THE SPEAKERS
The “V60” is based on 60 watt Celestion Vintage 30 speakers made specifically for Mesa Boogie.
The “V70” is based on 70 watt Celestion Vintage 30 speakers made specifically for Mesa Boogie.
The “V60+V70” is a blend of the two speaker types with the V60 being dominant in the mixture.
The “V70+V60” is a blend of the two speaker types with the V70 being dominant in the mixture.

MICS
“57” is based on a modern production Shure SM57 dynamic microphone.
“70” is based on a Microtech Gefell UMT70S condenser microphone.
“121” is based on a Royer R121 ribbon microphone.
“160” is based on a Beyerdynamic M160 ribbon microphone.
“414” is based on an AKG C414 B-ULS condenser microphone.
“421” is based on a vintage Telefunken MD421-5 dynamic microphone.
“MID” is based on a mid field placed AEA R92 ribbon microphone.
“REAR” is based on a vintage Neumann KM84 condenser microphone.
“ROOM” is based on a vintage Neumann KM84 condenser microphone.

MIXES
“EWH” is based on a multi-mic configuration created by Eric Hill.
“JS” is based on multi-mic configurations created by Jon Symons.
“MDRN” is based on a 57 + 421 mic combination.
“OH1” is based on a 57 + 121 mic combination.
“OH1F” is based on a more “fat” sounding 57 + 121 mic combination.
“OH2” is based on a 421 + 121 mic combination.
“OH2F” is based on a more “fat” sounding 421 + 121 mic combination.
“PROG” is a proprietary mix that excels in modern progressive music styles.
“SP2” is based on a multi-mic configuration created by Scott Peterson.
QUICK START CONTENTS
The Quick Start folder contains the OwnHammer picks for the most universally ideal single mic and mix positions.
Though your mileage may vary, this is a great starting point to get an idea of the overall sound of the cab, speaker,
mics, and mixes, and discovering which options you may wish to explore further in the auditioning process.
Wave audio format IR's (.wav) are compatible with convolution reverb type loaders in recording software and outboard hardware units and are provided in:
24 bit resolution
44.1, 48, 88.2, and 96 kHz sample rates
mono channel count
minimum phase transformed ("Mpt") and non-minimum phase transformed
200 and 500 ms decay tail lengths
For added convenience, .wav files appropriate for conversion or submission to the following platforms have been separated out and designated within the library structure:
Atomic Amplifire
Fractal Audio Systems hardware/software
Kemper Profiling Amp
Line 6 Helix
Two Notes hardware

KNOW YOUR PLATFORM'S FILE FORMAT!
THIS LIBRARY CONTAINS .WAV FORMAT FILES ONLY.

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