Quieta is a humanist serif typeface inspired by the aesthetics of Italian Renaissance and by the empowering history of the painter Artemisa Gentileschi, first woman to be admitted to an Academy of Fine Arts in Italy. The designer, Maria Chiara Fantini, has used sharp flat-nib calligraphic strokes to add a vibrant contemporary vibe to the traditional humanist proportions.

Árida pays homage to the Argentinian city of San Juan, located in the semi-desert Cuyo region, where cacti are abundant; a characteristic feature of arid habitats. Árida, inspired by the vegetation of the place, looks sharp and aggressive at large sizes but it also feels friendly at a smaller scale⁠—portraying the dichotomy between humans and nature. Árida comes in 5 weights, ranging from Regular (with a matching italic) to Black. The Regular variant contains 773 glyphs and its Italic counterpart is composed of 939 glyphs. The font also includes small caps, different styles of figures, ligatures, and stylistic and contextual alternates, among other OpenType features.

Cindie 2 contains 26 mono-spaced widths all of which are an increment wider/narrower than the next. This allows for complex multi mono-stacking of the font. In addition, punctuation, space and symbols are either a 1/3 or 2/3 width of a letter. This sounds complex, but it makes the wider widths more practical to use and gives a designer more options for the mono-stacking system at the heart of Cindie.

Magalie is a playfully serious, yet seriously playful serif typeface. Its fairly narrow width and sharp edges make it most effective when used at large sizes, for logotypes or headlines.