Deeply Capable Yet Instantly Approachable
Hyperion synth has been designed from the outset with sonic flexibility in mind whilst keeping modular patching approachable and easy to follow.

Efficient processing enables up to 10 layers of complex sound patches which can be affected in unison by macro controls, but which can also send modulation data and aux buss audio between each other.

The ability to quickly layer and split polyphonic modular patches using a wide variety of synthesis methods and with individual chord, arpeggiation and bus effects per layer is an instant source of musical inspiration for music producers of all genres.

Multi-layer sound designs can be saved and recalled as “combi” patches.
Patch browsing with categories and author filters as well as quick folder switching enables fast retrieval of sounds.

1.48
released 01/22/24
New features:
MSEG data mapper node - useful for re-mapping keyboard range input for example
- or any other data between -1 to +1, 0 to 1, -128 to +128, or 0, to 128. The
checkbox range options in the edit panel will update the input and output pin
ranges according to the options: bi-polar and MIDI range.

Draw oscillator - draw custom audio oscillator shapes freehand or using the
spline mode option - save and load the shapes via the buttons in the editor
panel or right click menu on the node itself (file type is ".cosc").

MSEG oscillator - draw custom audio oscillator with MSEG curves - saving and
loading in the same way as for MSEG LFO (the file format is the same as the
LFOs - ".mseg").

Enhancements:
Comb filter node now includes a 'companding' saturation control and a post
process gain/cut control.
EQ node includes extra (smoothed) controls for selecting the center frequency
of each band.

x64: Standalone (SAL), VST3

home page: https://www.wavesequencer.com/hyperion-synth

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