He brings three lenses—wide angle, telephoto, and macro—to shoot the valley from a variety of perspectives and focal lengths. Then he lands on Second Beach, experimenting with various foreground-and-background compositions. Last, Justin investigates the Hoh Rain Forest, where he shows how to shoot landscapes in the rain and introduces one more vital piece of equipment: the tilt-shift lens. In the final chapter, he reviews the selects from the shoot and the post-processed results.

Topics include:

    Defining the HIPS acronym for the shooting workflow
    Taking a serene shot of a creek
    Shooting waterfalls
    Isolating trees in a forest
    Getting a macro shot of the forest floor
    Shooting reflective pools
    Using a tilt-shift lens for a panorama
    Shooting fall foliage
    Comparing polarized shots

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