interior door set1

https://3dsky.org/3dmodels/show/interior_door_set1

Platform: 3dsMax 2016 + obj Render: Vray+Corona

MMK Corner Bed

https://3dsky.org/3dmodels/show/mmk_corner_bed

Platform: 3dsMax 2015 + obj Render: Vray+Corona

bathroom accessories 49

https://3dsky.org/3dmodels/show/bathroom_accessories_49_3

Platform: 3dsMax 2016 + fbx Render: Vray

Audi RS5 Sportback 2020

https://3dsky.org/3dmodels/show/audi_rs5_sportback_2020_1

Platform: 3dsMax 2013 + fbx Render: Vray

Store

https://3dsky.org/3dmodels/show/store

Platform: 3dsMax 2012 + obj Render: Corona

Pioneer X-CM35

https://3dsky.org/3dmodels/show/pioneer_x_cm35

Platform: 3dsMax 2012 + fbx Render: Corona

Set of bathroom furniture OPEN 01 + Bathroom Accessories

https://3dsky.org/3dmodels/show/kompliekt_miebieli_dlia_vannoi_open_01_aksiessuary_dlia_vannoi_komnaty

Platform: 3dsMax 2015 + fbx Render: Vray+Corona

Ecosmart / Atom and Bulb

https://3dsky.org/3dmodels/show/ecosmart_atom_and_bulb

Platform: 3dsMax 2012 + fbx Render: Vray

https://fstormrender.com/

FStormRender has being developed by PinkSoft LTD since 2015 and becomes the most popular GPU render with architectural 3d artists due to its speed, quality and simplicity.  FStormRender doesn't use any existing solutions implemented in other render engines and uses only inhouse technologies giving outstanding, unique and photorealistic result.

An essential guide for a new generation of artists to learn professional-level art skills—no student loan required!Now a successful artist, illustrator, and YouTube star, Marco Bucci once thought you had to be born with art talent and go to an expensive art school to have a career in art. Unfortunately, he couldn’t draw and didn’t get into art school, but he heard that drawing was something you could learn anyway, so he set off on a self-guided journey of becoming an artist. In Debt-Free Art Degree: Foundations in Drawing, Marco shares what he learned to help you become a successful artist without experiencing the same false starts and setbacks he did. With QR codes to video demonstrations to solidify your understanding of the techniques and concepts, this accessible yet comprehensive guide offers

https://www.houdini.school/courses/hs-111-history-of-houdini-systems

This recorded course introduces students to the history of Houdini and how the software has developed over time. Learning how the software operates is a huge part of becoming a VFX artist. But understanding how the operators and the networks evolved over time is a plus. In this course, we will discuss certain tools inside of Houdini, and how they grew into the SOPs, DOPs, and other functions we know today.

https://www.houdini.school/courses/hs-227-visualizing-protein-data-bank-information

 

In this recorded course, students will be shown how to build and process Protein Data Bank data inside of Houdini. They will learn how to understand atomic values, visualize atomic elements, bonds between elements, information about residues and binding sites, as well as other protein information. There will also be a visual element for breaking down the different systems inside of biological proteins.

https://www.houdini.school/courses/hs-116-working-with-scientific-datasets-in-houdini

This recorded class is a technical session on working with various different scientific data types in Houdini. Topics covered include data wrangling, Houdini-friendly formats like Geo/Bgeo and OpenVDB, Houdini-unfriendly but common scientific data representations like Adaptive Mesh Refinement, and spatial and temporal data interpolation. This will be an introduction to the data and programming side of Houdini, with less focus on design or rendering.

https://thegnomonworkshop.com/tutorials/advanced-compositing-keying-creating-2-5d-projections

This advanced compositing workshop guides you through compositing a shot, from start to finish, following the principles that would be expected of you in a real VFX production setting. Over the course of 3.5 hours, you’ll comp a photorealistic VFX shot while learning helpings of tips and tricks from Meliza, a Senior/Lead Compositor and Lead Digital Matte Painter, including how to solve common compositing problems that even professionals run into when working in Nuke.  Meliza begins with a lesson in color space, explaining how to work in linear, without compromising an original log plate. You will then do a 3D camera track in Nuke, and use this information to build a 2.5D background. Meliza provides subscribers with a layered digital matte painting to use; she instructs how to project these layers into cards. Meliza also teaches the important keying techniques that she always uses in production and that have proven successful on even the most difficult green- and blue-screen shots.  Once the tracked background and keyed plate are done, Meliza shows how to add 2D elements from Action VFX to bring the environment to life. As the final step, you will learn how to create a depth matte, match focus, and add grain.  Working knowledge of Nuke and some experience in compositing is required for this workshop, though artists of all levels will find inspiration in Meliza’s insights and workflow.  Project files provided with this workshop include Meliza’s Nuke assets. A PDF containing useful links to download assets directly from Action VFX is also provided for those that want to utilize the same assets as featured in this workshop.

https://thegnomonworkshop.com/tutorials/designing-creature-makeup-for-film-in-photoshop

 

Designing makeup concepts for film and television is an important skill set for concept artists at the Wētā Workshop in New Zealand, known for decades of groundbreaking work. Join Senior Concept Designer Johnny Fraser-Allen as he shares his Photoshop techniques to effectively design character and creature makeups in this four hour workshop, with tips aimed at artists of all levels.  This detailed workshop will teach you how to deliver and lock down approved designs for the film industry. Aimed at the early stages of a production, the Photoshop-based techniques covered will allow for quick ideas to be delivered to the director as well as tackling quick changes needed to rework designs into alternate options for the same brief.  Starting with a quick warm up, Johnny goes through the steps required to build an original creature makeup design, before starting on three Ogre Lord concepts over the same actor. This same process is how he designed and reworked director notes for the BFG for Steven Spielberg, dwarves for Peter Jackson, and goblins for the Jim Henson Company.

https://thegnomonworkshop.com/tutorials/mastering-body-mechanics-in-maya

One of the best things you can do to improve your animation workflow in Maya is to learn how to animate with the Master Control. While the Master Control is generally used for the placement of 3D characters, it can also be used to make the animation process a lot simpler — providing that you use it correctly.  This method taught in this 4-hour workshop by Senior Animator Kevin Nguyen can be implemented by animators of all levels, and can be used in both personal projects or professional production shots. It eliminates a lot of the technical hurdles in posing when animating a shot that requires a lot of movements, especially very complex character mechanics.  Kevin’s method will not only simplify the process of animation in Maya, but should ultimately save the animator a lot of time, which is a precious commodity in production. This workshop will help animators to work more freely and focus more on the artistic side of the animation process, rather than being held back by the technical side. This workshop also offers useful workflow tips and tricks to help improve the overall efficiency of any existing animation workflow.

https://cgcookie.com/courses/rig-blender-s-character-rigging-playbook

 

  Don’t you hate it when you try to learn something from a video tutorial only to forget everything by the time you go to put that learning into practice? Nobody wants to watch all that content again just to remember a few of those small bits you can’t quite remember.  RIG is a little bit different in that regard.  The aim of this course is 2 fold. First it aims to teach you the why and how behind some of the most common setups you will need to master for rigging a biped character. Secondly it aims for you to never have to watch the tutorials again by providing you with all the detailed schematics of each of the setups and teaching you how to read them.  It’s like having the recipe book full of all the main meals you’re going to need to make. If you forget how to make that meal, you can look it up in the recipe book and get an instant reminder.  This is the first of many releases, with this initial launch focused on all the parts that are common to most biped characters you are likely going to rig. Later releases will focus on modular parts that are more style specific. (for example, different types of facial setups etc)

https://www.outdoorexposurephoto.com/video-tutorials/video-tutorials/

 

Start to finish step-by-step developing tutorial.

• 14 Chapters
• Practice images included
• Planning the edit
• Non-destructive workflow
• Raw image preparation in Lightroom
• Exposure blending
• Image clean-up
• Lens flare removal using frequency separation
• Creative adjustments for contrast, clarity, color and light

Introduced by Timurtype Studio!

Kitchen Whisker is a Playfull Handwritten Display Font

This font is a playful handwritten display font that brings a touch of whimsy to your designs. With its charming, organic strokes and delightful curves, this font evokes the warmth of home cooking and creativity. Perfect for food-related projects, recipes, and casual branding, Kitchen Whisker adds a fun, flair that invites viewers to savor every word.

https://awteaches.com/product/evening-simulation/

 

I’ve always stated that I do not like to photograph during the evening because I prefer to be at home, however, I love the evening light. Join me for this edit while I show you how I create the evening light look with images that were captured during the day!