The focus here is on bass sounds and the 32 tagged .NKI based presets cover a lot of sonic ground, including the squelch of the MK I, the raw electricity of the MK III and the gorgeous warmth of the 2600, all lovingly captured in 24-bit, 48kHz audio. 4RP I includes fully sampled patches from all 3 instruments as well as raw waveforms and noise from the 2600 for the greatest possible flexibility.

4RP I utilizes Particle Sound's Carbon interface which is based on a dual layer design with linkable sections. Each layer offers a selection of 6 sampled waves and/or multi-samples with sample start point modulation, an additional noise source and a multimode filter. A complement of 2 full envelopes, 1 attack/release envelope and 2 LFOs are available and can be assigned to a variety of internal parameters. Each layer also includes it's own controller section where 2 assignable parameters can be controlled in varying amounts by a single knob for easy mod-wheel or aftertouch assignments. A global FX section rounds out the interface with access to up to 6 simultaneous effects for the final polish.

Features:
826MB (uncompressed) of 48kHz 24-bit samples
32 tagged .NKI based presets featuring bass sounds from both the MK I & MK III Arp Odysseys as well as the Arp 2600.
Includes fully sampled patches as well as individual waveforms and noise.
Intuitive dual layer interface with individually linkable sections.
Each layer offers mixable noise and start point modulation with a choice of 6 sampled waves and/or multi-samples.
1 AHDSR, 1 ADSR, 1 AR and 2 LFOs.
Selectable Lp, Hp, or Notch filters and an assignable controller section.
Global sample shift and scaling accuracy sliders.
Global FX section with up to 6 simultaneous effects.

Requirements:
830MB of free hard drive space.
Full retail version of Kontakt 5.4.1.211 or later.

Home page: bit.ly/1TUiehC

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