Compagnon Font Family

Compagnon is a typeface family composed of five distinctive styles. It finds its inspiration in the online archives of Typewriter Database specimens and combines different periods of the history of typewriter typefaces. Each weight is based on singular references relating to significant periods aiming to underline the evolution of typewriter characters as they are called.

https://www.myfonts.com/fonts/urw/apache/

Begum Tamil Font Family

Begum Tamil is a display family optimized for Editorial Design usage. All of its vertical strokes have serifs, both in the Latin and Tamil letters – but since Begum Tamil is upright, this application is unproblematic. Although developed as a display face, its effectiveness is not only limited to headlines; Begum Tamil’s proportions are suitable for shorter-length texts in any medium. Begum Tamil is part of a larger family that support also Devanagari and Latin scripts.

La Chata Font

"La Chata" This is a dry stick uniform typeface with rounded finished at the ends of the antlers, apexes, vertices, lines or spurs, also at the junctions with the shaft of the cross bars and shoulders.

https://www.myfonts.com/fonts/fenotype/motel-xenia/

Motel Xenia is an OpenType font with dozens of automatic ligature pairs.

https://creativemarket.com/DmitriyChirkov/2699963-Felora-Latin-Cyr

Introducing the elegant new Felora script! For those of you who are needing a touch of elegance and modernity for your designs, this font was created for you!

Gotham Narrow [Updated] - Extended Latin, Greek, Cyrillic

+ ScreenSmart & Office Version

Gotham Narrow - a new and economical Gotham, specifically designed for text. Typefaces whose letterforms are rooted in the square and circle are known as "geometrics," and they're one of typography's great paradoxes. Their wide proportions and open shapes make them easy to read at text sizes, and a well-designed geometric can reinforce this clarity through careful attention to the design's internal proportions as well. (Gotham's large lowercase has dilated features, succinct ascenders and descenders, and a generous fit, which combine to make Gotham especially clear at text sizes and below.) But because geometrics are wider than average, they can be difficult to use in narrow columns, which is exactly where text most often appears.

Cout Font

Cout is a experimental font. It contains all caps letters, numbers, symbols and some language support. Cout is a great font that I advise to use in large formats like posters or posters, in titles, with short words.

Dellamonde Regular Script

Introducing Dellamonde is a Classy Script font. Inspired by luxury and branded stuffs make this font looks classy and awesome in many way to your latest project. Dellamonde is perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

Beacon Font Family

Designed by Phil Martin in 1987, Beacon is a Serif (Antiqua) / Old Style font release by URW. Contains language support for West, East, Turkish, Baltic, and Romanian.

Riks Font Family

The Riks stencils, completing Sindre Bremnes’ Telefon family, is in part based on the seven letters adorning the sides of the telephone kiosk by the same name, designed by architect Georg Fredrik Fasting in 1932. In Bremnes’ all-purpose Telefon typeface the original stencil ‘O’ is relegated to a stylistic set – in Riks its stencil logic is applied to the entire character set.

Coldiac Font Family

Coldiac - Luxury Serif Font is a modern serif font family whose design refers us to the style of transitional serifs. The distinctive features of Coldiac - Luxury Serif Font are the relatively low contrast of strokes, the slightly squarish shapes of round characters and the emphasized businesslike nature.

Guardian Sans Headline Narrow

Graphic design often needs sans serifs which are compact enough to increase economy without feeling explicitly like a condensed typeface. This width expands the versatility of Guardian Sans Headline, making it particularly useful in corporate identities and signage programs.

Entopia Script Typeface

Entopia is a beautiful and modern handwriting script typeface. Entopia has multiple international language support and includes a full set of lovely uppercase and lowercase letters, multilingual symbols, numerals, punctuation and ligatures.

Quase Poster Font Family

Quase is a very free interpretation of the types found in the “Specimen of Printing Types” by William Caslon from 1785. We didn’t want to follow any of the models introduced in the Specimens, but rather gather a series of typographic aspects that we found useful and interesting from the several sizes and styles available and then give them consistency and new proportions so they could fit our very own purpose. We wanted to start with Caslon and then transform it into an editorial typeface, hence the increase of the x-height and the radical reduction of the ascenders and descenders. Despite the Display, Headline and Text fonts we also wanted to make a single weight Poster version with, inspired by the mechanical script introduced in the Double-Pica Script, to be used in magazines or as a complementary display typeface.

Azonix Modern Font 

Azonix is a modern sans-serif typeface. I was inspired by other fonts used in sci-fi and futuristic films such as Exmachina. This typeface consists of bold geometric upper case letters, numbers and punctuation (symbols). Enjoy the font!

Aster Font Family

Aster was designed in 1958 by Italienne designer Francesco Simoncini, the founder of the Simoncini type foundry in Bologna, Italy. It is a text typeface designed for use in newspapers and books. Aster has short ascenders and descenders, and although its design has traits of traditional newspaper typefaces, it is a truly new and unique, economic and sturdy typeface of classic quality, still popular and in use today. Aster was designed by Francesco Simoncini in 1958.

https://www.myfonts.com/fonts/canadatype/chikita/

Chikita greets you with big, happy eyes, and all the energy in the world. She wants to skip the talking and get to the dance floor, where she owns the beat and sways like a tongue of fire. She doesn't settle for anything less than everyone in the room fixating on her, and every pair of eyes is indeed happy to oblige. Being both the noumenon and phenomenon of the party, she remains in your mind long after closing time. And you just know the next time you see her your heart will skip a beat and a welcome wave of contentedness will wash over you.

Blades Font Family

Sharpen your weapon with this slick, serif typeface, with an edge! Package comes with four weights: Light, Regular, Bold, and Black.

Candy Pop Font Family

Candy Pop! is a combinable outline font layered, funny fresh and very legible organic forms with psychedelic style and pop, uneven contour, bevel type, makes the design of titles, two or more colors, for posters, flyers or advertisements, is an easy and entertaining with homework Photoshop and this source display.

Getho Semi Sans Font Family

Getho is a Semi Sans font family geometric construction with 6 pesos more versions italics all sources include letters in small caps, the symbol of Bitcoin ( b#) and other money symbols. 

Bellanessia Regular Script

Introducing Bellanessia is a luxury signature font. Inspired by luxury and branded stuffs make this font looks classy and awesome in many way to your latest project. Bellanessia is perfect for logos & branding, photography, invitation, watermark, advertisements,product designs, stationery, wedding designs,label ,product packaging, special events or anything that need handwritting taste.

https://www.myfonts.com/fonts/urw/arsapia/

Michael Hoffmann manufactures digital fonts for 30 years. At URW++ he contributed to the technological progress. Over the years, he also specialized in the ideal representation of fonts on screen and the complex assembly of international fonts with scripts of all countries. In his latest project he put the emphasis on developing a highly readable typeface. Less interested in the design as in the functionality of this typeface, he designed Arsapia which he has now installed as a system font on all his computers. Michael Hoffmann studied Japanology at the University of Hamburg and traveled in the early years of his professional activity frequently to Japan, there to train the IKARUS font production tools to Japanese customers. In his spare time he plays guitar or golf depending on the weather.

Didot Headline Font Family

In spite of its name, this font family embodies the ultimate classic modern advertising typeface, rather than concern itself with revivalism or Didone authenticity. Naturally the spirit of the original Didot faces still exists in this family, but over twelve years of work on it have made it more fitting to the luxurious expression of our day and age, rather than nineteenth century Europe.