TrackPlug 5
10 bands of professional, 64-bit EQ
EQ band types: parametric, low/high shelf, analog low/high shelf, resonant low/high shelf, low-pass, band-pass, high-pass, or notch filter
Brickwall lowpass/highpass filter section
Third-octave spectrum analysis display
Dual multi-mode compressors and a gate
Clean, vintage, peak, and RMS dynamics modes
Sidechain EQ support on each dynamics section
External sidechain support (RTAS, AU and MAS)
Adjustable lookahead delays
Peak limiter
Comprehensive metering
Master preset manager and preset manager per section
Over 60 master presets, 30 compressor presets, 60 EQ presets, 10 gate presets
Latency compensation
Fully automatable
Up to 192K support
Mono or stereo

MasterVerb 5
Early reflection section- halls, rooms, plates, chambers, echo, cathedral, nightclub, ping-pong
Two late reverb algorithms - Hall (for all sizes of rooms) and Plate (for super dense plate reverbs)
3-band EQs for early and late frequency response adjustment
Early/late and wet/dry controls for adjusting mix
Triggered envelope control for special effects such as gated and reverse reverb
Graphical "character" control allows you to quickly adjust the size and decay time of the space
Time response plot showing delays, early reflections, late reverb, and envelope
3-D frequency response plot of reverb decay
Over 60 presets
No latency
Fully automatable
Up to 192 kHz support

FinalPlug 5 Peak Limiter / Maximizer
Sonically transparent peak limiting, use as mastering limiter or volume/loudness maximizer
Auto release control for greater sonic clarity
Bit depth truncation from 4 to 24 bits
TPDF dithering
Comprehensive noise shaping options, choose between 12 noise shapes
Presets for CD and DVD-audio mastering and track compression
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo

MultiDynamics 5 Multiband Dynamics
Up to 6 independent bands
Proprietary crossover filter network eliminates amplitude distortion between bands
6 dB/oct, 18 dB/oct and 30 dB/oct crossovers
Full featured compressor or expander/gate per band
Dynamics controls per band: Lo Gain, Thresh, Hi Gain, Ratio, Attack, Release, Knee
Per band and All band control editing
Clean (for transparent sound) and vintage (for analog colorization and warmth) dynamics modes
Per band Bypass, Solo and Mute controls
Comprehensive visualization of input levels and dynamic EQ response
Adjustable lookahead
No latency if lookahead is off
Latency compensation via compatible hosts
Up to 192 kHz sampling rate
Mono or stereo

Panorama 5
Position and move sound in three dimensions
Cartesian or polar coordinates
Uses Head-Related Transfer Functions (HRTFs) to reproduce binaural sound localization cues
Integrated reverberation and distance cues
Separate sections for early reflection modeling and late reverberation
Control dimensions and surface material of all six surfaces of the room
Early reflections are spatialized using HRTFs
Doppler pitch effect
Processing for playback over loudspeakers or headphones
Crosstalk canceling based on real head models
Ships with 10 human and 1 dummy-head HRTF set
Can load user-provided HRTFs
Full automation support for creating moving sounds
Up to 192 kHz sampling rate
Mono or stereo inputs (always stereo outputs)