The equalizer itself is very versatile providing up to 12 different bands, any of them can behave like digital precise EQs or can have analog character. The analog emulation in this plugin is the most advanced we have ever made, of course it emulates the saturation of analog gear but also the component tolerance so that no band behaves like another. In a few words it means a slight level of unpredictability that make things more interesting and “alive”.

Each band can work like any of the 17 different available filter type, including low pass, high pass, band pass, high shelf, low shelf and the classic fully parametric peak equalizer.

In addition to the standard eq controls specific to the filter type, every band can work as a dynamic filter borrowing the automatic attack and release and the automatic threshold from our HoRNet DynEQ, this approach gives you easy control on the dynamic behaviour of the each band without needing many controls and making dynamic EQ as easy as dragging a dot on the screen.

Each band of the EQ has Mid/Side capabilities allowing you to select individually the source and to correctly fine tune the frequency response of your stereo image.

The plugin also provide global controls that allow you to enable or disable analog emulation and saturation globally, and the ability to link input and output so that when you change one the other gets updated accordingly and you can easily drive the analog engine of the plugin without changing its output level.

To take EQ decision more easily we also added the “EQ LOUD” button that stands for “equal loudness”, borrowing the code from our CLMS plugin we are able to keep the loudness level constant no matter what you do to your eq bands, this in turns gives you the ability to judge your EQ decisions removing the infamous “loudness bias”

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home page: https://www.hornetplugins.com/plugins/hornet-total-eq/

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