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Categories: GFXTRA Special » Special Fonts
29LT Zarid Slab Font Family
29LT Zarid Slab is a firm typeface with agile attributes. The strong slabs in the Latin are countered by a sturdy Arabic baseline and straight letters structures. It’s suitable for both display and text purposes. While the Latin letterforms follow the Latin Slab Serif typographic structures, the Arabic doesn’t follow a specific Arabic calligraphic style. It borrows from the overall calligraphic approach that is found in the Naskh and the Geometric Kufic styles and renders the outlines is a contemporary innovative way. It is an exercise of typographic balance between geometric and cursive outlines. The positive outlines balance the negative spaces and give a unique reading flow.
Categories: GFXTRA Special » Special Fonts
Stinger Font Family
In designing Stinger, the Zetafonts design team composed by Maria Chiara Fantini, Andrea Tartarelli and Francesco Canovaro and orchestrated by Cosimo Lorenzo Pancini decided to marry this subversive tradition with the workhorse approach of modernist sans serif typefaces like Univers, developing a super-family with four widths, each in five different weights, from thin to heavy. This gives the designer a full range of options for type setting, with the Normal and Fit widths providing two different text-sized alternatives, the wide width adding display and titling options and the Slim ready to deal with the space-saving necessities of extremely long texts. True italics have been added developed for all weights and variants, bringing the Stinger family to a total of 40 fonts, with a latin extended + russian cyrillic character set covering over 200 languages, and open type features including positional numbers, stylistic sets and alternate forms.
Categories: GFXTRA Special » Special Fonts
Elizeth Font Family
Elizeth is the seriffed counterpart to Ofelia. It is a very versatile typeface in two widths and seven weights, to be used in a great variety of situations. The normal width is a geometric slab which evokes early XX century rationalism — establishing dialogue with typefaces such as Rockwell — however using bracketed serifs.
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