What you'll learn: Create your "Project File System" for submitting on film festivals with free tools Write a logline and synopsis that presents your film properly Create your attractive film poster and arouse curiosity about your film with a thrilling trailer My workflow of creating the screeners and DCP Set up your easy and dynamic film website without coding Create your logo and business cards for your networking appearance at film festivals Learn about my personal story, tools and tricks for your social media channels Requirements Adobe Products: Photoshop and Premiere Cloud Service with more than 6GB of storage space (Dropbox or Google Drive,…) Description Are you ready to take your film on a life changing journey? A good film alone is not enough for people to reach it - its exploitation must be strategically prepared. Film festivals are the best way to inspire others, to get feedback on your work, to grow yourself and to make important new contacts. - This is the first part of my film festival course serie preparing building your film festival kit. It is a practical guide with lots of examples that will help you to get more clear. After each lesson you will receive a summary in the PDF resources with a task that will take you one step further in completing the preparation of your film for submission to film festivals. – About me Why I created this course: My visits to film festivals in recent years are one of the experiences in my artistic career that I would not want to miss. I was lucky enough to win more than 70 prizes worldwide with my last short film "Paris you got me" and to be invited to film festivals as a jury member. I was often asked how I managed to get invited to so many film festivals without the help of a film festival agency or manager. With some interested filmmakers I did some live online coaching, but promised to do a practical course about it one day. This is also my way of saying "thank you" to everyone who made these trips and valuable encounters possible. Who this course is for independent filmmakers with big dreams, who cannot spend a fortune in the exploitation of their film, but are willing to fight for their success.
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