D16 Group Decimort 2 v2.0 WIN MAC OSX-UNION
UNION | 08 Jan 2016 | WIN: 50 MB | OSX: 35 MB
Electronic music producers (especially in Hip-Hop) have always been aware that classic samplers (such as early Akai and E-MU units) had a character and sound of their own. They added a "grit" and "colour" to the samples and loops they played back which made them sound "Fat" and sit well in a mix. This sound colouration was due to the encoding techniques, lower sample rates, lower bit rate and conversion circuits which these early samplers used.
Decimort recreates this colouration and adds the vintage sampler magic to any loop, bass line or sound played through it. It also acts as the perfect bit crusher with filter.
The complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter. Decimort has no internal aliasing. The only aliasing effect present in the system is the modelled aliasing of the classic samplers d16 modelled when creating it. Undesired artifacts are not present in the processed signal. Only wanted artifacts remain. A further very steep low-pass filter, synchronised to the signal frequency, can be applied at the end of the signal path to absolutely ensure that no unwanted out-of-band signals remain.
Features:
Ultra accurate resampling algorithm (ADC emulation, no harmonics above 22kHz).
Approximative (pre) filter and Image (post) filter, both conjugated with resampler (new in v2).
Adjustable jitter (new in v2).
Quantization with controlled dithering (new in v2).
Two quantization methods (mid-raiser, mid-tread) (new in v2).
Analogue-like filters with adjustable resonance and cutoff.
Tag based preset browser (new in v2).
Two alternative GUI sizes (new in v2).
MIDI-learn functionality throughout (new in v2).
64-bit internal processing.
No harmonic distortions at output (unwanted).
Changes in Decimort 2
Two optional anti-alias filters – A very steep low-pass pre filter (Approximative Filter) coupled with the resampling frequency that removes all harmonic content above it, ensuring no aliasing will appear below this frequency in the spectrum. A further post filter (Image filter), also synchronized with the resampler, gives control over amount of aliasing images appearing above resampling frequency when enabled.
Adjustable Jitter – Feature which introduces short-period, random fluctuations to the resampling frequency, producing different then downsampling type of harmonic distortion.
Two quantization methods – Two available quantization methods; the mid-raiser and mid- treat decimation algorithms, each of them characterized by a drastically different dynamics response.
Controllable dithering – Dithering was conceptually developed as means for reducing the audible quantization errors by masking the harmonic distortions they cause. Controllable dithering allows to increase number of ways in which sound can be (mal)treated.
Tag-based preset browser.
Two alternative GUI sizes.
MIDI-learn functionality throughout.
Homepage:
http://d16.pl/decimort2
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