corresponding oblique cuts. Enjoy this original font, it is a real work horse!
https://fontbundles.net/geekmissy/64995-velvet-pants-a-tall-narrow-caps-font
Tall. Narrow. Spaced wide. Sounds like a pair of fashionable trousers to me! Named after a song by the band Propellerheads, this font is fun for crafts, print, branding, and more!
https://www.myfonts.com/fonts/calderon-estudio-type-foundry/bordonaro-spur-rounded/
The new version of Bordonaro Spur includes rounded corners. Meet it!
https://www.myfonts.com/fonts/calderon-estudio-type-foundry/bordonaro-script-rounded/
The new version of Bordonaro Script includes rounded corners. Meet it!
https://creativemarket.com/DrewMelton/32705-Lastra
Say hello (again) to Lastra! Ideal for for the neighborhood cafe and/or restaurant. This updated version of Lastra looks even more delicious. This beautiful font comes only in capital letters (perfect if you want to make a statement). It also comes equipped with numbers along with a well stocked supply of special characters. Equipped with 5 complimentary styles and a variety of custom flourish glyphs you will be attracting new customers in no time.
Kommissar Font Family
Developed for print and screen-based editorial projects, Kommissar balances the need to be direct, compact, and distinctive with the ability to be both expressive and pragmatic. When approached by Fast Company creative director Florian Bachleda to provide the typographic palette for his redesign of the magazine in 2011, designers Christian Schwartz and Vincent Chan knew that their headline typeface needed to help support the goals of the redesign: making the magazine feel bright, open, fast-paced, and unabashedly digital.
Dolcetto Font Family
The epitome of elegance and grace, flowing effortlessly from letter to letter, Dolcetto is a must have for any project that requires an air of opulence and distinction. This refined and grand typeface comes fully loaded with 330 glyphs across 4 weights which all include stylistic alternates.
Sayfull Font
Sayfull is a bold sans serif font with playfull look. It contains all caps letters, numbers and symbols. This font suits for branding, prints, posters, banners, kids designs, handmade goods and other creative things.
Akhand Odia Font Family
Akhand Odia is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Odia is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.
Karelia Font Family
Karelia is a contemporary sans serif in four weights and eight styles, sporting a subtle mechanistic flavour. While its spacing, proportions and apertures are geared towards headlines, the details take cues from the opposite end of the spectrum: type designed for the smallest sizes. Karelia elevates these structural elements to an aesthetic role. Dislocated corners carve trapezoid ink traps, echoed by the squared-off counters. The resulting look is conventional in small sizes but expressive when set large.
Foxlite Script Font
Foxlite is a modern calligraphy brush font. It contains uppercase and lowercase letters, numbers and symbols. Great for posters, headlines, branding and print and much more.
https://www.myfonts.com/fonts/shinn/dair/
A restoration of the first Canadian-designed typeface, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who mapped the Gulf of St. Lawrence in the 1530s.
Grenze Font Family
Grenze is a big typeface system of 9 weights (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) with matching italics. A hybrid development between Roman and Blackletter styles, in search of combining the impact and attraction of texture with the readability of classical forms. Designed to be applied mainly in magazines, it presents great performance and a rich palette of colors that invites to uses creative applications. The name of this family derives from the word “frontier”.
https://www.myfonts.com/fonts/don-citarella/citarella-gothic/
In seeking a strong, utilitarian gothic alternative for Helvetica, we're left with few options for unobtrusive functionalism. As such, we decided to create the Citarella Gothic family. The ligatures are characteristic of the signage and architecture around Sarno, where the Citarella family originates. The sweeping arcs, broad counters, and clean swashes allow for the architectural design to be imbued with the warmth and humanity of its namesake.
Melancholia - Stylistic Sans Serif
I got the idea to develop this font while browsing a series to watch, and I saw this sans serif font with flourish decoration as a title, I couldn't stop thinking about it, because I am into all that vintage thingy and I decided to search if there is a font like that, but I couldn't find anything like that. So I decide to develop a font with that style, a modern sans serif font with a vintage touch, with giving the user the freedom to create the composition.
Crank 8 Font Family
Crank 8 is a collaboration between Greg Lindy and Henk Elenga, a founding member of the Dutch Design group Hard Werken. It was designed specifically as the font for Elenga’s retrospective show and catalog. Ideas that were discussed for this new font included contemporary, historical, and utilitarian motives. Crank 8 needed to feel machine-made yet reveal the human touch involved in the manufacturing process. Elements in the font are referential and imaginative, enabling Crank 8 to feel both historical and contemporary.
https://fontbundles.net/genilson/10487-linna
Linna is a serif font in all caps, based on humanist typefaces. The uppercase and lowercase are designed with different shapes. It contains all the alphabetical letters, numbers, ligatures, accented glyphs, symbols, ornaments and other opentype features. This typeface is great for headlines and titles. It contains 590+ glyphs, supporting more than 200 languages.
Monomi Font Family
Monomi is a monoline, monospaced, monogram typeface. Custom characters and perfect font spacing allows any letter and/or numeral combination to be set as a monogram.
https://www.myfonts.com/fonts/wiescherdesign/blitz/
A very glitzy Blitz! I always wanted to design a typeface that was top heavy, but I never knew how not to make it look like Antique Olive, until recently -- I had an idea. My new family is very readable despite it beeing top heavy, thin on the low end and thick on the upper end. The font gets a special shine because of this effect. And it stays readable despite its special design.
https://www.myfonts.com/fonts/ilott-type/57-nao/
Designed in 1950s Japan by Okanao & Kushiro, the perfect partnership until artistic temperaments drove them apart.
